9 ideas
| 3269 | If your life is to be meaningful as part of some large thing, the large thing must be meaningful [Nagel] |
| Full Idea: Those seeking to give their lives meaning usually envision a role in something larger than themselves, …but such a role can't confer significance unless that enterprise is itself significant. | |
| From: Thomas Nagel (The Absurd [1971], §3) | |
| A reaction: Which correctly implies that this way of finding meaning for one's life is doomed. |
| 19400 | Possibles demand existence, so as many of them as possible must actually exist [Leibniz] |
| Full Idea: From the conflict of all the possibles demanding existence, this at once follows, that there exists that series of things by which as many of them as possible exist. | |
| From: Gottfried Leibniz (Exigency to Exist in Essences [1690], p.91) | |
| A reaction: I'm in tune with a lot of Leibniz, but my head swims with this one. He seems to be a Lewisian about possible worlds - that they are concrete existing entities (with appetites!). Could Lewis include Leibniz's idea in his system? |
| 19401 | God's sufficient reason for choosing reality is in the fitness or perfection of possibilities [Leibniz] |
| Full Idea: The sufficient reason for God's choice can be found only in the fitness (convenance) or in the degree of perfection that the several worlds possess. | |
| From: Gottfried Leibniz (Exigency to Exist in Essences [1690], p.92) | |
| A reaction: The 'fitness' of a world and its 'perfection' seem very different things. A piece of a jigsaw can have wonderful fitness, without perfection. Occasionally you get that sinking feeling with metaphysicians that they just make it up. |
| 19402 | The actual universe is the richest composite of what is possible [Leibniz] |
| Full Idea: The actual universe is the collection of the possibles which forms the richest composite. | |
| From: Gottfried Leibniz (Exigency to Exist in Essences [1690], p.92) | |
| A reaction: 'Richest' for Leibniz means a maximum combination of existence, order and variety. It's rather like picking the best starting team from a squad of footballers. |
| 3270 | Justifications come to an end when we want them to [Nagel] |
| Full Idea: Justifications come to an end when we are content to have them end. | |
| From: Thomas Nagel (The Absurd [1971], §3) | |
| A reaction: This is the correct account, with the vital proviso that where justification comes to an end is usually a social matter. Robinson Crusoe doesn't care whether he 'knows' - he just acts on his beliefs. |
| 8063 | Baumgarten founded aesthetics in 1750 [Baumgarten, by Tolstoy] |
| Full Idea: Baumgarten founded aesthetics in the year 1750. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.2 | |
| A reaction: He gave it a label, separated it off from the rest of philosophy, and made taste the main focus. The philosophy of art goes back to at least Plato's 'Republic' and 'Symposium'. |
| 8118 | Beauty is an order between parts, and in relation to the whole [Baumgarten, by Tolstoy] |
| Full Idea: Beauty is defined by Baumgarten as a correspondence, that is, an order of parts in their mutual relations to each other and in their relation to the whole. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: This may be one aspect of what is beautiful, but rather more than a nice arrangement is probably needed for art. We must distinguish flower arranging from poetic drama. Some masterpieces are rather messily arranged. |
| 8117 | Perfection comes through the senses (Beauty), through reason (Truth), and through moral will (Good) [Baumgarten, by Tolstoy] |
| Full Idea: For Baumgarten, Beauty is the Perfect (the Absolute), recognised through the senses; Truth is the Perfect perceived through reason; Goodness is the Perfect reached by moral will. | |
| From: report of Alexander Baumgarten (Aesthetica [1739]) by Leo Tolstoy - What is Art? Ch.3 | |
| A reaction: At last, after many years of searching, I have found the origin of that great trio of ideals: Beauty, Goodness and Truth. Tolstoy sneers at them, but a person could do a lot worse than spending their lives trying to promote them. |
| 3268 | If a small brief life is absurd, then so is a long and large one [Nagel] |
| Full Idea: If life is absurd because it only lasts seventy years, wouldn't it be infinitely absurd if it lasted for eternity? And if we are absurd because we are small, would we be any less absurd if we filled the universe? | |
| From: Thomas Nagel (The Absurd [1971], §1) |