8 ideas
| 12163 | Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton] |
| Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.27) | |
| A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen? |
| 12162 | In literature, word replacement changes literary meaning [Scruton] |
| Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.25) | |
| A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations. |
| 12159 | Without intentions we can't perceive sculpture, but that is not the whole story [Scruton] |
| Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.15) | |
| A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech. |
| 12160 | In aesthetic interest, even what is true is treated as though it were not [Scruton] |
| Full Idea: In aesthetic interest, even what is true is treated as though it were not. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.18) | |
| A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse. |
| 12161 | We can be objective about conventions, but love of art is needed to understand its traditions [Scruton] |
| Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.24) | |
| A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means. |
| 12709 | Motion is not absolute, but consists in relation [Leibniz] |
| Full Idea: In reality motion is not something absolute, but consists in relation. | |
| From: Gottfried Leibniz (On Motion [1677], A6.4.1968), quoted by Daniel Garber - Leibniz:Body,Substance,Monad 3 | |
| A reaction: It is often thought that motion being relative was invented by Einstein, but Leibniz wholeheartedly embraced 'Galilean relativity', and refused to even consider any absolute concept of motion. Acceleration is a bit trickier than velocity. |
| 1473 | Is evil an illusion, or a necessary contrast, or uncontrollable, or necessary for human free will? [Mackie, by PG] |
| Full Idea: Perhaps evil is an illusion, or it is necessary for good to exist, or in humans it is required because we have free will, or God lacks the full power to control it, but none of these looks convincing. | |
| From: report of J.L. Mackie (Evil and Omnipotence [1955], §B) by PG - Db (ideas) |
| 1472 | The propositions that God is good and omnipotent, and that evil exists, are logically contradictory [Mackie, by PG] |
| Full Idea: There is a contradiction between the propositions that God is wholly good, God is omnipotent, and evil exists, and one of them has got to give way (assuming good eliminates evil, and omnipotence has no limit). | |
| From: report of J.L. Mackie (Evil and Omnipotence [1955], Pref.) by PG - Db (ideas) |