26 ideas
| 18543 | Do aesthetic reasons count as reasons, if they are rejectable without contradiction? [Scruton] |
| Full Idea: The judgement of beauty makes a claim about its object, and can be supported by reasons. But the reasons do not compel the judgement and can be rejected without contradiction. So are they reasons or aren't they? | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: I suspect that what he is really referring to is evidence rather than reasons. |
| 18542 | Defining truth presupposes that there can be a true definition [Scruton] |
| Full Idea: How can you define truth, without already assuming the distinction between a true definition and a false one? | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: Don't say we have to accept truth as yet another primitive! Philosophers are out of business if all the basic concepts are primitive. The axiomatic approach to truth is an alternative - by specifying how the primitive should be used. |
| 10245 | One geometry cannot be more true than another [Poincaré] |
| Full Idea: One geometry cannot be more true than another; it can only be more convenient. | |
| From: Henri Poincaré (Science and Method [1908], p.65), quoted by Stewart Shapiro - Philosophy of Mathematics | |
| A reaction: This is the culminating view after new geometries were developed by tinkering with Euclid's parallels postulate. |
| 12056 | An ancestral relation is either direct or transitively indirect [Wiggins] |
| Full Idea: x bears to y the 'ancestral' of the relation R just if either x bears R to y, or x bears R to some w that bears R to y, or x bears R to some w that bears R to some z that bears R to y, or..... | |
| From: David Wiggins (Substance [1995], 4.10.1) | |
| A reaction: A concept invented by Frege (1879). |
| 12050 | Substances contain a source of change or principle of activity [Wiggins] |
| Full Idea: Substances are things that have a source of change or principle of activity within them. | |
| From: David Wiggins (Substance [1995], 4.4.1) | |
| A reaction: A vey significant concession. I think we can talk of 'essences' and 'powers', and drop talk of 'substances'. 'Powers' is a much better word, because it immediately pushes the active ingredient to the forefront. |
| 12052 | We never single out just 'this', but always 'this something-or-other' [Wiggins] |
| Full Idea: What is singled out is never a bare this or that, but this or that something or other. | |
| From: David Wiggins (Substance [1995], 4.5.1) | |
| A reaction: I like, in ontological speculation, to contemplate the problem of the baffling archaeological find. 'This thing I have dug up - what the hell IS it?'. Wiggins is contemptuous of the term 'thisness', and the idea of bare particulars. |
| 12055 | Sortal predications are answers to the question 'what is x?' [Wiggins] |
| Full Idea: Predications which answer the question 'what is x?' are often called 'sortal predications' in present-day philosophy. | |
| From: David Wiggins (Substance [1995], 4.10.1) | |
| A reaction: The word 'sortal' comes from Locke. Wiggins is the guru of 'sortal essentialism'. I just can't believe that in answer to the question 'what really is David Wiggins?' that he would be happy with a sequence of categorisations. |
| 12059 | A river may change constantly, but not in respect of being a river [Wiggins] |
| Full Idea: To say that the river is changing constantly in every respect is not to say that it is changing in respect of being a river. | |
| From: David Wiggins (Substance [1995], 4.11.2) | |
| A reaction: Can't a river become a lake, or a mere stream? Wiggins's proposal does not help with the problem of a river which sometimes dries up (as my local river sometimes does). At what point do we decide it is no longer a river? |
| 12063 | Sortal classification becomes science, with cross reference clarifying individuals [Wiggins] |
| Full Idea: The sense of the sortal term under which we pick out an individual expands into the scientific account of things of that kind, where the account clarifies what is at issue in questions of sameness and difference of specimens of that kind. | |
| From: David Wiggins (Substance [1995], 4.13.1) | |
| A reaction: This is how the sortal approach is supposed to deal with individuals. So the placid tiger reveals much by falling under 'tiger', and a crucial extra bit by falling under 'placid'. See Idea 12053 for problems with this proposal. |
| 12051 | If the kinds are divided realistically, they fall into substances [Wiggins] |
| Full Idea: Substance are what the world is articulated into when the segments of kinds corresponds to the real divisions in reality. | |
| From: David Wiggins (Substance [1995], 4.5.1) | |
| A reaction: This is very helpful in clarifying Wiggins's very obscurely expressed views. He appears to be saying that if we divide the sheep from the goats correctly, we reveal sheep-substance and goat-substance (one substance per species). Crazy! |
