11 ideas
| 2975 | That honey is sweet I do not affirm, but I agree that it appears so [Timon] |
| Full Idea: That honey is sweet I do not affirm, but I agree that it appears so. | |
| From: Timon (On Sensations (frags) [c.285 BCE]), quoted by Diogenes Laertius - Lives of Eminent Philosophers 09.104-5 |
| 2534 | Mindless bodies are zombies, bodiless minds are ghosts [Sturgeon] |
| Full Idea: When bodies are conceived without mind, Zombies are the topic; when mind is conceived without bodies, Ghosts are the topic. | |
| From: Scott Sturgeon (Matters of Mind [2000], Intro) | |
| A reaction: Personally I am not too impressed by either possibility. I doubt whether either of them are even logically possible. Can you have a magnet without its magnetism? Can you have magnetism with no magnet? |
| 2537 | Types are properties, and tokens are events. Are they split between mental and physical, or not? [Sturgeon] |
| Full Idea: The question is whether mental and physical types (which are properties) are distinct, and whether mental and physical tokens (which are events) are distinct. | |
| From: Scott Sturgeon (Matters of Mind [2000], Intro) | |
| A reaction: Helpful. While the first one gives us the rather dodgy notion of 'property dualism', the second one seems to imply Cartesian dualism, if the events really are distinct. It seems to me that thought is an aspect of brain events, not a distinct event. |
| 2532 | Intentionality isn't reducible, because of its experiential aspect [Sturgeon] |
| Full Idea: The link between Aboutness and consciousness, plus the latter's theoretical recalcitrance, have prevented reduction of the former. | |
| From: Scott Sturgeon (Matters of Mind [2000], Intro) | |
| A reaction: I remain unconvinced that Aboutness (intentionality) has to be wholly (or even partly conscious). We are more interested in our conscious mental states, because those are the ones we can report to other people, and discuss. |
| 2533 | Rule-following can't be reduced to the physical [Sturgeon] |
| Full Idea: If you can't squeeze an 'ought' from an 'is', then the feature of normativity will prevent the reduction of Aboutness. | |
| From: Scott Sturgeon (Matters of Mind [2000], Intro) | |
| A reaction: A dubious argument. Hume's point is that no rational inference will get you from is to ought, but you can get there on a whim. I don't see normativity as being so intrinsically magical that it is irreducible. |
| 2535 | The main argument for physicalism is its simple account of causation [Sturgeon] |
| Full Idea: The dominant empirical argument for physicalism is the Overdetermination Argument: physics is closed and complete, mind is causally efficacious, the world isn't choc-full of overdetermination, so the mind is physical as well. | |
| From: Scott Sturgeon (Matters of Mind [2000], Intro) | |
| A reaction: I find this argument utterly convincing. The idea that there is only one thing which is outside the interconnected causal nexus which seems to constitute the rest of reality, and that is a piece of meat inside our heads, strikes me as totally ridiculous. |
| 2536 | Do facts cause thoughts, or embody them, or what? [Sturgeon] |
| Full Idea: Does a thought relate to its truth conditions like a tree to its age, a bee dance to its target, or smoke to its cause? | |
| From: Scott Sturgeon (Matters of Mind [2000], Intro) | |
| A reaction: Nice question. Is truth the purpose of thoughts, or the cause of thoughts, or the constitution(?) of thoughts? I vote for the bee….but we mustn't confuse truth with truth-conditions. |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |