6 ideas
| 20147 | Arguments that my finger does not exist are less certain than your seeing my finger [Moore,GE] |
| Full Idea: This really is a finger ...and you all know it. ...I can safely challenge anyone to give an argument that it is not true, which does not rest upon some premise which is less certain than is the proposition which it is designed to attack. | |
| From: G.E. Moore (Some Judgements of Perception [1922], p.228), quoted by John Kekes - The Human Condition 01.3 | |
| A reaction: [In Moore's 'Philosophical Studies'] This is a particularly clear statement from Moore of his famous claim. I'm not sure what to make of an attempt to compare a sceptical argument (dreams, demons) with the sight of a finger. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |
| 1558 | Clearly the gods ignore human affairs, or they would have given us justice [Thrasymachus] |
| Full Idea: The gods pay no attention to human affairs; if they did, they would not have ignored justice, which is the greatest good for men; for we see that men do not act with justice. | |
| From: Thrasymachus (fragments/reports [c.426 BCE], B8), quoted by Hermias - Notes on Plato's 'Phaedrus' 239.22 |