| 12053 | 'Human being' is a better answer to 'what is it?' than 'poet', as the latter comes in degrees [Wiggins] |
| Full Idea: One person can be more or less of a poet than another, so 'poet' is not a conclusory answer to the question 'What is it that is singled out here?' 'Poet' rides on the back of the answer 'human being'. | |
| From: David Wiggins (Substance [1995], 4.5.1) | |
| A reaction: So apparently one must assign a natural kind, and not just a class. Wiggins lacks science fiction imagination. In the genetic salad of the far future, being a poet may be more definitive than being a human being. See Idea 12063. |
| 12054 | Secondary substances correctly divide primary substances by activity-principles and relations [Wiggins] |
| Full Idea: A system of secondary substances with a claim to separate reality into its genuine primary substances must arise from an understanding of a set of principles of activity on the basis of which identities can be glossed in terms of determinate relations. | |
| From: David Wiggins (Substance [1995], 4.5.1) | |
| A reaction: I translate this as saying that individual essences are categorised according to principles which explain behaviour and relations. I'm increasingly bewildered by the 'secondary substances' Wiggins got from 'Categories', and loves so much. |
| 12047 | We refer to persisting substances, in perception and in thought, and they aid understanding [Wiggins] |
| Full Idea: A substance is a persisting and somehow basic object of reference that is there to be discovered in perception and thought, an object whose claim to be recognized as a real entity is a claim on our aspirations to understand the world. | |
| From: David Wiggins (Substance [1995], 4.1) | |
| A reaction: A lot of components are assigned by Wiggins to the concept, and the tricky job, inititiated by Aristotle, is to fit all the pieces together nicely. Personally I am wondering if the acceptance of 'essences' implies dropping 'substances'. |
| 12057 | Matter underlies things, composes things, and brings them to be [Wiggins] |
| Full Idea: Matter ex hypothesi is what ultimately underlies (to huperkeimenon) a thing; it is that from which something comes to be and which remains as a non-coincidental component in the thing's make-up. | |
| From: David Wiggins (Substance [1995], 192a30) | |
| A reaction: This is an interesting prelude to the much more comprehensive discussion of matter in Metaphysics, where he crucially adds the notion of 'form', and gives it priority over the underlying matter. |
| 12064 | The category of substance is more important for epistemology than for ontology [Wiggins] |
| Full Idea: For us the importance of the category of substance, if it has any importance, is not so much ontological as relative to our epistemological circumstances and the conditions under which we have to undertake inquiry. | |
| From: David Wiggins (Substance [1995], 4.13.2) | |
| A reaction: This seems to be a rather significant concession. Wiggins has revived the notion of substance in recent times, but he is not quite adding it to the furniture of the world. Personally I increasingly think we can dump it, in ontology and epistemology. |
| 12049 | Naming the secondary substance provides a mass of general information [Wiggins] |
| Full Idea: Answering 'what is it?' with the secondary substance identifies an object with a class of continuants which survive certain changes, come into being in certain ways, are qualified in certain ways, behave in certain ways, and cease to be in certain ways. | |
| From: David Wiggins (Substance [1995], 4.3.3) | |
| A reaction: Thus the priority of this sort of answer is that a huge range of explanations immediately flow from it. I take the explanation to be prior, and the primary substance to be prior, since secondary substance is inductively derived from it. |
| 12065 | Seeing a group of soldiers as an army is irresistible, in ontology and explanation [Wiggins] |
| Full Idea: It seems mandatory to an observer of soldiers to give 'the final touch of unity' to their aggregate entity (the army). ...Similar claims arise with the ontological and explanatory claims of other corporate entities. | |
| From: David Wiggins (Substance [1995], 4.13.3) | |
| A reaction: Wiggins must say (following Leibniz Essays II.xxiv,1) that we add the unity, but I take the view that an army has powers, and hence offers explanations, which are lacking in a merely group of disparate soldiers. So an army has an essence and identity. |
| 18546 | The pleasure taken in beauty also aims at understanding and valuing [Scruton] |
