Combining Texts

All the ideas for 'The Intrinsic Quality of Experience', 'Aesthetic as Science of Expression' and 'Rationality'

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4 ideas

12. Knowledge Sources / E. Direct Knowledge / 4. Memory
The ancient Memorists said virtually all types of thinking could be done simply by memory [Sorabji]
     Full Idea: The ancient medical Memorists said that ordinary thinking, inferring, reflecting, believing, assuming, examining, generalising and knowing can all be done simply on the basis of memory.
     From: Richard Sorabji (Rationality [1996], 'Inference')
     A reaction: The think there is a plausible theory that all neurons do is remember, and are mainly distinguished by the duration of their memories. We might explain these modes of thinking in terms of various combinations of the fast and the slow.
Stoics say true memory needs reflection and assent, but animals only have perceptual recognition [Sorabji]
     Full Idea: Stoics say memory proper involves reflection and assent. Animal memory, by contrast, is not memory proper, but mere perceptual recognition. The horse remembers the road when he is on it, but not when he is in the stable.
     From: Richard Sorabji (Rationality [1996], 'Other')
     A reaction: An interesting distinction. Do I remember something if I can never recall it, and yet recognise it when it reappears, such as a person I knew long ago? 'Memory' is ambiguous, between lodged in the mind, and recallable. Unfair to horses, this.
15. Nature of Minds / B. Features of Minds / 5. Qualia / b. Qualia and intentionality
Qualities of experience are just representational aspects of experience ('Representationalism') [Harman, by Burge]
     Full Idea: Harman defended what came to be known as 'representationalism' - the view that qualitative aspects of experience are nothing other than representational aspects.
     From: report of Gilbert Harman (The Intrinsic Quality of Experience [1990]) by Tyler Burge - Philosophy of Mind: 1950-2000 p.459
     A reaction: Functionalists like Harman have a fairly intractable problem with the qualities of experience, and this may be clutching at straws. What does 'represent' mean? How is the representation achieved? Why that particular quale?
21. Aesthetics / C. Artistic Issues / 1. Artistic Intentions
Historical interpretation aims to recapture the author's view of the work [Croce]
     Full Idea: Historical interpretation enables us to see a work of art as its author saw it in the moment of production.
     From: Benedetto Croce (Aesthetic as Science of Expression [1902], §II), quoted by W Wimsatt/W Beardsley - The Intentional Fallacy §II
     A reaction: Wimsatt and Beardsley quote this as the romantic antithesis of their own view, but there is a blurring between understanding a work and judging. Personally I consider intentions essential for understanding, and valuable for judgement.