40 ideas
| 21382 | Things get smaller without end [Anaxagoras] |
| Full Idea: Of the small there is no smallest, but always a smaller. | |
| From: Anaxagoras (fragments/reports [c.460 BCE], B03), quoted by Gregory Vlastos - The Physical Theory of Anaxagoras II | |
| A reaction: Anaxagoras seems to be speaking of the physical world (and probably writing prior to the emergence of atomism, which could have been a rebellion against he current idea). |
| 481 | Nothing is created or destroyed; there is only mixing and separation [Anaxagoras] |
| Full Idea: No thing comes into being or passes away, but it is mixed together or separated from existing things. Thus it would be correct if coming into being was called 'mixing', and passing away 'separation-off''. | |
| From: Anaxagoras (fragments/reports [c.460 BCE], B17), quoted by Simplicius - On Aristotle's 'Physics' 163.20 | |
| A reaction: I take this to be the first axiom of the new subject of chemistry. Our world is just patterns of Being. The bigger puzzle is - why those patterns? |
| 21822 | Anaxagoras's concept of supreme Mind has a simple First and a multiple One [Anaxagoras, by Plotinus] |
| Full Idea: Anaxagoras, in his assertion of a Mind pure and unmixed, affirms a simplex First and a sundered One, though writing long ago he failed in precision. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by Plotinus - The Enneads 5.1.09 | |
| A reaction: The crunch question is whether the supreme One or Mind is part of Being, or is above and beyond Being. Plotinus claims that Anaxagoras was on his side (with Plato, against Parmenides). |
| 17995 | Basic is the potentially perceptible, then comes the contrary qualities, and finally the 'elements' [Anaxagoras] |
| Full Idea: We must recognise three 'originative sources': first that which is potentially perceptible body, secondly the contrarities (e.g hot and cold), and thirdly Fire, Water, and the like. Only thirdly, however, for these bodies change into one another. | |
| From: Anaxagoras (fragments/reports [c.460 BCE]), quoted by Aristotle - The History of Animals 529a34 | |
| A reaction: The 'potentially perceptible' seems to be matter. The surprise here is that the contraries are more basic than the elements, rather than being properties of them. Reality is modes of matter, it seems. |
| 20339 | Classes rarely share properties with their members - unlike universals and types [Wollheim] |
| Full Idea: Classes can share properties with their members (e.g. the class of big things is big), but this is very rare. ....In the case of both universals and types, there will be shared properties. Red things can be exhilarating, and so can redness. | |
| From: Richard Wollheim (Art and Its Objects [1968], 92) | |
| A reaction: 'Exhilarating' is an extrinsic property, so not the best illustration. This is interesting, but would need checking with a wide range of examples. (Too busy for that right now) |
| 20802 | Snow is not white, and doesn't even appear white, because it is made of black water [Anaxagoras, by Cicero] |
| Full Idea: Anaxagoras not only denied that snow was white, but because he knew that the water from which it was composed was black, even denied that it appeared white to himself. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by M. Tullius Cicero - Academica II.100 | |
| A reaction: Not ridiculous. Can you deny that red and yellow balls look orange from a distance? A failure of discrimination on your part. It sounds okay to say 'what I am really perceiving is red and yellow'. [see 'Anaxagoras' poem by D.H.Lawrence!] |
| 13257 | The senses are too feeble to determine the truth [Anaxagoras] |
| Full Idea: Owing to the feebleness of the sense, we are not able to determine the truth. | |
| From: Anaxagoras (fragments/reports [c.460 BCE], B21), quoted by Patricia Curd - Anaxagoras 5.1 | |
| A reaction: Anaxagoras offers a corresponding elevation of the power of mind (Idea 13256), so I now realise that he is, along with Pythagoras and Parmenides, one of the fathers of rationalism in philosophy. They probably overrate reason. |
| 22761 | We reveal unreliability in the senses when we cannot discriminate a slow change of colour [Anaxagoras, by Sext.Empiricus] |
| Full Idea: Our lack of sureness in the senses is shown if we take two colours, back and white, and pour one into the other drop by drop, we are unable to distinguish the gradual alterations although they subsist as actual facts. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by Sextus Empiricus - Against the Logicians (two books) I.090 | |
| A reaction: [Sextus calls Anaxagoras 'the greatest of the physicists'] I'm not sure what this proves. People with bad eyesight can distinguish very little, but that doesn't prove scepticism. And there are things too small for anyone to see. |
| 13256 | Nous is unlimited, self-ruling and pure; it is the finest thing, with great discernment and strength [Anaxagoras] |
| Full Idea: Nous is unlimited and self-ruling and has been mixed with no thing, but is alone itself by itself. ...For it is the finest of all things and the purest, and indeed it maintains all discernment about everything and has the greatest strength. | |
| From: Anaxagoras (fragments/reports [c.460 BCE], B12), quoted by Patricia Curd - Anaxagoras 3.3 | |
