7 ideas
| 2957 | Brain bisection suggests unity of mind isn't all-or-nothing [Nagel, by Lockwood] |
| Full Idea: Nagel argues (because of brain bisection experiments) that we should jettison our commonsense assumption that the unity of consciousness is an all-or-nothing affair. | |
| From: report of Thomas Nagel (Brain Bisection and Unity of Consciousness [1971]) by Michael Lockwood - Mind, Brain and the Quantum p.84 | |
| A reaction: It seems wrong to call it 'commonsense'. It is an assumption that precedes any judgement, but if you rapidly grasp that your mind is in your brain, it becomes common sense that you can cut lumps out of your mind. |
| 3285 | We may be unable to abandon personal identity, even when split-brains have undermined it [Nagel] |
| Full Idea: As a result of the evidence of split-brains, it is possible that the ordinary, simple idea of a single person will come to seem quaint some day, …but we may be unable to abandon the idea, no matter what we discover. | |
| From: Thomas Nagel (Brain Bisection and Unity of Consciousness [1971], p.164) | |
| A reaction: I'm not sure what grounds you can have for a claim that we can't abandon our current view of selves, even when the new reality will be utterly different. Rather conservative? I would expect future concepts to roughly match future reality. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 22251 | Liberalism may fail because it neglects the shared nature of what we pursue and protect [Haldane] |
| Full Idea: I am interested in the claim that liberalism fails inasmuch as it neglects, and cannot accommodate, the fact that some or all of the goods we pursue, and which a system of rights is concerned to protect, are goods possessed in common. | |
| From: John Haldane (The Individual, the State, and the Common Good [1996], III) | |
| A reaction: It depends how individualistic we take liberalism to be. Extreme individualism (Nozick) strikes me as crazy. If 'we' erect a statue to some dubious politicians, it might be presented as a common good, but actually be despised by many. |