13 ideas
| 21757 | Philosophy is the conceptual essence of the shape of history [Hegel] |
| Full Idea: Philosophy is the supreme blossom - the concept - of the entire shape of history, the consciousness and the spiritual essence of the whole situation, the spirit of the age as the spirit present and aware of itself in thought. | |
| From: Georg W.F.Hegel (Lectures on the History of Philosophy [1830], p.25), quoted by Stephen Houlgate - An Introduction to Hegel 01 | |
| A reaction: This sees philosophy as intrinsically historical, which is a founding idea for 'continental' philosophy. Analysis is tied to science, in which the history of the subject is seen as irrelevant to its truth. Does this mean we can't go back to Aristotle? |
| 8108 | Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner] |
| Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity. | |
| From: Sebastian Gardner (Aesthetics [1995], Intro) | |
| A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts. |
| 8112 | Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner] |
| Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object. | |
| From: Sebastian Gardner (Aesthetics [1995], 2.2) | |
| A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing. |
| 8111 | Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner] |
| Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.2.3) | |
| A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you. |
| 8109 | Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner] |
| Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance. | |
| From: Sebastian Gardner (Aesthetics [1995], 1.1) | |
| A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples. |
| 21332 | We don't get a love of 'order' from nature - which is thoroughly chaotic [Mill] |
| Full Idea: Even the love of 'order' which is thought to be a following of the ways of nature is in fact a contradiction of them. All which people are accustomed to deprecate as 'disorder' is precisely a counterpart of nature's ways. | |
| From: John Stuart Mill (Nature and Utility of Religion [1874], p.116) | |
| A reaction: The Greeks elevated the idea that the cosmos was orderly, but almost entirely based on the regular movement of the planets. They turned a blind eye to the messy bits of nature. As you magnify nature, order and chaos seem to alternate. |
| 21333 | Evil comes from good just as often as good comes from evil [Mill] |
| Full Idea: If good frequently comes out of evil, the converse fact, evil coming out of good, is equally common. | |
| From: John Stuart Mill (Nature and Utility of Religion [1874], p.117) | |
| A reaction: Mill surmises that on the whole good comes from good, and evil from evil, but the point is that the evidence doesn't favour the production of increased good. |
| 21335 | Belief that an afterlife is required for justice is an admission that this life is very unjust [Mill] |
| Full Idea: The necessity of redressing the balance [of injustice] is deemed one of the strongest arguments for another life after death, which amounts to an admission that the order of things in this life is often an example of injustice, not justice. | |
| From: John Stuart Mill (Nature and Utility of Religion [1874]) | |
| A reaction: It certainly seems that an omnipotent God could administer swift justice in this life. If the whole point is that we need freedom of will, then why is justice administered at a much later date? The freedom seems to be illusory. |
| 21334 | No necessity ties an omnipotent Creator, so he evidently wills human misery [Mill] |
| Full Idea: If a Creator is assumed to be omnipotent, if he bends to a supposed necessity, he himself makes the necessity which he bends to. If the maker of the world can all that he will, he wills misery, and there is no escape from the conclusion. | |
| From: John Stuart Mill (Nature and Utility of Religion [1874], p.119) | |
| A reaction: If you add that the Creator is supposed to be perfectly benevolent, you arrive at the paradox which Mackie spells out. Is the correct conclusion that God exists, and is malevolent? Mill doesn't take that option seriously. |
| 21329 | Nature dispenses cruelty with no concern for either mercy or justice [Mill] |
| Full Idea: All of this [cruel killing] nature does with the most supercilious disregard both of mercy and of justice, emptying her shafts upon the best and noblest indifferently with the meanest and worst | |
| From: John Stuart Mill (Nature and Utility of Religion [1874], p.115) | |
| A reaction: The existence of an afterlife at least offers an opportunity to rectify any injustice, but that hardly meets the question of why there was injustice in the first place. It would be odd if it actually is justice, but none of us can see why that is so. |
| 21328 | Killing is a human crime, but nature kills everyone, and often with great tortures [Mill] |
| Full Idea: Killing, the most criminal act recognised by human laws, nature does once to every being that lives, and frequently after protracted tortures such as the greatest know monsters purposely inflicted on their living fellow creatures | |
| From: John Stuart Mill (Nature and Utility of Religion [1874], p.115) | |
| A reaction: We certainly don't condemn lions for savaging gazelles, but the concept of a supreme mind controlling nature forces the question. Theology needs consistency between human and divine morality, and the supposed derivation of the former from the latter. |
| 21330 | Nature makes childbirth a miserable experience, often leading to the death of the mother [Mill] |
| Full Idea: In the clumsy provision which nature has made for the perpetual renewal of animal life, ...no human being ever comes into the world but another human being is literally stretched on the rack for hours or day, not unfrequently issuing in death. | |
| From: John Stuart Mill (Nature and Utility of Religion [1874], p.116) | |
| A reaction: This is a very powerful example, which is rarely cited in modern discussions. |
| 21331 | Hurricanes, locusts, floods and blight can starve a million people to death [Mill] |
| Full Idea: Nature often takes the means by which we live. A single hurricane, a flight of locusts, or an inundation, or a trifling chemical change in an edible root, starve a million people. | |
| From: John Stuart Mill (Nature and Utility of Religion [1874], p.116) | |
| A reaction: [second sentence compressed] The 'edible root' is an obvious reference to the Irish potato famine. Some desertification had human causes, but these are telling examples. |