| Full Idea: Like the pleasure in friendship, the pleasure in beauty is curious: it aims to understand its object, and to value what it finds. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: At least he is trying to pin down the way in which aesthetic pleasure is phenomenologically different from other kinds of pleasure. |
| 18550 | Art gives us imaginary worlds which we can view impartially [Scruton] |
| Full Idea: One aim of art is to present imaginary worlds, towards which we can adopt, as part of the integral aesthetic attitude, a posture of impartial concern. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
| A reaction: It connects to the pleasure of watching people when they don't know they are being watched (such as watching the street from a restaurant window). Scruton's suggestion makes art resemble examples in philosophy. Cf the Frege-Geach problem in ethics. |
| 18544 | Maybe 'beauty' is too loaded, and we should talk of fittingness or harmony [Scruton] |
| Full Idea: Maybe we can understand the 'beauty' of a building better if we describe it in another and less loaded way, as a form of fittingness or harmony. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: Almost everyone accepts the word 'beauty' for some things, such as a beautiful face, or goal, or steak. I remember a female interviewer writing that, reluctantly, the only appropriate word she could find for Nureyev's face was 'beautiful'. |
| 18553 | Beauty shows us what we should want in order to achieve human fulfilment [Scruton] |
| Full Idea: Beauty speaks to us of human fulfilment: not of things that we want, but of things that we ought to want, because human nature requires them. Such, at least, is my belief. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
| A reaction: I'm not sure how this works with a beautiful natural landscape. And what should I see that I ought to desire after viewing a great Rembrandt self-portrait? That I don't want to end up looking as bleak as that? Hm. Lofty words. |
| 18556 | Beauty is rationally founded, inviting meaning, comparison and self-reflection [Scruton] |
| Full Idea: Beauty is rationally founded; it challenges us to find meaning in its object, to make critical comparisons, and to examine our own lives and emotions in the light of what we find. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 9) | |
| A reaction: This is the Kantian tradition, and I'm not finding it very persuasive. It seems to place the value of beauty in what we do with it afterwards, and he seems to make beauty a necessary stepping stone to virtue. I see beauty as more sui generis. |
| 18548 | Natural beauty reassures us that the world is where we belong [Scruton] |
| Full Idea: The experience of natural beauty is not a sense of 'how nice!' or 'how pleasant!' It contains a reassurance that this world is a right and fitting place to be - a home in which our human powers and prospects find confirmation. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 2) | |
| A reaction: To call it a 'reassurance' and 'confirmation' sounds like theism, anthropomorphism, or the pathetic fallacy. That said, this is certainly a heart-warming idea, and hence must contain a grain of truth. |
| 18551 | Croce says art makes inarticulate intuitions conscious; rival views say the audience is the main concern [Scruton] |
| Full Idea: The Croce model is of an inarticulate inner state (an 'intuition') becoming articulate and conscious through artistic expression. The rival model is fitting thing together so as to create links which resonate in the audience's feelings. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
| A reaction: The first model tells you nothing about how the artist imagines the audience reacting. The second model tells you nothing about what matters personally to the artist. A good theory must do both! |
| 18541 | Beauty (unlike truth and goodness) is questionable as an ultimate value [Scruton] |
| Full Idea: The status of beauty as an ultimate value is questionable, in the way that the status of truth and goodness are not. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
| A reaction: We suspect that a love of beauty may be a bit parochial, where it is hard to conceive of living creatures anywhere in the cosmos who don't value the other two. |
| 18554 | Prostitution is wrong because it hardens the soul, since soul and body are one [Scruton] |
| Full Idea: The condemnation of prostitution was not just puritan bigotry; it was a recognition of a profound truth, that you and your body are not two things but one, and by selling the body you harden your soul. | |
| From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
| A reaction: No one, I imagine, who condones or even enthuses about prostitution would hope that their own daughter followed the profession, so there is something wrong with it. But must an enthusiastic and cheerful prostitute necessarily have a hard soul? |