22 ideas
| 9821 | A definition need not capture the sense of an expression - just get the reference right [Frege, by Dummett] |
| Full Idea: Frege expressly denies that a correct definition need capture the sense of the expression it defines: it need only get the reference right. | |
| From: report of Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894]) by Michael Dummett - Frege philosophy of mathematics Ch.3 | |
| A reaction: This might hit up against the renate/cordate problem, of two co-extensive concepts, where the definition gets the extension right, but the intension wrong. |
| 9585 | Since every definition is an equation, one cannot define equality itself [Frege] |
| Full Idea: Since every definition is an equation, one cannot define equality itself. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.327) | |
| A reaction: This seems a particularly nice instance of the general rule that 'you have to start somewhere'. It is a nice test case for the nature of meaning to ask 'what do you understand when you understand equality?', given that you can't define it. |
| 17446 | Counting rests on one-one correspondence, of numerals to objects [Frege] |
| Full Idea: Counting rests itself on a one-one correlation, namely of numerals 1 to n and the objects. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894]), quoted by Richard G. Heck - Cardinality, Counting and Equinumerosity 3 | |
| A reaction: Parsons observes that counting will establish a one-one correspondence, but that doesn't make it the aim of counting, and so Frege hasn't answered Husserl properly. Which of the two is conceptually prior? How do you decide. |
| 9582 | Husserl rests sameness of number on one-one correlation, forgetting the correlation with numbers themselves [Frege] |
| Full Idea: When Husserl says that sameness of number can be shown by one-one correlation, he forgets that this counting itself rests on a univocal one-one correlation, namely that between the numerals 1 to n and the objects of the set. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.326) | |
| A reaction: This is the platonist talking. Neo-logicism is attempting to build numbers just from the one-one correlation of objects. |
| 9586 | In a number-statement, something is predicated of a concept [Frege] |
| Full Idea: In a number-statement, something is predicated of a concept. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.328) | |
| A reaction: A succinct statement of Frege's theory of numbers. By my lights that would make numbers at least second-order abstractions. |
| 9580 | Our concepts recognise existing relations, they don't change them [Frege] |
| Full Idea: The bringing of an object under a concept is merely the recognition of a relation which previously already obtained, [but in the abstractionist view] objects are essentially changed by the process, so that objects brought under a concept become similar. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.324) | |
| A reaction: Frege's view would have to account for occasional misapplications of concepts, like taking a dolphin to be a fish, or falsely thinking there is someone in the cellar. |
| 9589 | Numbers are not real like the sea, but (crucially) they are still objective [Frege] |
| Full Idea: The sea is something real and a number is not; but this does not prevent it from being something objective; and that is the important thing. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.337) | |
| A reaction: This seems a qualification of Frege's platonism. It is why people start talking about abstract items which 'subsist', instead of 'exist'. It shows Frege's motivation in all this, which is to secure logic and maths from the vagaries of psychology. |
| 9577 | The naïve view of number is that it is like a heap of things, or maybe a property of a heap [Frege] |
| Full Idea: The most naïve opinion of number is that it is something like a heap in which things are contained. The next most naïve view is the conception of number as the property of a heap, cleansing the objects of their particulars. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.323) | |
| A reaction: A hundred toothbrushes and a hundred sponges can be seen to contain the same number (by one-to-one mapping), without actually knowing what that number is. There is something numerical in the heap, even if the number is absent. |
| 9578 | If objects are just presentation, we get increasing abstraction by ignoring their properties [Frege] |
| Full Idea: If an object is just presentation, we can pay less attention to a property and it disappears. By letting one characteristic after another disappear, we obtain concepts that are increasingly more abstract. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.324) | |
| A reaction: Frege despises this view. Note there is scope in the despised view for degrees or levels of abstraction, defined in terms of number of properties ignored. Part of Frege's criticism is realist. He retains the object, while Husserl imagines it different. |
| 19489 | For me, fictions are internally true, without a significant internal or external truth-value [Yablo] |
| Full Idea: A 'myth' or fiction for me is a true internal statement (a statement endorsed by the rules) whose external truth value is as may be, the point being that that truth value is from an internal standpoint quite irrelevant. | |
