4 ideas
| 6782 | Realism is the only philosophy of science that doesn't make the success of science a miracle [Putnam] |
| Full Idea: Realism….is the only philosophy science which does not make the success of science a miracle. | |
| From: Hilary Putnam (works [1980]), quoted by Alexander Bird - Philosophy of Science Ch.4 | |
| A reaction: This was from his earlier work; he became more pragmatist and anti-realist later. Personally I approve of the remark. The philosophy of science must certainly offer an explanation for its success. Truth seems the obvious explanation. |
| 22181 | Putnam says anti-realism is a bad explanation of accurate predictions [Putnam, by Okasha] |
| Full Idea: Putnam's 'no miracle' argument says that being an anti-realist is akin to believing in miracles (because of the accurate predictons). …It is a plausibility argument - an inference to the best explanation. | |
| From: report of Hilary Putnam (works [1980]) by Samir Okasha - Philosophy of Science: Very Short Intro (2nd ed) 4 | |
| A reaction: [not sure of ref] Putnam later backs off from this argument, but my personal realism rests on best explanation. Does anyone want to prefer an inferior explanation? The objection is that successful theories can turn out to be false. Phlogiston, ether. |
| 22308 | Only the actual exists, so possibilities always reduce to actuality after full analysis [Russell] |
| Full Idea: Possibility always marks insufficient analysis: when analysis is completed, only the actual can be relevant, for the simple reason that there is only the actual, and that the mere possibility is nothing. | |
| From: Bertrand Russell (Papers of 1913 [1913], VII.26), quoted by Michael Potter - The Rise of Analytic Philosophy 1879-1930 42 'Logic' | |
| A reaction: Quine agreed with Russell on this. You won't get far in life if you deny possibilities. The answer is to recognise that the actual is dynamic, and not passive. |
| 23898 | Those who say immorality is not an aesthetic criterion must show that all criteria are aesthetic [Weil] |
| Full Idea: Writers and readers who cry out that immorality is not an aesthetic criterion need to prove, which they have never done, that one should apply only aesthetic criteria to literature. | |
| From: Simone Weil (Literature and Morals [1941], p.146) | |
| A reaction: I take the first criterion of literature that it not be boring, and I don't think that is an aesthetic matter. A lot must be achieved before a work can even be considered for aesthetic judgment. Being deeply offensive might rule it out. |