| A reaction: Anaxagoras seems to have been a pioneer in elevating the status of the mind, which is a prop to the rationalist view, and encourages dualism. More naturalistic accounts are, in my view, much healthier. |
| 13784 | Mind is self-ruling, pure, ordering and ubiquitous [Anaxagoras, by Plato] |
| Full Idea: Anaxagoras says that mind is self-ruling, mixes with nothing else, orders the things that are, and travels through everything. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by Plato - Cratylus 413c | |
| A reaction: This elevation of the mind in the natural scheme of things by Anaxagoras looks increasingly significant in western culture to me. Without this line of thought, Descartes and Kant are inconceivable. |
| 20338 | We often treat a type as if it were a sort of token [Wollheim] |
| Full Idea: Much of the time we think and talk of a type as though it were itself a kind of token. | |
| From: Richard Wollheim (Art and Its Objects [1968], 35) | |
| A reaction: A helpful way of connecting what I call 'objectification' to the more conventional modern philosophical vocabulary. Thus I might claim that beauty is superior to truth, as if they were two tokens. |
| 5118 | Anaxagoras says mind remains pure, and so is not affected by what it changes [Anaxagoras, by Aristotle] |
| Full Idea: Anaxagoras says that intellect (which is a cause of change) is not affected by or mixed in with anything else; for this is the only way in which it can cause change, while being itself changeless, and control things without mixing with them. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by Aristotle - Physics 256b24 | |
| A reaction: I suggest that this is the germ of the original concept of freewill - of the mind as somehow outside the causal processes of the world, so that it can initiate change without itself being affected by other causes. Aristotle says he's right; I disagree. |
| 20342 | Interpretation is performance for some arts, and critical for all arts [Wollheim] |
| Full Idea: Performative interpretation occurs only with certain arts, but critical intepretation pertains to all. | |
| From: Richard Wollheim (Art and Its Objects [1968], 38) | |
| A reaction: Fairly obvious, but this is the first point to make about the concept of 'interpretation'. Does the word in fact have two meanings? Or do I perform a painting when I look carefully at it? |
| 20343 | A love of nature must precede a love of art [Wollheim] |
| Full Idea: We could not have a feeling for the beauties of art unless we had been correspondingly moved in front of nature. | |
| From: Richard Wollheim (Art and Its Objects [1968], 43) | |
| A reaction: Wollheim offers this in defence of Kant's view, without necessarily agreeing. Similarly one could hardly care for fictional characters, but not for real people. So the aesthetic attitude may arise from life, rather than from art. Is art hence unimportant? |
| 20348 | A criterion of identity for works of art would be easier than a definition [Wollheim] |
| Full Idea: Maybe, rather than defining art, it would be more fruitful, and more realistic, to seek a general method of identifying works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 60) | |
| A reaction: The whole enterprise is ruined by Marcel Duchamp! I'm more interested in identifying or defining good art. |
| 20347 | If beauty needs organisation, then totally simple things can't be beautiful [Wollheim] |
| Full Idea: It is said that beauty cannot consist in organisation because, if it did, we would not be able to predicate beauty of totally simple objects. | |
| From: Richard Wollheim (Art and Its Objects [1968], 59) | |
| A reaction: [He says this idea originates in Plotinus] I'm struggling to think of an example of something which is 'totally' simple and beautiful. Maybe a patch of colour like the breast of a bullfinch? |
| 20345 | Some say art must have verbalisable expression, and others say the opposite! [Wollheim] |
| Full Idea: The view that a work of art expresses nothing if it can't be put into other words ...is reduced by the view that a work of art has no value if what it expresses or says can be put into (other) words. | |
| From: Richard Wollheim (Art and Its Objects [1968], 49) | |
| A reaction: I prefer the second view. Poetry is what is lost in translation. Good art actually seems to evoke emotions which one virtually never feels in ordinary life. But how could that be possible? What are those emotions doing there? |
| 20331 | It is claimed that the expressive properties of artworks are non-physical [Wollheim] |
| Full Idea: The argument that works of art have properties that physical objects could not have characteristically concentrates on the expressive properties of works of art. | |
| From: Richard Wollheim (Art and Its Objects [1968], 10) | |
| A reaction: Since the idea of an object having non-physical properties strikes me as ridiculous, this gets off to a bad start. If artworks are abstract objects, then all of their properties are non-physical. |
| 20336 | Style can't be seen directly within a work, but appreciation needs a grasp of style [Wollheim] |
| Full Idea: 'Style' would seem to be a concept that cannot be applied to a work solely on the basis of what is represented and yet it is also essential to a proper understanding or appreciation of a work. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Sounds right. One long held musical note creates an expectation which depends on the presumed style of the piece of music. A single bar from a piece may well not exhibit its characteristic style. |
