20 ideas
| 18806 | Frege thought traditional categories had psychological and linguistic impurities [Frege, by Rumfitt] |
| Full Idea: Frege rejected the traditional categories as importing psychological and linguistic impurities into logic. | |
| From: report of Gottlob Frege (Function and Concept [1891]) by Ian Rumfitt - The Boundary Stones of Thought 1.2 | |
| A reaction: Resisting such impurities is the main motivation for making logic entirely symbolic, but it doesn't follow that the traditional categories have to be dropped. |
| 8490 | First-level functions have objects as arguments; second-level functions take functions as arguments [Frege] |
| Full Idea: Just as functions are fundamentally different from objects, so also functions whose arguments are and must be functions are fundamentally different from functions whose arguments are objects. The latter are first-level, the former second-level, functions. | |
| From: Gottlob Frege (Function and Concept [1891], p.38) | |
| A reaction: In 1884 he called it 'second-order'. This is the standard distinction between first- and second-order logic. The first quantifies over objects, the second over intensional entities such as properties and propositions. |
| 8492 | Relations are functions with two arguments [Frege] |
| Full Idea: Functions of one argument are concepts; functions of two arguments are relations. | |
| From: Gottlob Frege (Function and Concept [1891], p.39) | |
| A reaction: Nowadays we would say 'two or more'. Another interesting move in the aim of analytic philosophy to reduce the puzzling features of the world to mathematical logic. There is, of course, rather more to some relations than being two-argument functions. |
| 8487 | Arithmetic is a development of logic, so arithmetical symbolism must expand into logical symbolism [Frege] |
| Full Idea: I am of the opinion that arithmetic is a further development of logic, which leads to the requirement that the symbolic language of arithmetic must be expanded into a logical symbolism. | |
| From: Gottlob Frege (Function and Concept [1891], p.30) | |
| A reaction: This may the the one key idea at the heart of modern analytic philosophy (even though logicism may be a total mistake!). Logic and arithmetical foundations become the master of ontology, instead of the servant. The jury is out on the whole enterprise. |
| 9545 | Late in life Frege abandoned logicism, and saw the source of arithmetic as geometrical [Frege, by Chihara] |
| Full Idea: Near the end of his life, Frege completely abandoned his logicism, and came to the conclusion that the source of our arithmetical knowledge is what he called 'the Geometrical Source of Knowledge'. | |
| From: report of Gottlob Frege (Sources of Knowledge of Mathematics [1922]) by Charles Chihara - A Structural Account of Mathematics Intro n3 | |
| A reaction: We have, rather crucially, lost touch with the geometrical origins of arithmetic (such as 'square' numbers), which is good news for the practice of mathematics, but probably a disaster for the philosophy of the subject. |
| 18899 | Frege takes the existence of horses to be part of their concept [Frege, by Sommers] |
| Full Idea: Frege regarded the existence of horses as a property of the concept 'horse'. | |
| From: report of Gottlob Frege (Function and Concept [1891]) by Fred Sommers - Intellectual Autobiography 'Realism' |
| 4028 | Frege allows either too few properties (as extensions) or too many (as predicates) [Mellor/Oliver on Frege] |
| Full Idea: Frege's theory of properties (which he calls 'concepts') yields too few properties, by identifying coextensive properties, and also too many, by letting every predicate express a property. | |
| From: comment on Gottlob Frege (Function and Concept [1891]) by DH Mellor / A Oliver - Introduction to 'Properties' §2 | |
| A reaction: Seems right; one extension may have two properties (have heart/kidneys), two predicates might express the same property. 'Cutting nature at the joints' covers properties as well as objects. |
| 8489 | The concept 'object' is too simple for analysis; unlike a function, it is an expression with no empty place [Frege] |
| Full Idea: I regard a regular definition of 'object' as impossible, since it is too simple to admit of logical analysis. Briefly: an object is anything that is not a function, so that an expression for it does not contain any empty place. | |
| From: Gottlob Frege (Function and Concept [1891], p.32) | |
| A reaction: Here is the core of the programme for deriving our ontology from our logic and language, followed through by Russell and Quine. Once we extend objects beyond the physical, it becomes incredibly hard to individuate them. |
| 9947 | Concepts are the ontological counterparts of predicative expressions [Frege, by George/Velleman] |
| Full Idea: Concepts, for Frege, are the ontological counterparts of predicative expressions. | |
| From: report of Gottlob Frege (Function and Concept [1891]) by A.George / D.J.Velleman - Philosophies of Mathematics Ch.2 | |
| A reaction: That sounds awfully like what many philosophers call 'universals'. Frege, as a platonist (at least about numbers), I would take to be in sympathy with that. At least we can say that concepts seem to be properties. |
| 10319 | An assertion about the concept 'horse' must indirectly speak of an object [Frege, by Hale] |
| Full Idea: Frege had a notorious difficulty over the concept 'horse', when he suggests that if we wish to assert something about a concept, we are obliged to proceed indirectly by speaking of an object that represents it. | |
| From: report of Gottlob Frege (Function and Concept [1891], Ch.2.II) by Bob Hale - Abstract Objects | |
