7 ideas
| 13745 | Supervenience is not a dependence relation, on the lines of causal, mereological or semantic dependence [Kim] |
| Full Idea: It is a mistake, or at least misleading, to think of supervenience itself as a special and distinctive type of dependence relation, alongside causal dependence, mereological dependence, semantic dependence, and others. | |
| From: Jaegwon Kim (Postscripts on supervenience [1993], 2) | |
| A reaction: The point, I take it, is that supervenience is something which requires explanation, rather than being a conclusion to the debate. Why are statues beautiful? Why do brains generate minds? |
| 13746 | Supervenience is just a 'surface' relation of pattern covariation, which still needs deeper explanation [Kim] |
| Full Idea: Supervenience itself is not an explanatory relation, not a 'deep' metaphysical relation; rather it is a 'surface' relation that reports a pattern of property covariation, suggesting the presence of an interesting dependency relation that might explain it. | |
| From: Jaegwon Kim (Postscripts on supervenience [1993], 2) | |
| A reaction: I think the underlying idea here is that supervenience appeals to the Humean view of physical laws as mere regularities, but it is no good for those who seek underlying mechanisms to explain the patterns and regularities. Humeans are wrong. |
| 1556 | By nature people are close to one another, but culture drives them apart [Hippias] |
| Full Idea: I regard you all as relatives - by nature, not by convention. By nature like is akin to like, but convention is a tyrant over humankind and often constrains people to act contrary to nature. | |
| From: Hippias (fragments/reports [c.430 BCE]), quoted by Plato - Protagoras 337c8 |
| 23903 | When we admire a work, we see ourselves as its creator [Weil] |
| Full Idea: It is impossible to admire a work of art without thinking oneself, in a way, its creator and without, in a sense, becoming so. | |
| From: Simone Weil (Letters [1940], 1940-03c) | |
| A reaction: This rings true for me. You almost see yourself making the brush strokes, or writing the phrase, or penning the chords. It is engagment which is essential for artistic experience. So all art lovers want to be artists? |
| 23901 | Relationships depend on equality, so unequal treatment kills them [Weil] |
| Full Idea: I conceive human relations solely on the plane of equality; therefore, so soon as someone begins to treat me as an inferior, human relations between us become impossible in my eyes. | |
| From: Simone Weil (Letters [1940], 1936-03) | |
| A reaction: Love that. This is precisely where equality starts. I fear that the problem is that people who don't treat others as equals don't want relationships with them, which particularly occurs in a competitive or hierarchical culture. |
| 23904 | The cruelty of the Old Testament put me off Christianity [Weil] |
| Full Idea: I have always been kept away from Christianity by its ranking the Old Testament stories, so full of pitiless cruelty, as sacred texts. | |
| From: Simone Weil (Letters [1940], 1941-01) | |
| A reaction: After 1938 she was a devout and intense Christian, but of a highly individual and platonist kind. Her religion is dominated by love and beauty. |
| 23902 | I attach little importance to immortality, which is an undecidable fact, and irrelevant to us [Weil] |
| Full Idea: You attach great importance to the reasoning about immortality. I myself attach little. It is a factual question, which cannot be decided in advance by any reasoning. And what does it matter to us? | |
| From: Simone Weil (Letters [1940], 1937-04c) | |
| A reaction: I love 'what does it matter to us?'. The idea that our future bliss or misery depends on how we live now is an utterly wicked fiction, which derails attempts to live a proper life. |