3 ideas
| 20422 | The experience of expression and communication are intermingled in art [Croce] |
| Full Idea: It is very difficult to perceive the frontier between expression and communication in actual fact, for the two processes usually alternate rapidly and are almost intermingled. | |
| From: Benedetto Croce (The Essence of Aesthetic [1912]), quoted by Gary Kemp - Croce and Collingwood | |
| A reaction: [text unsure] I think he is getting at seeing the painting (or whatever) as a physical object, and seeing it as the experience which results from the object. The alternation of the objective and subjective views. Reminds me of Thomas Nagel. |
| 1497 | For Anaximenes nature is air, which takes different forms by rarefaction and condensation [Anaximenes, by Simplicius] |
| Full Idea: Unlike Anaximander, Anaximenes' underlying nature is not boundless, but specific, since he says that it is air, and claims that it is thanks to rarefaction and condensation that it manifests in different forms in different things. | |
| From: report of Anaximenes (fragments/reports [c.546 BCE], A5) by Simplicius - On Aristotle's 'Physics' 9.24.26- |
| 12709 | Motion is not absolute, but consists in relation [Leibniz] |
| Full Idea: In reality motion is not something absolute, but consists in relation. | |
| From: Gottfried Leibniz (On Motion [1677], A6.4.1968), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 3 | |
| A reaction: It is often thought that motion being relative was invented by Einstein, but Leibniz wholeheartedly embraced 'Galilean relativity', and refused to even consider any absolute concept of motion. Acceleration is a bit trickier than velocity. |