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6343
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For Russell, both propositions and facts are arrangements of objects, so obviously they correspond [Horwich on Russell]
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Full Idea:
Given Russell's notion of a proposition, as an arrangement of objects and properties, it is hard to see how there could be any difference at all between such a proposition and the fact corresponding to it, since they each involve the same arrangement.
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From:
comment on Bertrand Russell (On the Nature of Truth and Falsehood [1910]) by Paul Horwich - Truth (2nd edn) Ch.7.35
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A reaction:
This seems a little unfair, given that Russell (in 1912) uses the notion now referred to as 'congruence', so that the correspondence is not in the objects and properties, but in how they are 'ordered', which may differ between proposition and fact.
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7534
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In 1906, Russell decided that propositions did not, after all, exist [Russell, by Monk]
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Full Idea:
With a characteristic readiness to abandon views that he had previously considered definitively correct, Russell declared in 1906 that there were, after all, no such 'things' as propositions. It is judgements that are true or false.
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From:
report of Bertrand Russell (On the Nature of Truth and Falsehood [1910]) by Ray Monk - Bertrand Russell: Spirit of Solitude Ch.6
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A reaction:
Written 1906. Russell developed a 'multiple relation theory of judgement'. But if a judgement is an assessment of truth or falsehood, what is it that is being assessed?
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20420
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The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood]
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Full Idea:
The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased.
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From:
R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1
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A reaction:
It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling.
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20421
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Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp]
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Full Idea:
For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available.
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From:
report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2
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A reaction:
This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong).
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