18 ideas
| 7740 | There exists a realm, beyond objects and ideas, of non-spatio-temporal thoughts [Frege, by Weiner] |
| Full Idea: There is, in addition to the external world of physical objects and the internal world of ideas, a third realm of non-spatio-temporal objective objects, among which are thoughts. | |
| From: report of Gottlob Frege (The Thought: a Logical Enquiry [1918]) by Joan Weiner - Frege Ch.7 | |
| A reaction: This seems to be Platonism, and, in particular, to give a Platonic existent status to propositions. Personally I believe in propositions, but as glimpses of how our brains actually work, not as mystical objects. |
| 19466 | The word 'true' seems to be unique and indefinable [Frege] |
| Full Idea: It seems likely that the content of the word 'true' is sui generis and indefinable | |
| From: Gottlob Frege (The Thought: a Logical Enquiry [1918], p.327 (60)) | |
| A reaction: This is the view I associate with Davidson, though fans of Axiomatic Truth give up defining it, and just describe how it behaves. Defining it is very elusive, but I don't accept that nothing can be said about the contents of the concept of truth. |
| 19465 | There cannot be complete correspondence, because ideas and reality are quite different [Frege] |
| Full Idea: It is essential that the reality shall be distinct from the idea. But then there can be no complete correspondence, no complete truth. | |
| From: Gottlob Frege (The Thought: a Logical Enquiry [1918], p.327 (60)) | |
| A reaction: He thinks that logic can give a perfect account of truth, or at least the extension of truth, where ordinary language will always fail. I wonder what he would have thought of Tarski's theory? |
| 19468 | The property of truth in 'It is true that I smell violets' adds nothing to 'I smell violets' [Frege] |
| Full Idea: The sentence 'I smell the scent of violets' has just the same content as 'It is true that I smell the scent of violets'. So it seems that nothing is added to the thought by my ascribing to it the property of truth. | |
| From: Gottlob Frege (The Thought: a Logical Enquiry [1918], p.328 (61)) | |
| A reaction: This idea predates Ramsey's similar proposal, for which, oddly, Ramsey always seems to get the credit. To a logician they may have identical content, but pragmatically they are likely to differ in context. 'True' certainly doesn't add to the thought. |
| 19470 | Thoughts in the 'third realm' cannot be sensed, and do not need an owner to exist [Frege] |
| Full Idea: Thoughts are neither things in the external world nor ideas. A third realm must be recognised. Anything in this realm has it in common with ideas that it cannot be perceived by the senses, and does not need an owner to belong with his consciousness. | |
| From: Gottlob Frege (The Thought: a Logical Enquiry [1918], p.337(69)) | |
| A reaction: This important idea is the creed for modern platonists. We don't have to accept Forms, or any particular content, but there is a mode of existence which is distinct from both mental and physical, and is the residence of 'abstracta'. I deny it! |
| 19471 | A fact is a thought that is true [Frege] |
| Full Idea: A fact is a thought that is true. | |
| From: Gottlob Frege (The Thought: a Logical Enquiry [1918], p.342(74)) | |
| A reaction: It strikes me as pretty obvious that facts are not thoughts, because they concern the contents of thoughts. You can't discuss facts without the notion of what a thought is 'about'. If I think about my garden, the relevant fact is aspects of my garden. |
| 9877 | Late Frege saw his non-actual objective objects as exclusively thoughts and senses [Frege, by Dummett] |
| Full Idea: Earlier, Frege divided objects into subjective, actual objective, and non-actual objective; in the 'Grundgesetze' he emphasised logical objects; but in 'The Thought' the non-actual objects become exclusively thoughts and their constituent senses. | |
| From: report of Gottlob Frege (The Thought: a Logical Enquiry [1918]) by Michael Dummett - Frege philosophy of mathematics Ch.18 | |
| A reaction: Sounds to me like Frege was finally waking up and taking a dose of common sense. The Equator is the standard example of a non-actual objective object. |
| 6382 | The 'grain problem' says physical objects are granular, where sensations appear not to be [Sellars, by Polger] |
| Full Idea: Sellars' Grain Problem contended that it was a problem for materialism that physical objects have a granularity whereas sensations are homogeneous and without grain. | |
| From: report of Wilfrid Sellars (Empiricism and the Philosophy of Mind [1956], Ch. n22) by Thomas W. Polger - Natural Minds Ch.1 n22 | |
| A reaction: This doesn't strike me as a serious problem. I assume that my sensations are granular, but at a level too fine for me to introspect. There are three hundred trillion connections in the brain (Idea 2952), a lot of them involved in sensations. |
| 19469 | We grasp thoughts (thinking), decide they are true (judgement), and manifest the judgement (assertion) [Frege] |
| Full Idea: We distinguish the grasp of a thought, which is 'thinking', from the acknowledgement of the truth of a thought, which is the act of 'judgement', from the manifestation of this judgement, which is an 'assertion'. | |
| From: Gottlob Frege (The Thought: a Logical Enquiry [1918], p.329 (62)) |
| 8162 | Thoughts have their own realm of reality - 'sense' (as opposed to the realm of 'reference') [Frege, by Dummett] |
