14 ideas
| 21757 | Philosophy is the conceptual essence of the shape of history [Hegel] |
| Full Idea: Philosophy is the supreme blossom - the concept - of the entire shape of history, the consciousness and the spiritual essence of the whole situation, the spirit of the age as the spirit present and aware of itself in thought. | |
| From: Georg W.F.Hegel (Lectures on the History of Philosophy [1830], p.25), quoted by Stephen Houlgate - An Introduction to Hegel 01 | |
| A reaction: This sees philosophy as intrinsically historical, which is a founding idea for 'continental' philosophy. Analysis is tied to science, in which the history of the subject is seen as irrelevant to its truth. Does this mean we can't go back to Aristotle? |
| 9208 | Philosophers with a new concept are like children with a new toy [Fine,K] |
| Full Idea: Philosophers with a new concept are like children with a new toy; their world shrinks to one in which it takes centre stage. | |
| From: Kit Fine (Intro to 'Modality and Tense' [2005], p.10) | |
| A reaction: A wonderfully accurate observation, I'm afraid. You can trace the entire history of the subject as a wave of obsessions with exciting new ideas. Fine is referring to a posteriori necessities and possible worlds. |
| 9210 | Possible objects are abstract; actual concrete objects are possible; so abstract/concrete are compatible [Fine,K] |
| Full Idea: If it is in the nature of a possible object to be abstract, this is presumably a property it has in any possible circumstance in which it is actual. If it is actual it is also concrete. So the property of being abstract and concrete are not incompatible. | |
| From: Kit Fine (Intro to 'Modality and Tense' [2005], p.14) | |
| A reaction: A rather startling and powerful idea. What of the definition of an abstract object as one which is not in space-time, and lacks causal powers? Could it be that abstraction is a projection of our minds, onto concepts or objects? |
| 9211 | A non-standard realism, with no privileged standpoint, might challenge its absoluteness or coherence [Fine,K] |
| Full Idea: By challenging the assumption that reality is 'absolute' (not relative to a standpoint), or that reality is 'coherent' (it is of a piece, from one standpoint), one accepts worldly facts without a privilege standpoint. I call this 'non-standard' realism. | |
| From: Kit Fine (Intro to 'Modality and Tense' [2005], p.15) | |
| A reaction: Fine's essay 'Tense and Reality' explores his proposal. I'm not drawn to either of his challenges. I have always taken as articles of faith that there could be a God's Eye view of all of reality, and that everything coheres, independent of our view. |
| 10467 | Individuals consist of 'compresent' tropes [Bacon,John] |
| Full Idea: 'Qualitons' or 'relatons' (quality and relation tropes) are held to belong to the same individual if they are all 'compresent' with one another. | |
| From: John Bacon (Tropes [2008], §4) | |
| A reaction: There is a perennial problem with bundles - how to distinguish accidental compresence (like people in a lift) from united compresence (like people who make a family). |
| 10464 | A trope is a bit of a property or relation (not an exemplification or a quality) [Bacon,John] |
| Full Idea: A trope is an instance or bit (not an exemplification) of a property or a relation. Bill Clinton's eloquence is not his participating in the universal eloquence, or the peculiar quality of his eloquence, but his bit, and his alone, of eloquence. | |
| From: John Bacon (Tropes [2008], Intro) | |
| A reaction: If we have identified something as a 'bit' of something, we can ask whether that bit is atomic, or divisible into something else, and we can ask what are the qualities and properties and powers of this bit, we seems to defeat the object. |
| 10465 | Trope theory is ontologically parsimonious, with possibly only one-category [Bacon,John] |
| Full Idea: A major attraction of tropism has been its promise of parsimony; some adherents (such as Campbell) go so far as to proclaim a one-category ontology. | |
| From: John Bacon (Tropes [2008], §2) | |
| A reaction: This seems to go against the folk idiom which suggests that it is things which have properties, rather than properties ruling to roost. Maybe if one identified tropes with processes, the theory could be brought more into line with modern physics? |
