Combining Texts

All the ideas for 'Croce and Collingwood', 'fragments/reports' and 'Librium de interpretatione editio secunda'

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10 ideas

1. Philosophy / B. History of Ideas / 2. Ancient Thought
Thales was the first western thinker to believe the arché was intelligible [Roochnik on Thales]
     Full Idea: Thales was the first thinker in the west to believe that the arché (the basis of things) was intelligible.
     From: comment on Thales (fragments/reports [c.585 BCE]) by David Roochnik - The Tragedy of Reason p.138
9. Objects / A. Existence of Objects / 5. Individuation / d. Individuation by haecceity
We can call the quality of Plato 'Platonity', and say it is a quality which only he possesses [Boethius]
     Full Idea: Let the incommunicable property of Plato be called 'Platonity'. For we can call this quality 'Platonity' by a fabricated word, in the way in which we call the quality of man 'humanity'. Therefore this Platonity is one man's alone - Plato's.
     From: Boethius (Librium de interpretatione editio secunda [c.516], PL64 462d), quoted by Alvin Plantinga - Actualism and Possible Worlds 5
     A reaction: Plantinga uses this idea to reinstate the old notion of a haecceity, to bestow unshakable identity on things. My interest in the quotation is that the most shocking confusions about properties arose long before the invention of set theory.
10. Modality / C. Sources of Modality / 5. Modality from Actuality
Nothing is stronger than necessity, which rules everything [Thales, by Diog. Laertius]
     Full Idea: Necessity is the strongest of things, for it rules everything.
     From: report of Thales (fragments/reports [c.585 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 01.2.9
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp]
     Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold.
     From: Gary Kemp (Croce and Collingwood [2012], Intro)
     A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Expression can be either necessary for art, or sufficient for art (or even both) [Kemp]
     Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood).
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that.
We don't already know what to express, and then seek means of expressing it [Kemp]
     Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it.
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing.
The horror expressed in some works of art could equallly be expressed by other means [Kemp]
     Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music.
     From: Gary Kemp (Croce and Collingwood [2012], 1)
     A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art!
26. Natural Theory / A. Speculations on Nature / 6. Early Matter Theories / c. Ultimate substances
Thales said water is the first principle, perhaps from observing that food is moist [Thales, by Aristotle]
     Full Idea: Thales says water is the first principle (which is why he declared the earth is on water); perhaps he concluded this from seeing that all food is moist.
     From: report of Thales (fragments/reports [c.585 BCE], A12) by Aristotle - Metaphysics 983b12
27. Natural Reality / A. Classical Physics / 1. Mechanics / a. Explaining movement
Thales must have thought soul causes movement, since he thought magnets have soul [Thales, by Aristotle]
     Full Idea: Thales seems, from what is recorded of him, to have supposed that the soul is something productive of movement, if he really said that the magnet has soul because it produces movement in iron.
     From: report of Thales (fragments/reports [c.585 BCE]) by Aristotle - De Anima 405a20
29. Religion / A. Polytheistic Religion / 2. Greek Polytheism
Thales said the gods know our wrong thoughts as well as our evil actions [Thales, by Diog. Laertius]
     Full Idea: When asked whether a man who did wrong could escape the notice of the gods, Thales is said to have replied: 'No, not even if he thinks wrong.'
     From: report of Thales (fragments/reports [c.585 BCE]) by Diogenes Laertius - Lives of Eminent Philosophers 01.Th.9