17 ideas
| 8988 | Two marxist ideas have dominated in France: base and superstructure, and ideology [Scruton] |
| Full Idea: Two tenets of classical Marxism have played a decisive role in French culture during our century: the theory of base and superstructure, and the concept of ideology. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993], p.7) | |
| A reaction: It is striking how marxist attitudes permeate even the least political of French philosophical writings, to the point where you wonder if they are even aware of it any more. They largely have marxism and reaction, with liberalism passing them by. |
| 8987 | On the surface of deconstructive writing, technicalities float and then drift away [Scruton] |
| Full Idea: Deconstructive writing has a peculiar surface, in which technicalities float on the syntactic flood and vanish unexplained downstream. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993], p.2) | |
| A reaction: Not even the greatest fans of deconstruction can deny this, and Derrida more or less admits it. At first glance it certainly looks more like the ancient idea of rhetoric than it looks anything like dialectic. |
| 8992 | Deconstruction is the last spasm of romanticism, now become hopeless and destructive [Scruton] |
| Full Idea: The subversive patterns of thought in deconstruction are a last spasm of romanticism: one that has given up hope of an otherworldly redemption, and set out instead to destroy the illusions in which other still believe, the source of their power. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993], p.29) | |
| A reaction: It seems to be strongly connected with the failure of marxism in Europe, but it also seems to inherit all the values of the Dada movement. |
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 8989 | The benefits of social freedom outweigh the loneliness, doubt and alienation it brings [Scruton] |
| Full Idea: While the goods of freedom, such as rights, property, education and prosperity, can be obtained only at a price - the price of loneliness, doubt and alienation - it is a price worth paying. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993]) | |
| A reaction: A striking way for a liberal-conservative to confront the accusations of the marxists - by conceding a lot of their criticisms, but living with them. I still don't see why we shouldn't aspire to have both. |
| 8990 | So-called 'liberation' is the enemy of freedom, destroying the very structures that are needed [Scruton] |
| Full Idea: The promise of 'liberation' has always been the enemy of freedom - in 1968 as much as in 1789 and 1917. Its first desire, and its only policy, is to destroy the institutions and traditions (the 'structures') which make freedom durable. | |
| From: Roger Scruton (Upon Nothing: Swansea lecture [1993], p.9) | |
| A reaction: There is a dilemma, though, if your legal system is corrupt. Far too many political attitudes are formed because of high-profile spectacular cases, instead of looking at daily routines. The latter might make a corrupt legal system still worth saving. |
| 21236 | Instead of gravitational force, we now have a pervasive gravitational field [Farmelo] |
| Full Idea: Physics replaced the notion that bodies exert gravitational force on each other by the more effective picture that the bodies in the universe give rise to a pervasive gravitational field which exerts a force on each particle. | |
| From: Graham Farmelo (The Strangest Man [2009], 08) | |
| A reaction: This still uses the word 'force'. I sometimes get the impression that gravity is the curvature of space, but gravity needs more. Which direction along the curvature are particles attracted? The bottom line is the power of the bodies. |
| 21235 | The Schrödinger waves are just the maths of transforming energy values to positions [Farmelo] |
| Full Idea: Dirac showed that the Schrödinger waves were simply the mathematical quantities involved in transforming the description of a quantum based on its energy values to one based on possible values of its position. | |
| From: Graham Farmelo (The Strangest Man [2009], 08) | |
| A reaction: Does this eliminate actual physical 'waves' from the theory? |
| 21234 | Experiments show that fundamental particles of one type are identical [Farmelo] |
| Full Idea: It is an established experimental fact ...that every single fundamental particle in the universe is the same and identical to all other particles of the same type. | |
| From: Graham Farmelo (The Strangest Man [2009], 07) | |
| A reaction: A loud groan is heard from the tomb of Leibniz. I'm unclear how experiments can establish this. If electrons have internal structure (which is not ruled out) then uniformity is highly unlikely. |