Combining Texts

All the ideas for 'Lectures on the History of Philosophy', 'The Sense of Reality' and 'The Scientific Image'

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4 ideas

1. Philosophy / B. History of Ideas / 1. History of Ideas

7460	The great moments are the death of Aristotle, Machiavelli, and Romanticism [Berlin, by Watson]
	Full Idea: Berlin says there were three great turning points: after the death of Aristotle (when Greek schools focused on the inner life of individuals, instead of as social beings), Machiavelli's division of political and individual virtues, and Romanticism.
	From: report of Isaiah Berlin (The Sense of Reality [1996], p.168-9) by Peter Watson - Ideas Intro
	A reaction: I have the impression that Machiavelli introduced a new hard-boiled ethics, which dominated the sixteenth century, but in the seventeenth and eighteenth century they fought back, and Machiavellianism turned out to be just a phase.

1. Philosophy / D. Nature of Philosophy / 3. Philosophy Defined

21757	Philosophy is the conceptual essence of the shape of history [Hegel]
	Full Idea: Philosophy is the supreme blossom - the concept - of the entire shape of history, the consciousness and the spiritual essence of the whole situation, the spirit of the age as the spirit present and aware of itself in thought.
	From: Georg W.F.Hegel (Lectures on the History of Philosophy [1830], p.25), quoted by Stephen Houlgate - An Introduction to Hegel 01
	A reaction: This sees philosophy as intrinsically historical, which is a founding idea for 'continental' philosophy. Analysis is tied to science, in which the history of the subject is seen as irrelevant to its truth. Does this mean we can't go back to Aristotle?

10. Modality / B. Possibility / 7. Chance

23900	Chance is compatible with necessity, and the two occur together [Weil]
	Full Idea: Chance is not the contrary of necessity; it is not incompatible with necessity. On the contrary, it never appears except at the same time as necessity.
	From: Simone Weil (The Scientific Image [1941], p.175)
	A reaction: She illustrates it with the six terminating results of a die throw, and the innumerabe ways the throw can occur. This thought strikes me as relevant to discussions of free will. …But I'm not sure I fully understand it.

21. Aesthetics / A. Aesthetic Experience / 4. Beauty

23899	The secret of art is that beauty is a just blend of unity and its opposite [Weil]
	Full Idea: A just blend of unity and that which opposes it is the condition of the beautiful, and it is the secret of art.
	From: Simone Weil (The Scientific Image [1941], p.169)
	A reaction: Rather sweeping, but the observation strikes me as fairly accurate. It seems to work for most novels, paintings and music, though more recent art may provide counterexamples.