37 ideas
| 19635 | Hegel produced modern optimism; he failed to grasp that consciousness never progresses [Hegel, by Cioran] |
| Full Idea: Hegel is chiefly responsible for modern optimism. How could he have failed to see that consciousness changes only its forms and modalities, but never progresses. | |
| From: report of Georg W.F.Hegel (works [1812]) by E.M. Cioran - A Short History of Decay 5 |
| 8215 | Hegel was the last philosopher of the Book [Hegel, by Derrida] |
| Full Idea: Hegel was the last philosopher of the Book. | |
| From: report of Georg W.F.Hegel (works [1812]) by Jacques Derrida - Positions p.64 | |
| A reaction: Reference to 'the Book' connects this to the great religions which rely on one holy text. The implication is that Hegel was proposing one big solution to all problems. It is doubtful if many philosophers before Hegel dreamt of that either. |
| 16011 | Hegel doesn't storm the heavens like the giants, but works his way up by syllogisms [Kierkegaard on Hegel] |
| Full Idea: Hegel is a Johannes Climacus who does not storm the heavens, like the giants, by putting mountain upon mountain, but climbs aboard them by way of his syllogisms. | |
| From: comment on Georg W.F.Hegel (works [1812]) by Sřren Kierkegaard - The Journals of Kierkegaard 2A | |
| A reaction: [Idea from SY] This appears to be an attempt at insulting Hegel for his timidity, but it seems to be describing the cautious approach which most modern philosophers take to be correct. [PG] |
| 5433 | For Hegel, things are incomplete, and contain external references in their own nature [Hegel, by Russell] |
| Full Idea: The basis of Hegel's system is that what is incomplete must not be self-subsistent, and needs the support of other things; whatever has relations to things outside itself must contain some reference to those outside things in its own nature. | |
| From: report of Georg W.F.Hegel (works [1812]) by Bertrand Russell - Problems of Philosophy Ch.14 | |
| A reaction: This leads to the idealist doctrine of 'internal relations'. It has some plausibility if you think about the physicist's definition of mass, which has to refer to forces etc. Presumably there is one essence for all of reality, instead of separate ones. |
| 3301 | On the continent it is generally believed that metaphysics died with Hegel [Benardete,JA on Hegel] |
| Full Idea: In continental Europe it is widely believed that the metaphysical game was played out in Hegel. | |
| From: comment on Georg W.F.Hegel (works [1812]) by José A. Benardete - Metaphysics: the logical approach Intro |
| 19661 | Making sufficient reason an absolute devalues the principle of non-contradiction [Hegel, by Meillassoux] |
| Full Idea: Hegel saw that the absolutization of the principle of sufficient reason (which marked the culmination of the belief in the necessity of what is) required the devaluation of the principle of non-contradiction. | |
| From: report of Georg W.F.Hegel (works [1812], 3) by Quentin Meillassoux - After Finitude; the necessity of contingency 3 | |
| A reaction: I pass this on without understanding it, though a joint study of my collection of ideas on sufficient reason and non-contradiction might make it clear. [Let me know if you can explain it!] |
| 20952 | Rather than in three stages, Hegel presented his dialectic as 'negation of the negation' [Hegel, by Bowie] |
| Full Idea: Hegel's 'dialectic' is often characterised in terms of the triad of thesis, antithesis and synthesis. This is, however, not the way he presents it. The core of the dialectic is rather what Hegel terms the 'negation of the negation'. | |
| From: report of Georg W.F.Hegel (works [1812]) by Andrew Bowie - Introduction to German Philosophy | |
| A reaction: Interestingly, this connects it to debates about intuitionist logic, which denies that double-negation necessarily makes a positive. Presumably Marx emphasised the first reading. |
| 21777 | Negation of negation doubles back into a self-relationship [Hegel, by Houlgate] |
| Full Idea: For Hegel, the 'negation of negation' is negation that, as it were, doubles back on itself and 'relates itself to itself'. | |
| From: report of Georg W.F.Hegel (works [1812]) by Stephen Houlgate - An Introduction to Hegel 6 'Space' | |
| A reaction: [ref VNP 1823 p.108] Glad we've cleared that one up. |
| 5645 | The dialectical opposition of being and nothing is resolved in passing to the concept of becoming [Hegel, by Scruton] |
| Full Idea: The concept of being contains within itself it own negation - nothing - and the dialectical opposition between these two concepts is resolved only in the passage to a new concept, becoming, which contains the truth of the passage from nothing to being. | |
| From: report of Georg W.F.Hegel (works [1812]) by Roger Scruton - Short History of Modern Philosophy Ch.12 | |
| A reaction: The idea that one concept 'contains' another, or that an opposition could be 'resolved' by a new concept, sounds doubtful to me. For most analytical philosophers, and for Aristotle, oppositions are contradictions, and cannot and should not be 'resolved'. |
| 5646 | Hegel gives an ontological proof of the existence of everything [Hegel, by Scruton] |
| Full Idea: It would not be unfair to say that Hegel's metaphysics consists of an ontological proof of the existence of everything. | |