| Full Idea: For Frege, thoughts belong to a special realm of reality, which he called the 'realm of sense' and distinguished from the 'realm of reference'. | |
| From: report of Gottlob Frege (The Thought: a Logical Enquiry [1918]) by Michael Dummett - Thought and Reality 1 | |
| A reaction: A thought is, for Frege, a proposition. There is a halfway Platonism possible here, where the 'realm' for such things exists, but within that realm the objects might be conventional, or some such. Real possible worlds containing fictions! |
| 9818 | A thought is distinguished from other things by a capacity to be true or false [Frege, by Dummett] |
| Full Idea: On Frege's view, what distinguishes thoughts from everything else is that they may meaningfully be called 'true' and 'false'. | |
| From: report of Gottlob Frege (The Thought: a Logical Enquiry [1918]) by Michael Dummett - Frege philosophy of mathematics Ch.2 | |
| A reaction: A lot of thinking is imagistic, and while the image may or may not truly picture the world, we tend to think that the truth or otherwise of daydreaming is simply irrelevant. Does Frege take all thought to be propositional? |
| 16379 | Thoughts about myself are understood one way to me, and another when communicated [Frege] |
| Full Idea: When Dr Lauben thinks he has been wounded, ..only Dr Lauben can grasp thoughts determined in this way. But he cannot communicate a thought which only he can grasp. To say 'I have been wounded' he must use 'I' in a sense graspable by others. | |
| From: Gottlob Frege (The Thought: a Logical Enquiry [1918]), quoted by François Recanati - Mental Files 16.1 | |
| A reaction: [compressed] This seems to be the first, and very influential, attempt to explain the unusual and revealing semantics of indexicals. It seems to be the ultimate source of 2-D semantics, by introducing two modes of meaning for one term. |
| 19467 | A 'thought' is something for which the question of truth can arise; thoughts are senses of sentences [Frege] |
| Full Idea: I call a 'thought' something for which the question of truth can arise at all. ...So I can say: thoughts are senses of sentences, without wishing to assert that the sense of every sentence is a thought. | |
| From: Gottlob Frege (The Thought: a Logical Enquiry [1918], p.327-8 (61)) | |
| A reaction: This builds on his distinction between sense and reference. The reference of every truth sentence is just 'the true', and the sense is the proposition. The concept of a proposition seems indispensable to logic, I would say. |
| 19472 | A sentence is only a thought if it is complete, and has a time-specification [Frege] |
| Full Idea: Only a sentence with the time-specification filled out, a sentence complete in every respect, expresses a thought. | |
| From: Gottlob Frege (The Thought: a Logical Enquiry [1918], p.343(76)) | |
| A reaction: I take the 'every respect' to include the avoidance of ambiguity, and some sort of perspicacious reference for the terms. I wish philosophers would focus on the thoughts in their subject, and not nit-pick about the sentences. Does he mean 'utterances'? |
| 20416 | By 1790 aestheticians were mainly trying to explain individual artistic genius [Kemp] |
| Full Idea: By 1790 the idea that a central task for the aesthetician was to explain or at least adequately to describe the phenomenon of the individual artistic genius had definitely taken hold. | |
| From: Gary Kemp (Croce and Collingwood [2012], Intro) | |
| A reaction: Hence when Kant and Hegel write about art, though are only really thinking of the greatest art (which might be in touch with the sublime or Spirit etc.). Nowadays I think we expect accounts of art to cover modest amateur efforts as well. |
| 20417 | Expression can be either necessary for art, or sufficient for art (or even both) [Kemp] |
| Full Idea: Seeing art as expression has two components: 1) if something is a work of art, then it is expressive, 2) if something is expressive, then it is a work of art. So expression can be necessary or sufficient for art. (or both, for Croce and Collingwood). | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: I take the idea that art 'expresses' the feelings of an artist to be false. Artists are more like actors. Nearly all art has some emotional impact, which is of major importance, but I don't think 'expression' is a very good word for that. |
| 20419 | We don't already know what to express, and then seek means of expressing it [Kemp] |
| Full Idea: One cannot really know, or be conscious of, what it is that one is going to express, and then set about expressing it; indeed if one is genuinely conscious of it then one has already expressed it. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: That pretty conclusively demolishes the idea that art is expression. I picture Schubert composing at the piano: he doesn't feel an emotion, and then hunt for its expression on the keyboard; he seeks out expressive phrases by playing. |
| 20418 | The horror expressed in some works of art could equallly be expressed by other means [Kemp] |
| Full Idea: The horror or terror of Edvard Much's 'The Scream' could in principle be expressed by different paintings, or even by works of music. | |
| From: Gary Kemp (Croce and Collingwood [2012], 1) | |
| A reaction: A very good simple point against the idea that the point of art is expression. It leaves out the very specific nature of each work of art! |