| A reaction: This sounds like the thin end of a wedge. The great champion of objects is forced to accept them here as a façon de parler, when elsewhere they have ontological status. |
| 8488 | A concept is a function whose value is always a truth-value [Frege] |
| Full Idea: A concept in logic is closely connected with what we call a function. Indeed, we may say at once: a concept is a function whose value is always a truth-value. ..I give the name 'function' to what is meant by the 'unsaturated' part. | |
| From: Gottlob Frege (Function and Concept [1891], p.30) | |
| A reaction: So a function becomes a concept when the variable takes a value. Problems arise when the value is vague, or the truth-value is indeterminable. |
| 9948 | Unlike objects, concepts are inherently incomplete [Frege, by George/Velleman] |
| Full Idea: For Frege, concepts differ from objects in being inherently incomplete in nature. | |
| From: report of Gottlob Frege (Function and Concept [1891]) by A.George / D.J.Velleman - Philosophies of Mathematics Ch.2 | |
| A reaction: This is because they are 'unsaturated', needing a quantified variable to complete the sentence. This could be a pointer towards Quine's view of properties, as simply an intrinsic feature of predication about objects, with no separate identity. |
| 4972 | I may regard a thought about Phosphorus as true, and the same thought about Hesperus as false [Frege] |
| Full Idea: From sameness of meaning there does not follow sameness of thought expressed. A fact about the Morning Star may express something different from a fact about the Evening Star, as someone may regard one as true and the other false. | |
| From: Gottlob Frege (Function and Concept [1891], p.14) | |
| A reaction: This all gets clearer if we distinguish internalist and externalist theories of content. Why take sides on this? Why not just ask 'what is in the speaker's head?', 'what does the sentence mean in the community?', and 'what is the corresponding situation?' |
| 22687 | Maybe literary assessment is evaluating the artist as a suitable friend [Gaut] |
| Full Idea: An approach in Hume (elaborated by Wayne Booth) holds that literary assessment is akin to an act of befriending, for one assesses the author of a work as a suitable friend. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Some') | |
| A reaction: I like the idea that art exploits our normal range of social emotions and attitudes, so I think this has some truth, but some of the best artists are so out of my league as to not even be candidates for friendship. Dostoevsky? Webster? Caravaggio? |
| 22686 | Formalists say aesthetics concerns types of beauty, or unity, complexity and intensity [Gaut] |
| Full Idea: The formal objects which individuate the aesthetic attitude may be narrowly aesthetic, as beauty, and its subspecies, such as grace and elegance, or more broadly by other formalist criteria, such as Beardley's unity, complexity and intensity. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Objections 1') | |
| A reaction: I'm not sure about unity or complexity, but intensity was endorsed by Henry James. Intensity doesn't sound very 'formal'. 'Beauty' doesn't seem the right word for the wonderful 'King Lear', or even for Jane Austen novels. |
| 22690 | 'Moralism' says all aesthetic merits are moral merits [Gaut] |
| Full Idea: The view that the only aesthetic merit of works are ethical ones is known as 'moralism'. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], n 1) | |
| A reaction: [He says this view was demolished by R.W.Beardsmore in 1971] Gaut contrasts this with his own carefully modulated 'ethicism'. Moralism predominated in the eighteenth century, but now looks clearly wrong (or naïve). |
| 22685 | Good art does not necessarily improve people (any more than good advice does) [Gaut] |
| Full Idea: Ethicism does not entail the causal thesis that good art ethically improves people, …any more than it follows that earnest ethical advice improves people. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
| A reaction: How successful were sermons, in the great days of Christianity? It seems hard to disagree with Gaut's point. |
| 22684 | Good ethics counts towards aesthetic merit, and bad ethics counts against it [Gaut] |
| Full Idea: I defend 'ethicism', which says that ethically admirable attitudes count toward the the aesthetic merit of a work, and ethically reprehensible attitudes count against its aesthetic merit. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Ethicism') | |
| A reaction: He recognises that morally admirable works can explore unethical behaviour, and also that identifying the 'attitude' of a work is not simple. The ethics are not necessary. 'Triumph of the Will' is a classic test case. I disagree with Gaut. |
| 22689 | If we don't respond ethically in the way a work prescribes, that is an aesthetic failure [Gaut] |
| Full Idea: Our having reason not to respond in the way prescribed (because it is unethical) is a failure of the work …so that is an aesthetic failure, which is an aesthetic defect. | |
| From: Berys Gaut (The Ethical Criticism of Art [1998], 'Merited') | |
| A reaction: A key argument for Gaut's theory of 'ethicism' about literature. If 'Triumph of the Will' gets the right response from Nazi sympathisers, that is probably all aesthetic success. Jane Austen hasn't failed if she is rejected as bourgeois. |
| 8491 | The Ontological Argument fallaciously treats existence as a first-level concept [Frege] |
| Full Idea: The ontological proof of God's existence suffers from the fallacy of treating existence as a first-level concept. | |
| From: Gottlob Frege (Function and Concept [1891], p.38 n) | |
| A reaction: [See Idea 8490 for first- and second-order functions] This is usually summarised as the idea that existence is a quantifier rather than a predicate. |