| 20337 | The traditional view is that knowledge of its genre to essential to appreciating literature [Wollheim] |
| Full Idea: From Aristotle onwards it has been a tenet of the traditional rhetoric that the proper understanding of a literary work involves the location of it in the correct genre, that is, as drama, epic or lyric. | |
| From: Richard Wollheim (Art and Its Objects [1968], 32) | |
| A reaction: Walton argues this persuasively. I've seen the climax of a Jacobean tragedy ruined by laughter from the audience. Genre dictates appropriate responses, so it is a communal concept. |
| 20333 | If artworks are not physical objects, they are either ideal entities, or collections of phenomena [Wollheim] |
| Full Idea: In denying that works of art are physical objects, one theory (the 'ideal') withdraws them altogether from experience, and a second theory ('phenomenal') pins them too it inescapably and at all points. | |
| From: Richard Wollheim (Art and Its Objects [1968], 21) | |
| A reaction: I incline towards them being transient ideals, created by human minds. As with so much, we idealise and objectify them as 'works', and abstract their image from the instance(s) we encounter. |
| 20334 | The ideal theory says art is an intuition, shaped by a particular process, and presented in public [Wollheim] |
| Full Idea: The ideal theory of Croce and Collingwood says art is first an inner intuition or expression of the artist, resulting from a particular process of organisation and unification, which can be externalised in public form. | |
| From: Richard Wollheim (Art and Its Objects [1968], 22) | |
| A reaction: [compressed] As stated this doesn't sound very controversial or 'ideal'. I take it the theory is intended to be more platonist than this expression of it suggests. I think the idea that it is an 'expression' of the artist is wrong. |
| 20335 | The ideal theory of art neglects both the audience and the medium employed [Wollheim] |
| Full Idea: Because the ideal theory makes a work of art inner or mental, the link between the artist and the audience has been severed .....and it also totally ignores the significance of the medium. | |
| From: Richard Wollheim (Art and Its Objects [1968], 23) | |
| A reaction: Emily Dickinson had virtually no audience for her poetry. The medium used to perform Bach's 'Art of Fugue' seems unimportant. For paintings of painterly painters paint matters. For some visual art many different media will suffice. |
| 20340 | A musical performance has virtually the same features as the piece of music [Wollheim] |
| Full Idea: With the usual reservations, there is nothing that can be predicated of a performance of a piece of music that could not also be predicated of that piece of music itself. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: He offers this as evidence that it fits the performance being a token, and music (and all other art) being a type. There are quite a few 'reservations'. Music too difficult to perform. Great music always badly performed. |
| 20341 | An interpretation adds further properties to the generic piece of music [Wollheim] |
| Full Idea: Interpretation may be regarded as the production of a token that has properties in excess of those of the type. | |
| From: Richard Wollheim (Art and Its Objects [1968], 37) | |
| A reaction: I suppose so. If you play accurately everything that is written in the score, then anything else has to be an addition. If you play less than the score, you aren't quite playing that piece of music. |
| 20332 | A drawing only represents Napoleon if the artist intended it to [Wollheim] |
| Full Idea: It is necessary, if a drawing is to represent Napoleon, that the draughtsman should intend it to be Napoleon. | |
| From: Richard Wollheim (Art and Its Objects [1968], 13) | |
| A reaction: Does a perfect and intended representation of a person also count as a representation of the person's identical twin? The families of both might well order copies. |
| 18231 | Anaxagoras said a person would choose to be born to contemplate the ordered heavens [Anaxagoras] |
| Full Idea: When Anaxagoras was asked what it was for which a person would choose to be born rather than not, he said it would be to apprehend the heavens and the order in the whole universe. | |
| From: Anaxagoras (fragments/reports [c.460 BCE], 1216), quoted by Aristotle - Eudemian Ethics 8 'Finality' | |
| A reaction: [Anaxagoras, quoted by Aristotle, quoted by Korsgaard, quoted by me, and then quoted by you, perhaps] |
| 631 | For Anaxagoras the Good Mind has no opposite, and causes all movement, for a higher reason [Anaxagoras, by Aristotle] |
| Full Idea: Anaxagoras says the good is a principle as the source of movement, in the form of Mind. However it does it for the sake of something else, which is a further factor. And he allows no opposite to the good Mind. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by Aristotle - Metaphysics 1075b |
| 22727 | Mind creates the world from a mixture of pure substances [Anaxagoras, by ] |
| Full Idea: Anaxagoras assumed that Mind, which is God, is the efficient principle, and the multi-mixture of homoeomeries is the material principle. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by - I.6 | |