| 9202 | Objects, as well as sentences, can have logical form [Fine,K] |
| Full Idea: We normally think of logical form as exclusively an attribute of sentences; however, the notion may also be taken to have application to objects. | |
| From: Kit Fine (Intro to 'Modality and Tense' [2005], p. 3) | |
| A reaction: A striking proposal which seems intuitively right. If one said that objects have 'powers', one might subsume abstract and physical objects under a single account. |
| 9206 | We must distinguish between the identity or essence of an object, and its necessary features [Fine,K] |
| Full Idea: The failure to distinguish between the identity or essence of an object and its necessary features is an instance of what we may call 'modal mania'. | |
| From: Kit Fine (Intro to 'Modality and Tense' [2005], p. 9) | |
| A reaction: He blames Kripke's work for modal mania, a reaction to Quine's 'contempt' for modal notions. I don't actually understand Fine's remark (yet), but it strikes me as incredibly important! Explanations by email, please. |
| 9205 | The three basic types of necessity are metaphysical, natural and normative [Fine,K] |
| Full Idea: There are three basic forms of necessity - the metaphysical (sourced in the identity of objects); natural necessity (in the 'fabric' of the universe); and normative necessity (in the realm of norms and values). | |
| From: Kit Fine (Intro to 'Modality and Tense' [2005], p. 7) | |
| A reaction: Earlier he has allowed, as less 'basic', logical necessity (in logical forms), and analytic necessity (in meaning). Fine insists that the three kinds should be kept separate (so no metaphysical necessities about nature). I resent this. |
| 9209 | Metaphysical necessity may be 'whatever the circumstance', or 'regardless of circumstances' [Fine,K] |
| Full Idea: There are two fundamental ways in which a property may be metaphysically necessary: it may be a worldly necessity, true whatever the circumstances; or it may be a transcendent necessity, true regardless of the circumstances. | |
| From: Kit Fine (Intro to 'Modality and Tense' [2005], p.10) | |
| A reaction: [See Fine's 'Necessity and Non-Existence' for further details] The distinction seems to be that the first sort needs some circumstances (e.g. a physical world?), whereas the second sort doesn't (logical relations?). He also applies it to existence. |
| 9200 | Empiricists suspect modal notions: either it happens or it doesn't; it is just regularities. [Fine,K] |
| Full Idea: Empiricists have always been suspicious of modal notions: the world is an on-or-off matter - either something happens or it does not. ..Empiricists, in so far as they have been able to make sense of modality, have tended to see it as a form of regularity. | |
| From: Kit Fine (Intro to 'Modality and Tense' [2005], p. 1) | |
| A reaction: Fine is discussing the two extreme views of Quine and Lewis. It is one thing to have views about what is possible, and another to include possibilities 'in your ontology'. Our imagination competes with our extrapolations from actuality. |
| 10466 | Maybe possible worlds are just sets of possible tropes [Bacon,John] |
| Full Idea: Meinongian tropism has the advantage that possible worlds might be thought of as sets of 'qualitons' and 'relatons' (quality and relational tropes). | |
| From: John Bacon (Tropes [2008], §3) | |
| A reaction: You are still left with 'possible' to explain, and I'm not sure that anything is explain here. If the actual world is sets of tropes, then possible worlds would also have to be, I suppose. |
| 9207 | If sentence content is all worlds where it is true, all necessary truths have the same content! [Fine,K] |
| Full Idea: The content of a sentence is often identified with the set of possible worlds in which it is true, where the worlds are metaphysically possible. But this has the awkward consequence that all metaphysically necessary truths will have the same content. | |
| From: Kit Fine (Intro to 'Modality and Tense' [2005], p.10) | |
| A reaction: I've never understood how the content of a sentence could be a vast set of worlds, so I am delighted to see this proposal be torpedoed. That doesn't mean that truth conditions across possible worlds is not a promising notion. |