7 ideas
| 16980 | We need a logical use of 'object' as predicate-worthy, and an 'ontological' use [Strawson,P] |
| Full Idea: There is a good case for a conservative reform of the word 'object'. Objects in the 'logical' sense would be all predicate-worthy identifiabilia whatever. Objects in the 'ontological' sense would form one ontological category among many others. | |
| From: Peter F. Strawson (Entity and Identity [1978], I n4) | |
| A reaction: This ambiguity has caused me no end of confusion (and irritation!). I wish philosophers wouldn't hijack perfectly good English words and give them weird meanings. Nice to have a distinguished fellow like Strawson make this suggestion. |
| 16979 | It makes no sense to ask of some individual thing what it is that makes it that individual [Strawson,P] |
| Full Idea: For no object is there a unique character or relation by which it must be identified if it is to be identified at all. This is why it makes no sense to ask, impersonally and in general, of some individual object what makes it the individual object it is. | |
| From: Peter F. Strawson (Entity and Identity [1978], I) | |
| A reaction: He links this remark with the claim that there is no individual essence, but he seems to view an individual essence as indispensable to recognition or individuation of the object, which I don't see. Recognise it first, work out its essence later. |
| 1556 | By nature people are close to one another, but culture drives them apart [Hippias] |
| Full Idea: I regard you all as relatives - by nature, not by convention. By nature like is akin to like, but convention is a tyrant over humankind and often constrains people to act contrary to nature. | |
| From: Hippias (fragments/reports [c.430 BCE]), quoted by Plato - Protagoras 337c8 |
| 23903 | When we admire a work, we see ourselves as its creator [Weil] |
| Full Idea: It is impossible to admire a work of art without thinking oneself, in a way, its creator and without, in a sense, becoming so. | |
| From: Simone Weil (Letters [1940], 1940-03c) | |
| A reaction: This rings true for me. You almost see yourself making the brush strokes, or writing the phrase, or penning the chords. It is engagment which is essential for artistic experience. So all art lovers want to be artists? |
| 23901 | Relationships depend on equality, so unequal treatment kills them [Weil] |
| Full Idea: I conceive human relations solely on the plane of equality; therefore, so soon as someone begins to treat me as an inferior, human relations between us become impossible in my eyes. | |
| From: Simone Weil (Letters [1940], 1936-03) | |
| A reaction: Love that. This is precisely where equality starts. I fear that the problem is that people who don't treat others as equals don't want relationships with them, which particularly occurs in a competitive or hierarchical culture. |
| 23904 | The cruelty of the Old Testament put me off Christianity [Weil] |
| Full Idea: I have always been kept away from Christianity by its ranking the Old Testament stories, so full of pitiless cruelty, as sacred texts. | |
| From: Simone Weil (Letters [1940], 1941-01) | |
| A reaction: After 1938 she was a devout and intense Christian, but of a highly individual and platonist kind. Her religion is dominated by love and beauty. |
| 23902 | I attach little importance to immortality, which is an undecidable fact, and irrelevant to us [Weil] |
| Full Idea: You attach great importance to the reasoning about immortality. I myself attach little. It is a factual question, which cannot be decided in advance by any reasoning. And what does it matter to us? | |
| From: Simone Weil (Letters [1940], 1937-04c) | |
| A reaction: I love 'what does it matter to us?'. The idea that our future bliss or misery depends on how we live now is an utterly wicked fiction, which derails attempts to live a proper life. |