6 ideas
| 10558 | Abstract objects are actually constituted by the properties by which we conceive them [Zalta] |
| Full Idea: Where for ordinary objects one can discover the properties they exemplify, abstract objects are actually constituted or determined by the properties by which we conceive them. I use the technical term 'x encodes F' for this idea. | |
| From: Edward N. Zalta (Deriving Kripkean Claims with Abstract Objects [2006], 2 n2) | |
| A reaction: One might say that whereas concrete objects can be dubbed (in the Kripke manner), abstract objects can only be referred to by descriptions. See 10557 for more technicalities about Zalta's idea. |
| 1556 | By nature people are close to one another, but culture drives them apart [Hippias] |
| Full Idea: I regard you all as relatives - by nature, not by convention. By nature like is akin to like, but convention is a tyrant over humankind and often constrains people to act contrary to nature. | |
| From: Hippias (fragments/reports [c.430 BCE]), quoted by Plato - Protagoras 337c8 |
| 10557 | Abstract objects are captured by second-order modal logic, plus 'encoding' formulas [Zalta] |
| Full Idea: My object theory is formulated in a 'syntactically second-order' modal predicate calculus modified only so as to admit a second kind of atomic formula ('xF'), which asserts that object x 'encodes' property F. | |
| From: Edward N. Zalta (Deriving Kripkean Claims with Abstract Objects [2006], p.2) | |
| A reaction: This is summarising Zalta's 1983 theory of abstract objects. See Idea 10558 for Zalta's idea in plain English. |
| 20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
| Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
| From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
| A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
| 20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
| Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
| From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
| A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |