11 ideas
| 6211 | Laughter is a sudden glory in realising the infirmity of others, or our own formerly [Hobbes] |
| Full Idea: The passion of laughter is nothing else but sudden glory arising from some sudden conception of some eminency in ourselves, by comparison with the infirmity of others, or with our own formerly. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.IX.13) | |
| A reaction: Laughter tends to involve something unusual. We don't just burst out with a glory of vanity whenever we meet some inferiority in another person. |
| 8970 | Our notion of identical sets involves identical members, which needs absolute identity [Hawthorne] |
| Full Idea: Our conceptual grip on the notion of a set is founded on the axiom of extensionality: a set x is the same as a set y iff x and y have the same members. But this axiom deploys the notion of absolute identity ('same members'). | |
| From: John Hawthorne (Identity [2003], 3.1) | |
| A reaction: Identity seems to be a primitive, useful and crucial concept, so don't ask what it is. I suspect that numbers can't get off the ground without it (especially, in view of the above, if you define numbers in terms of sets). |
| 6213 | A man cannot will to will, or will to will to will, so the idea of a voluntary will is absurd [Hobbes] |
| Full Idea: The will is not voluntary: for a man can no more say he will will, than he will will will, and so make an infinite repetition of the word 'will', which is absurd and insignificant. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.XII.5) | |
| A reaction: A nice simple point, allied to Nietzsche's notion that thoughts are uncontrollable (Idea 2291). Even Aquinas, who is quite a fan of free will, spotted the problem (Idea 1854). Personally I agree with Hobbes. Free will is a shibboleth. |
| 6208 | Conceptions and apparitions are just motion in some internal substance of the head [Hobbes] |
| Full Idea: Conceptions and apparitions are nothing really, but motion in some internal substance of the head. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.VII.1) | |
| A reaction: Note that he carefully covers both thought in concepts and thought in images, and also that he is not saying that thought is the substance, but that it is a 'motion'. This strikes me as an excellent word, and I think Hobbes is right. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 6209 | There is no absolute good, for even the goodness of God is goodness to us [Hobbes] |
| Full Idea: There is no such thing as absolute goodness, considered without relation: for even the goodness which we apprehend in God Almighty, is his goodness to us. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.VII.3) | |
| A reaction: Plato's view of goodness is much more absolute than that of religion, as he proposes the Good as the eternal underpinning of nature. I agree with Hobbes that if God is the source of goodness, that will prevent goodness from being truly absolute. |
| 6210 | Life has no end (not even happiness), because we have desires, which presuppose a further end [Hobbes] |
| Full Idea: For an utmost end, in which the ancient philosophers have placed felicity, there is no such thing in this world, nor way to it: for while we live, we have desires, and desire presupposeth a further end. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.VII.6) | |
| A reaction: Kant's definition of happiness (Idea 1452) seems to be the underlying idea, and hence with the same implication (of impossibility). However, an alcoholic locked in a brewery would seem to have all that Hobbes requires for happiness. |
| 6212 | Lust involves pleasure, and also the sense of power in pleasing others [Hobbes] |
| Full Idea: Lust consists of two appetites together, to please, and to be pleased, and the delight men take in delighting is not sensual, but a pleasure or joy of the mind consisting in the imagination of the power they have so much to please. | |
| From: Thomas Hobbes (Human Nature [1640], Ch.IX) | |
| A reaction: Hobbes would rather burst a blood-vessel than admit any altruism. If you take pleasure in pleasing someone else, why can't that simply be because of the other person's pleasure, with which we sympathise, rather than relishing our own 'power'? |