| From: report of Georg W.F.Hegel (works [1812]) by Roger Scruton - Short History of Modern Philosophy Ch.12 | |
| A reaction: This is so gloriously far from David Hume that we must all find some appeal in it. The next question would be whether necessary existence has been proved. If so, given death, decay and entropy, what is it that has to exist? 2nd Law of Thermodynamics? |
| 21755 | For Hegel, categories shift their form in the course of history [Hegel, by Houlgate] |
| Full Idea: For Hegel, the categories of thought are not fixed, eternal forms that remain unchanged throughout history, but are concepts that alter their meaning in history. | |
| From: report of Georg W.F.Hegel (works [1812]) by Stephen Houlgate - An Introduction to Hegel 01 | |
| A reaction: This results from a critique of Kant's rather rigid view of categories. This idea is very influential, and certainly counts among Hegel's better ideas. |
| 21754 | Our concepts and categories disclose the world, because we are part of the world [Hegel, by Houlgate] |
| Full Idea: For Hegel, the structure of our concepts and categories is identical with, and thus discloses, the structure of the world itself, because we ourselves are born into and so share the character of the world we encounter. | |
| From: report of Georg W.F.Hegel (works [1812]) by Stephen Houlgate - An Introduction to Hegel 01 | |
| A reaction: This is a reasonable speculation, but it makes more sense in the context of natural selection, and an empiricist theory of concepts. |
| 22079 | Hegel said Kant's fixed categories actually vary with culture and era [Hegel, by Houlgate] |
| Full Idea: Hegel's disagreement with Kant is that categories are not unambiguously universal forms of human understanding, but are conceived in subtly different ways in different cultures and in different historical epochs. | |
| From: report of Georg W.F.Hegel (works [1812]) by Stephen Houlgate - Hegel p.95 | |
| A reaction: This may be Hegel's most influential idea. Though he hoped that categories would contain truth, by arising untrammelled from reason, and thereby matching reality. His successors seem to have given up on that hope, and settled for relativism. |
| 9225 | Hegel reputedly claimed to know a priori that there are five planets [Hegel, by Field,H] |
| Full Idea: Hegel is reputed to have claimed to have deduced on a priori grounds that the number of planets is exactly five. | |
| From: report of Georg W.F.Hegel (works [1812]) by Hartry Field - Recent Debates on the A Priori 1 | |
| A reaction: Even if this is a wicked travesty of Hegel, it will do nicely to represent the extremes of claims to a priori synthetic knowledge. Field doesn't offer any evidence. I would love it to be true. |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.30) | |
| A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well. |
| 8353 | Freedom involves acting according to an idea [Anscombe] |
| Full Idea: Freedom at least involves the power of acting according to an idea. | |
| From: G.E.M. Anscombe (Causality and Determinism [1971], §2) | |
| A reaction: Since 'you' presumably have to sit above the idea and pass a judgement on it, then the same principle should apply to acting on a desire, which presumably 'you' could reject because it just wasn't attractive enough. |
| 8352 | To believe in determinism, one must believe in a system which determines events [Anscombe] |
| Full Idea: 'The ball's path is determined' must mean 'there is only one possible path for the ball (assuming no air currents)', but what ground could one have for believing this, if one does not believe in some system for which it is a consequence? | |
| From: G.E.M. Anscombe (Causality and Determinism [1971], §2) | |
| A reaction: This seems right, but it doesn't follow that one has to know the full details of the system. The system might just be the best explanation, or even a matter of vague faith. It might, though, be just that you can't imagine any other outcome. |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.24) | |
| A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy. |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude. |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'. |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.31) | |
| A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I. |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.32) | |
| A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher? |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.23) | |
| A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs? |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose. |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'. |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.25) | |
| A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible. |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.26) | |
| A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection. |
| 21758 | Humans have no fixed identity, but produce and reveal their shifting identity in history [Hegel, by Houlgate] |
| Full Idea: For Hegel, the absolute truth of humanity is that human beings have no fixed, given identity, but rather determine and produce their own identity and their world in history, and that they gradually come to the recognition of this fact in history. | |