| A reaction: The choice of homoeomeries as basic is a good one. They are much better candidates than materials which are made of parts of a quite different kind, where the parts are a better candidate than the whole. |
| 19399 | Prime matter is nothing when it is at rest [Leibniz] |
| Full Idea: Primary matter is nothing if considered at rest. | |
| From: Gottfried Leibniz (Aristotle and Descartes on Matter [1671], p.90) | |
| A reaction: This goes with Leibniz's Idea 13393, that activity is the hallmark of existence. No one seems to have been able to make good sense of prime matter, and it plays little role in Aristotle's writings. |
| 550 | Anaxagoras said that the number of principles was infinite [Anaxagoras, by Aristotle] |
| Full Idea: Anaxagoras said that the number of principles was infinite. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by Aristotle - Metaphysics 984a |
| 21383 | The ultimate constituents of reality are the homoeomeries [Anaxagoras, by Vlastos] |
| Full Idea: Anaxagoras contrasts with other thinkers in the formula that his 'elements' were not the air of Anaximenes or the fire of Heraclitus or the roots of Empedocles or the atoms of Leucippus, but the infinite variety of homoiomereia. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by Gregory Vlastos - The Physical Theory of Anaxagoras III | |
| A reaction: Not sure about the 'roots' of Empedocles. Anaxagoras is particularly thinking of the basic stuffs that make up the body, such as hair, bone and blood. It is plausible to reduce everything to stuffs that seem to have no further structure. |
| 13208 | Anaxagoreans regard the homoeomeries as elements, which compose earth, air, fire and water [Anaxagoras, by Aristotle] |
| Full Idea: The followers of Anaxagoras regard the 'homoeomeries' as 'simple' and elements, whilst they affirm that Earth, Fire, Water and Air are composite; for each of these is (according to them) a 'common seminary' of all the homoeomeries. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by Aristotle - Coming-to-be and Passing-away (Gen/Corr) 314a28 | |
| A reaction: Compare Idea 13207. Aristotle is amused that the followers of Empedocles and of Anaxagoras have precisely opposite views on this subject. |
| 367 | Anaxagoras says mind produces order and causes everything [Anaxagoras, by Plato] |
| Full Idea: Anaxagoras asserted that it is mind that produces order and is the cause of everything. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by Plato - Phaedo 097d |
| 21381 | Germs contain microscopic organs, which become visible as they grow [Anaxagoras] |
| Full Idea: In the germ there are hair, nails, arteries, sinews, bones, which are not manifest because of the smallness of their parts, but become distinct little by little as they grow. For how could hair come from not-hair, or flesh from non-flesh. | |
| From: Anaxagoras (fragments/reports [c.460 BCE], B10), quoted by Gregory Vlastos - The Physical Theory of Anaxagoras I | |
| A reaction: Compare Aristotle's apparent view that the physical world has no microscopic structure, and Democritus's view that hair can come from not-hair by the organisation of atoms. Is this the first suggestion that we need to know what is microscopic? |
| 22726 | When things were unified, Mind set them in order [Anaxagoras] |
| Full Idea: All things were together, and Mind came and set them in order. | |
| From: Anaxagoras (fragments/reports [c.460 BCE]) | |
| A reaction: This is presumably the source for the passionate belief of Plato in the importance of order. Existence seems like chaos, with order residing beneath it, but we can wonder whether if we go even deeper it is chaos again. |
| 2629 | Anaxagoras was the first to say that the universe is directed by an intelligence [Anaxagoras, by Cicero] |
| Full Idea: Anaxagoras, pupil of Anaximenes, was the first to maintain that the form and motion of the universe was determined and directed by the power and purpose of an infinite intelligence. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by M. Tullius Cicero - On the Nature of the Gods ('De natura deorum') I.26 |
| 480 | Past, present and future, and the movements of the heavens, were arranged by Mind [Anaxagoras] |
| Full Idea: Whatever was then in existence which is not now, and all things that now exist, and whatever shall exist - all were arranged by Mind, as also the revolution followed now by the stars, the sun and the moon. | |
| From: Anaxagoras (fragments/reports [c.460 BCE], B12), quoted by Simplicius - On Aristotle's 'Physics' 164.24 |
| 5956 | Anaxagoras was charged with impiety for calling the sun a lump of stone [Anaxagoras, by Plutarch] |
| Full Idea: Anaxagoras was charged with impiety because he called the sun a lump of stone. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by Plutarch - 14: Superstition §9 | |
| A reaction: The point is that he was supposed to say that the sun is a god. |
| 7488 | Anaxagoras was the first recorded atheist [Anaxagoras, by Watson] |
| Full Idea: Anaxagoras was the first recorded atheist. | |
| From: report of Anaxagoras (fragments/reports [c.460 BCE]) by Peter Watson - Ideas Ch.25 | |
| A reaction: He was a very lively character, right in the middle of the Athenian golden age. |