8 ideas
| 3269 | If your life is to be meaningful as part of some large thing, the large thing must be meaningful [Nagel] |
| Full Idea: Those seeking to give their lives meaning usually envision a role in something larger than themselves, …but such a role can't confer significance unless that enterprise is itself significant. | |
| From: Thomas Nagel (The Absurd [1971], §3) | |
| A reaction: Which correctly implies that this way of finding meaning for one's life is doomed. |
| 19400 | Possibles demand existence, so as many of them as possible must actually exist [Leibniz] |
| Full Idea: From the conflict of all the possibles demanding existence, this at once follows, that there exists that series of things by which as many of them as possible exist. | |
| From: Gottfried Leibniz (Exigency to Exist in Essences [1690], p.91) | |
| A reaction: I'm in tune with a lot of Leibniz, but my head swims with this one. He seems to be a Lewisian about possible worlds - that they are concrete existing entities (with appetites!). Could Lewis include Leibniz's idea in his system? |
| 19401 | God's sufficient reason for choosing reality is in the fitness or perfection of possibilities [Leibniz] |
| Full Idea: The sufficient reason for God's choice can be found only in the fitness (convenance) or in the degree of perfection that the several worlds possess. | |
| From: Gottfried Leibniz (Exigency to Exist in Essences [1690], p.92) | |
| A reaction: The 'fitness' of a world and its 'perfection' seem very different things. A piece of a jigsaw can have wonderful fitness, without perfection. Occasionally you get that sinking feeling with metaphysicians that they just make it up. |
| 19402 | The actual universe is the richest composite of what is possible [Leibniz] |
| Full Idea: The actual universe is the collection of the possibles which forms the richest composite. | |
| From: Gottfried Leibniz (Exigency to Exist in Essences [1690], p.92) | |
| A reaction: 'Richest' for Leibniz means a maximum combination of existence, order and variety. It's rather like picking the best starting team from a squad of footballers. |
| 21686 | Sense-data are dubious abstractions, with none of the plausibility of tables [Quine] |
| Full Idea: The notion of pure sense datum is a pretty tenuous abstraction, a good deal more conjectural than the notion of an external object, a table or a sheep. | |
| From: Willard Quine (On Mental Entities [1952], p.225) | |
| A reaction: This seems to sum up the view of sense-data held by the generation after Russell and Moore. Ayer still talks about them, but Russell had already given them up. The simple challenge is - what is the evidence for their existence? Cf innate ideas. |
| 21685 | Empiricism says evidence rests on the senses, but that insight is derived from science [Quine] |
| Full Idea: The crucial insight of empiricism is that any evidence for science has its end points in the senses. This insight remains valid, but it is an insight which comes after physics, physiology, and psychology, not before. | |
| From: Willard Quine (On Mental Entities [1952], p.225) | |
| A reaction: Interesting. I think Hume and co. were probably outlining essential presuppositions and contraints which must be accepted by science. Quine offers empiricism as more like a description of science (with success as its authority?). |
| 3270 | Justifications come to an end when we want them to [Nagel] |
| Full Idea: Justifications come to an end when we are content to have them end. | |
| From: Thomas Nagel (The Absurd [1971], §3) | |
| A reaction: This is the correct account, with the vital proviso that where justification comes to an end is usually a social matter. Robinson Crusoe doesn't care whether he 'knows' - he just acts on his beliefs. |
| 3268 | If a small brief life is absurd, then so is a long and large one [Nagel] |
| Full Idea: If life is absurd because it only lasts seventy years, wouldn't it be infinitely absurd if it lasted for eternity? And if we are absurd because we are small, would we be any less absurd if we filled the universe? | |
| From: Thomas Nagel (The Absurd [1971], §1) |