| From: report of Georg W.F.Hegel (works [1812]) by Stephen Houlgate - An Introduction to Hegel 01 | |
| A reaction: This quintessentially existentialist idea, most obvious in Sartre, seems to have originated with this view of Hegel's. |
| 20414 | Hegel's Absolute Spirit is the union of human rational activity at a moment, and whatever that sustains [Hegel, by Eldridge] |
| Full Idea: We may take Hegel's Absolute Spirit to be the union of collective, human rational activity at a historical moment with its proper object, the forms of social and individual life that the rational activity is devoted to understanding and sustaining. | |
| From: report of Georg W.F.Hegel (works [1812]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: From this formulation it sounds as if the whole human race might have momentary union, but presumably it is more local 'peoples' that can exhibit this. |
| 3909 | Society isn’t founded on a contract, since contracts presuppose a society [Hegel, by Scruton] |
| Full Idea: For Hegel, society cannot be founded on a contract, since contracts have no reality until society is in place. | |
| From: report of Georg W.F.Hegel (works [1812]) by Roger Scruton - Modern Philosophy:introduction and survey 28.2 | |
| A reaction: Interesting, and reminiscent of the private language argument, but contracts surely start as deals between individuals (on a desert island?). |
| 4347 | When man wills the natural, it is no longer natural [Hegel] |
| Full Idea: When man wills the natural, it is no longer natural. | |
| From: Georg W.F.Hegel (works [1812]), quoted by Rosalind Hursthouse - On Virtue Ethics Ch.4 | |
| A reaction: Sounds good, though I'm not sure what it means. The application of the word 'natural' seems a bit arbitrary to me. No objective joint exists between the natural and unnatural. The default position has to be that everything is natural. |
| 8351 | With diseases we easily trace a cause from an effect, but we cannot predict effects [Anscombe] |
| Full Idea: It is much easier to trace effects back to causes with certainty than to predict effects from causes. If I have one contact with someone with a disease and I get it, we suppose I got it from him, but a doctor cannot predict a disease from one contact. | |
| From: G.E.M. Anscombe (Causality and Determinism [1971], §1) | |
| A reaction: An interesting, and obviously correct, observation. Her point is that we get more certainty of causes from observing a singular effect than we get certainty of effects from regularities or laws. |
| 4777 | The word 'cause' is an abstraction from a group of causal terms in a language (scrape, push..) [Anscombe] |
| Full Idea: The word "cause" can be added to a language in which are already represented many causal concepts; a small selection: scrape, push, wet, carry, eat, burn, knock over, keep off, squash, make, hurt. | |
| From: G.E.M. Anscombe (Causality and Determinism [1971], p.93) | |
| A reaction: An interesting point, perhaps reinforcing the Humean idea of causation as a 'natural belief', or the Kantian view of it as a category of thought. Or maybe causation is built into language because it is a feature of reality… |
| 10363 | Causation is relative to how we describe the primary relata [Anscombe, by Schaffer,J] |
| Full Idea: Anscombe has inspired the view that causation is an intensional relation, and takes it to be relative to the descriptions of the primary relata. | |
| From: report of G.E.M. Anscombe (Causality and Determinism [1971], 1) by Jonathan Schaffer - The Metaphysics of Causation 1 | |
| A reaction: It seems too linguistic to say that there is nothing more to it. It seems relevant in human examples, but if a landslide crushes a tree, what difference does the description make? 'It was just a few rocks and some miserable little tree'. No excuse! |
| 8350 | Since Mill causation has usually been explained by necessary and sufficient conditions [Anscombe] |
| Full Idea: Since Mill it has been fairly common to explain causation one way or another in terms of 'necessary' and 'sufficient' conditions. | |
| From: G.E.M. Anscombe (Causality and Determinism [1971], §1) | |
| A reaction: Interesting to see what Hume implies about these criteria. Anscombe is going to propose that causal events are fairly self-evident and self-explanatory, and don't need analyses of conditions. Another approach is regularities and laws. |
| 4188 | Hegel's entire philosophy is nothing but a monstrous amplification of the ontological proof [Schopenhauer on Hegel] |
| Full Idea: Hegel's entire philosophy is nothing but a monstrous amplification of the ontological proof. | |
| From: comment on Georg W.F.Hegel (works [1812]) by Arthur Schopenhauer - Abstract of 'The Fourfold Root' Ch.II | |
| A reaction: All massive a priori metaphysics is summed up in this argument, which is right at the core of philosophy. |
| 6686 | Hegel said he was offering an encyclopaedic rationalisation of Christianity [Hegel, by Graham] |
| Full Idea: Hegel claimed that his philosophy was nothing less than an encyclopaedic rationalisation of the Christian religion. | |
| From: report of Georg W.F.Hegel (works [1812]) by Gordon Graham - Eight Theories of Ethics Ch.5 | |
| A reaction: Why did he pick Christianity to rationalise? How can you reason properly if you start with a dogma? |