Combining Texts

All the ideas for 'A Résumé of Metaphysics', 'Supervenience' and 'Aesthetics'

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15 ideas

7. Existence / C. Structure of Existence / 5. Supervenience / a. Nature of supervenience
Supervenience: No A-difference without a B-difference [Bennett,K]
     Full Idea: The slogan for supervenience might be 'there cannot be an A-difference without a B-difference'. …(qualifying as a 'perfect forgery' would be an example).
     From: Karen Bennett (Supervenience [2011], Intro)
     A reaction: The key point about supervenience is that it is one-way. Presumably 'tracking' would be a better single word for it than 'dependence', which implies some sort of causal power. Supervenience describes, but doesn't attempt to explain.
Supervenience is non-symmetric - sometimes it's symmetric, and sometimes it's one-way [Bennett,K]
     Full Idea: Supervenience is neither symmetric nor asymmetric; it is non-symmetric. Sometimes it holds symmetrically. …And sometimes it holds asymmetrically.
     From: Karen Bennett (Supervenience [2011], §3.2)
     A reaction: I think of supervenience as 'tracking'. Stalkers track victims; married couples track one another. Beauty tracks statues, but statues don't seem to track beauty. I take so-called mind-brain supervenience to be two-way, not one-way.
7. Existence / C. Structure of Existence / 5. Supervenience / b. Types of supervenience
Weak supervenience is in one world, strong supervenience in all possible worlds [Bennett,K]
     Full Idea: Weak supervenience says there is no possible world that contains individuals that are B-indiscernible but A-discernible. Strong supervenience entails the same even if they are in different possible worlds.
     From: Karen Bennett (Supervenience [2011], §4.1)
     A reaction: In other words (I presume), in simple language, the weak version says they happen supervene, the strong version says they have to supervene.
7. Existence / C. Structure of Existence / 5. Supervenience / c. Significance of supervenience
Aesthetics, morality and mind supervene on the physical? Modal on non-modal? General on particular? [Bennett,K]
     Full Idea: It has been claimed that aesthetic, moral and mental properties supervene upon physical properties, …and that modal truths supervene on non-modal ones, and that general truths supervene on particular ones.
     From: Karen Bennett (Supervenience [2011], Intro)
     A reaction: I am attracted to the last bit. I am bewildered by people who try to derive particular truths from general ones, such as deriving physical behaviour from laws, or the nature of some creature simply from its species. Only some tigers are man-eaters.
Some entailments do not involve supervenience, as when brotherhood entails siblinghood [Bennett,K]
     Full Idea: Some entailments do not suffice for supervenience. Being a brother entails being a sibling, but being a sibling does not supervene on being a brother. Sarah has a sister and Jack in an only child. Sarah, unlike Jack, is a sibling; neither is a brother.
     From: Karen Bennett (Supervenience [2011], §3.2)
     A reaction: The whole point of supervenience, I take it, is to label a relation of tracking, while offering no explanation of the tracking. Entailment would be a rather powerful explanation, as would a dog's being tied to a cart.
Reduction requires supervenience, but does supervenience suffice for reduction? [Bennett,K]
     Full Idea: Everyone agrees that reduction requires supervenience, …but the more interesting issue is whether supervenience suffices for reduction.
     From: Karen Bennett (Supervenience [2011], §3.3)
     A reaction: I think we should assume that there is a reason for every genuine case of supervenience (i.e. there are no cases of eternal or ubiquitious coincidence). One-way causation seems to give supervenience without reduction.
7. Existence / D. Theories of Reality / 6. Physicalism
Definitions of physicalism are compatible with a necessary God [Bennett,K]
     Full Idea: All definitions of physicalism are compatible with the existence of a necessarily existing God.
     From: Karen Bennett (Supervenience [2011], 5.4)
     A reaction: All the definitions seem to depend on all the facts covarying with the physical facts, so anything which is invariant (such as divine or platonic entities) will stand outside the definition. Physicalism is more like a credo about all facts whatever.
10. Modality / A. Necessity / 6. Logical Necessity
The metaphysically and logically possible worlds are the same, so they are the same strength [Bennett,K]
     Full Idea: Metaphysical necessity is just as strong as logical necessity in that the space of metaphysical possibility is exactly the same as the space of logical possibility: the logically possible worlds = the metaphysically possible worlds.
     From: Karen Bennett (Supervenience [2011], §3.1)
     A reaction: I think this is wrong. To be the 'same strength' there would also have to be the same number of logical as metaphysical truths, and I presume that is not the case. There are far more logical than metaphysical possibilities.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
     Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity.
     From: Sebastian Gardner (Aesthetics [1995], Intro)
     A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
     Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object.
     From: Sebastian Gardner (Aesthetics [1995], 2.2)
     A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
     Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response.
     From: Sebastian Gardner (Aesthetics [1995], 1.2.3)
     A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you.
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]
     Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance.
     From: Sebastian Gardner (Aesthetics [1995], 1.1)
     A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples.
22. Metaethics / C. The Good / 3. Pleasure / a. Nature of pleasure
Intelligent pleasure is the perception of beauty, order and perfection [Leibniz]
     Full Idea: An intelligent being's pleasure is simply the perception of beauty, order and perfection.
     From: Gottfried Leibniz (A Résumé of Metaphysics [1697], §18)
     A reaction: Leibniz seems to have inherited this from the Greeks, especially Pythagoras and Plato. Buried in Leibniz's remark I see the Christian fear of physical pleasure. He should have got out more. Must an intelligent being always be intelligent?
28. God / A. Divine Nature / 3. Divine Perfections
Perfection is simply quantity of reality [Leibniz]
     Full Idea: Perfection is simply quantity of reality.
     From: Gottfried Leibniz (A Résumé of Metaphysics [1697], §11)
     A reaction: An interesting claim, but totally beyond my personal comprehension. I presume he inherited 'quantity of reality' from Plato, e.g. as you move up the Line from shadows to Forms you increase the degree of reality. I see 'real' as all-or-nothing.
29. Religion / D. Religious Issues / 3. Problem of Evil / b. Human Evil
Evil serves a greater good, and pain is necessary for higher pleasure [Leibniz]
     Full Idea: Evils themselves serve a greater good, and the fact that pains are found in minds is necessary if they are to reach greater pleasures.
     From: Gottfried Leibniz (A Résumé of Metaphysics [1697], §23)
     A reaction: How much pain is needed to qualify for the 'greater pleasures'? Some people receive an awful lot. I am not sure exactly how an evil can 'serve' a greater good. Is he recommending evil?