Combining Texts

All the ideas for 'The Intrinsic Quality of Experience', 'Notice of Fine's 'Limits of Abstraction'' and 'History of Ancient Art'

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3 ideas

15. Nature of Minds / B. Features of Minds / 5. Qualia / b. Qualia and intentionality
Qualities of experience are just representational aspects of experience ('Representationalism') [Harman, by Burge]
     Full Idea: Harman defended what came to be known as 'representationalism' - the view that qualitative aspects of experience are nothing other than representational aspects.
     From: report of Gilbert Harman (The Intrinsic Quality of Experience [1990]) by Tyler Burge - Philosophy of Mind: 1950-2000 p.459
     A reaction: Functionalists like Harman have a fairly intractable problem with the qualities of experience, and this may be clutching at straws. What does 'represent' mean? How is the representation achieved? Why that particular quale?
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
Abstraction theories build mathematics out of second-order equivalence principles [Cook/Ebert]
     Full Idea: A theory of abstraction is any account that reconstructs mathematical theories using second-order abstraction principles of the form: §xFx = §xGx iff E(F,G). We ignore first-order abstraction principles such as Frege's direction abstraction.
     From: R Cook / P Ebert (Notice of Fine's 'Limits of Abstraction' [2004], 1)
     A reaction: Presumably part of the neo-logicist programme, which also uses such principles. The function § (extension operator) 'provides objects corresponding to the argument concepts'. The aim is to build mathematics, rather than the concept of a 'rabbit'.
21. Aesthetics / B. Nature of Art / 4. Art as Expression
Art aims only at beauty, of form, of idea, and (above all) of expression [Winckelmann, by Tolstoy]
     Full Idea: According to Winckelmann, the law and aim of all art is beauty, independent of goodness. The three kinds of beauty are of form, of idea, and of expression (the highest aim, attainable only when the other two are present).
     From: report of Johann Winckelmann (History of Ancient Art [1764]) by Leo Tolstoy - What is Art? Ch.3
     A reaction: This sounds very like 'art for art's sake', but a hundred years earlier. This is quite a good distinction, and I particularly like the 'beauty of idea', which is often overlooked.