Combining Texts

All the ideas for 'Reply to Richards', 'The Languages of Art' and 'Psychophysical supervenience'

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3 ideas

1. Philosophy / E. Nature of Metaphysics / 3. Metaphysical Systems
22140 The greatest philosophers are methodical; it is what makes them great [Grice]
     Full Idea: The greatest philosophers have been the greatest, and most self-conscious, methodologists; indeed, I am tempted to regard the fact as primarily accounting for their greatness as philosophers.
     From: H. Paul Grice (Reply to Richards [1986], p.66), quoted by Stephen Boulter - Why Medieval Philosophy Matters 3
     A reaction: I agree. Philosophy is nothing if it is not devoted to the attempt to be fully rational, and that implies consistency and coherence. If a thinker doesn't even try to be systematic, I would not consider them to be a philosopher.
8. Modes of Existence / B. Properties / 4. Intrinsic Properties
15456 Extrinsic properties, unlike intrinsics, imply the existence of a separate object [Kim, by Lewis]
     Full Idea: Kim suggest that 'extrinsic' properties are those that imply 'accompaniment' (coexisting with some wholly distinct contingent object), whereas 'intrinsic' properties are compatible with 'loneliness' (being un-accompanied).
     From: report of Jaegwon Kim (Psychophysical supervenience [1982], 9th pg) by David Lewis - Extrinsic Properties II
     A reaction: The aim of Kim and Lewis is to get the ontological commitment down to a minimum - in this case just to objects (and mysterious 'implications'!). I like nominalism, but you can't just deny properties. 'Loneliness' is extrinsic!
21. Aesthetics / B. Nature of Art / 5. Art as Language
8113 Art is like understanding a natural language, and needs a grasp of a symbol system [Goodman, by Gardner]
     Full Idea: In Goodman's account, knowing what a painting represents is logically like understanding a sentence in a natural language. It requires a grasp of the 'symbol system' to which the painting belongs.
     From: report of Nelson Goodman (The Languages of Art [1976]) by Sebastian Gardner - Aesthetics 2.3.2
     A reaction: This may fit some pictures well (e.g. early Flemish painting, with its complex iconography), but others hardly at all. You can enjoy a first experience of (say) ballet long before you get the hang of the 'symbol system' involved.