8 ideas
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 21051 | Check your rationality by thinking of your opinion pronounced by the supreme court [Rawls] |
| Full Idea: To check whether we are following public reason we might ask: how would our argument strike us presented in the form of a supreme court opinion? | |
| From: John Rawls (Political Liberalism [1993], p.254), quoted by Michael J. Sandel - Justice: What's the right thing to do? 10 | |
| A reaction: A very nice practical implementation of Kantian universalisability. How would your opinion sound if it were written into a constitution? |
| 21119 | Power is only legitimate if it is reasonable for free equal citizens to endorse the constitution [Rawls] |
| Full Idea: Exercise of political power is fully proper only when it is exercised in accordance with a constitution the essentials of which all citizens as free and equal may reasonably be expected to endorse in light of principles and ideals acceptable to reason. | |
| From: John Rawls (Political Liberalism [1993], p.217), quoted by Andrew Shorten - Contemporary Political Theory 02 | |
| A reaction: This is not the actual endorsement of Rousseau, or the tacit endorsement of Locke (by living there), but adds a Kantian appeal to a rational consensus, on which rational people should converge. Very Enlightenment. 'Hypothetical consent'. |
| 23812 | Force is what turns man into a thing, and ultimately into a corpse [Weil] |
| Full Idea: To define 'force' - it is that x that turns anybody who is subjected to it into a thing. Exercised to the limit, it turns man into a thing in the most literal sense: it makes a corpse out of him. | |
| From: Simone Weil (The Iliad or the Poem of Force [1940], p.183) | |
| A reaction: She celebrates The Iliad as the great examination of force in human affairs. I have felt that sense of reduction to a thing whenever anyone above me in the hierarchy has arbitrarily exerted their power over me. |
| 23813 | Only people who understand force, and don't respect it, are capable of justice [Weil] |
| Full Idea: Only he who has measured the dominion of force, and knows how not to respect it, is capable of love and justice. | |
| From: Simone Weil (The Iliad or the Poem of Force [1940], p.212) | |
| A reaction: There are, of course, occasions when we are grateful to people who exercise appropriate force on our behalf. I think she was concerned with what is inappropriate. |