12 ideas
| 21943 | Since Kant, self-criticism has been part of philosophy [Gutting] |
| Full Idea: Philosophy after Kant has involved a continuing critique of its own project. | |
| From: Gary Gutting (Foucault: a very short introduction [2005], 6) | |
| A reaction: I'm struck by many modern philosophers in the analytic tradition who write as if Kant had never existed. I don't know if that is a conscious decision, but it may be a good one. |
| 21944 | Structuralism describes human phenomena in terms of unconscious structures [Gutting] |
| Full Idea: Structuralism in the 1960s was a set of theories which explained human phenomena in terms of underlying unconscious structures, rather than the lived experience described by Phenomenology. | |
| From: Gary Gutting (Foucault: a very short introduction [2005], 6) | |
| A reaction: Hence the interest in Freud and Marx, and Foucault's interest in history, each offering to unmask what is hidden in consciousness. The unmasking is a basically Kantian project. Cf. Frege's hatred of 'psychologism'. |
| 6950 | You can be rational with undetected or minor inconsistencies [Harman] |
| Full Idea: Rationality doesn't require consistency, because you can be rational despite undetected inconsistencies in beliefs, and it isn't always rational to respond to a discovery of inconsistency by dropping everything in favour of eliminating that inconsistency. | |
| From: Gilbert Harman (Rationality [1995], 1.2) | |
| A reaction: This strikes me as being correct, and is (I am beginning to realise) a vital contribution made to our understanding by pragmatism. European thinking has been too keen on logic as the model of good reasoning. |
| 6954 | A coherent conceptual scheme contains best explanations of most of your beliefs [Harman] |
| Full Idea: A set of unrelated beliefs seems less coherent than a tightly organized conceptual scheme that contains explanatory principles that make sense of most of your beliefs; this is why inference to the best explanation is an attractive pattern of inference. | |
| From: Gilbert Harman (Rationality [1995], 1.5.2) | |
| A reaction: I find this a very appealing proposal. The central aim of rational thought seems to me to be best explanation, and I increasingly think that most of my beliefs rest on their apparent coherence, rather than their foundations. |
| 6955 | Enumerative induction is inference to the best explanation [Harman] |
| Full Idea: We might think of enumerative induction as inference to the best explanation, taking the generalization to explain its instances. | |
| From: Gilbert Harman (Rationality [1995], 1.5.2) | |
| A reaction: This is a helpful connection. The best explanation of these swans being white is that all swans are white; it ceased to be the best explanation when black swans turned up. In the ultimate case, a law of nature is the explanation. |
| 6952 | Induction is 'defeasible', since additional information can invalidate it [Harman] |
| Full Idea: It is sometimes said that inductive reasoning is 'defeasible', meaning that considerations that support a given conclusion can be defeated by additional information. | |
| From: Gilbert Harman (Rationality [1995], 1.4.5) | |
| A reaction: True. The point is that being defeasible does not prevent such thinking from being rational. The rational part of it is to acknowledge that your conclusion is defeasible. |
| 6953 | All reasoning is inductive, and deduction only concerns implication [Harman] |
| Full Idea: Deductive logic is concerned with deductive implication, not deductive reasoning; all reasoning is inductive | |
| From: Gilbert Harman (Rationality [1995], 1.4.5) | |
| A reaction: This may be an attempt to stipulate how the word 'reasoning' should be used in future. It is, though, a bold and interesting claim, given the reputation of induction (since Hume) of being a totally irrational process. |
| 6951 | Ordinary rationality is conservative, starting from where your beliefs currently are [Harman] |
| Full Idea: Ordinary rationality is generally conservative, in the sense that you start from where you are, with your present beliefs and intentions. | |
| From: Gilbert Harman (Rationality [1995], 1.3) | |
| A reaction: This stands opposed to the Cartesian or philosophers' rationality, which requires that (where possible) everything be proved from scratch. Harman seems right, that the normal onus of proof is on changing beliefs, rather proving you should retain them. |
| 22693 | The works we value most are in sympathy with our own moral views [John,E] |
| Full Idea: The works we tend to value most highly are ones that are in sympathy with the moral views we actually accept. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intro) | |
| A reaction: I would have to endorse this. She admits that we may rate other works very highly, but they won't appear on our list of favourites. This fact may well distort philosophical discussions of morality and art. |
| 22694 | We should understand what is morally important in a story, without having to endorse it [John,E] |
| Full Idea: Our responses to literature should show that we grasp whatever counts as morally important within the narrative, but not necessarily that we judge and feel in the way deemed appropriate by the work. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Accommodating') | |
| A reaction: She gives as an example a story by Hemingway which places a high value on the courageous hunting of big game. A second example is the total amorality of a Highsmith novel. This idea seems exactly right to me. |
| 22695 | We value morality in art because that is what we care about - but it is a contingent fact [John,E] |
| Full Idea: Moral value is valuable in art because people care about moral value. This runs deep, but it is a contingent matter, and the value of morality in art hinges on art's need to provide something precious to us. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], 'Contingency') | |
| A reaction: I think this is exactly right. Thrillers are written with very little moral concern, for a readership which cares about brave and exciting deeds. Even there, violence has its ethics. |
| 22692 | A work can be morally and artistically excellent, despite rejecting moral truth [John,E] |
| Full Idea: A work that rejects moral truth can be artistically excellent, in part because of its moral content. | |
| From: Eileen John (Artistic Value and Opportunistic Moralism [2006], Intr) | |
| A reaction: She cites the film 'Trainspotting', about desperate drug addicts, because it gives an amoral insight into their world. |