| From: Stephen Yablo (Does Ontology Rest on a Mistake? [1998], IX) | |
| A reaction: This contrasts with Carnap, for whom talk of 'ghosts' is false in an internal thing-framework. Yablo seems here to say a statement can be true while having no truth value. Presumably he is relaxing the internal rules. |
| 19490 | Make-believe can help us to reason about facts and scientific procedures [Yablo] |
| Full Idea: Make-believe games can make it easier to reason about facts, to systematize them, to visualize them, to spot connections with other facts, and to evaluate potential lines of research. | |
| From: Stephen Yablo (Does Ontology Rest on a Mistake? [1998], XI) | |
| A reaction: This is the key pragmatic defence of the fictionalist view of abstract objects. Fictions are devices to help us think better. I think a lot of ontology turns out that way. |
| 19491 | 'The clouds are angry' can only mean '...if one were attributing emotions to clouds' [Yablo] |
| Full Idea: It is an open question whether the clouds that we call 'angry' are literally F, for any F other than 'such that it would be natural and proper to regard them as angry if one were going to attribute emotions to clouds'. | |
| From: Stephen Yablo (Does Ontology Rest on a Mistake? [1998], XII) | |
| A reaction: His point is that it is TRUE, in those circumstances, that the clouds are angry. Thus fictions are a valid and useful part of ordinary sensible course, giving real information. I like it. |
| 9581 | Many people have the same thought, which is the component, not the private presentation [Frege] |
| Full Idea: The same thought can be grasped by many people. The components of a thought, and even more so the things themselves, must be distinguished from the presentations which in the soul accompany the grasping of a thought. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.325) | |
| A reaction: This is the basic realisation, also found in Russell, of how so much confusion has crept into philosophy, in Berkeley, for example. Frege starts down the road which leads to the externalist view of content. |
| 9579 | Disregarding properties of two cats still leaves different objects, but what is now the difference? [Frege] |
| Full Idea: If from a black cat and a white cat we disregard colour, then posture, then location, ..we finally derive something which is completely without restrictions on content; but what is derived from the objects does differ, although it is not easy to say how. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.324) | |
| A reaction: This is a key objection to abstractionism for Frege - we are counting two cats, not two substrata of essential catness, or whatever. But what makes a cat countable? (Key question!) It isn't its colour, or posture or location. |
| 9587 | How do you find the right level of inattention; you eliminate too many or too few characteristics [Frege] |
| Full Idea: Inattention is a very strong lye which must not be too concentrated, or it dissolves everything (such as the connection between the objects), but must not be too weak, to produce sufficient change. Personally I cannot find the proper dilution. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.330) | |
| A reaction: We may sympathise with the lack of precision here (frustrating for a logician), but it is not difficult to say of a baseball defence 'just concentrate on the relations, and ignore the individuals who implement it'. You retain basic baseball skills. |
| 9588 | Number-abstraction somehow makes things identical without changing them! [Frege] |
| Full Idea: Number-abstraction simply has the wonderful and very fruitful property of making things absolutely the same as one another without altering them. Something like this is possible only in the psychological wash-tub. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.332) | |
| A reaction: Frege can be awfully sarcastic. I don't really see his difficulty. For mathematics we only need to know what is countable about an object - we don't need to know how many hairs there are on the cat, only that it has identity. |
| 9583 | Psychological logicians are concerned with sense of words, but mathematicians study the reference [Frege] |
| Full Idea: The psychological logicians are concerned with the sense of the words and with the presentations, which they do not distinguish from the sense; but the mathematicians are concerned with the matter itself, with the reference of the words. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.326) | |
| A reaction: This is helpful for showing the point of his sense/reference distinction; it is part of his campaign against psychologism, by showing that there is a non-psychological component to language - the reference, where it meets the public world. |
| 9584 | Identity baffles psychologists, since A and B must be presented differently to identify them [Frege] |
| Full Idea: The relation of sameness remains puzzling to a psychological logician. They cannot say 'A is the same as B', because that requires distinguishing A from B, so that these would have to be different presentations. | |
| From: Gottlob Frege (Review of Husserl's 'Phil of Arithmetic' [1894], p.327) | |
| A reaction: This is why Frege needed the concept of reference, so that identity could be outside the mind (as in Hesperus = Phosophorus). Think about an electron; now think about a different electron. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |