9 ideas
| 1556 | By nature people are close to one another, but culture drives them apart [Hippias] |
| Full Idea: I regard you all as relatives - by nature, not by convention. By nature like is akin to like, but convention is a tyrant over humankind and often constrains people to act contrary to nature. | |
| From: Hippias (fragments/reports [c.430 BCE]), quoted by Plato - Protagoras 337c8 |
| 20420 | The emotion expressed is non-conscious, but feels oppressive until expression relieves it [Collingwood] |
| Full Idea: The emotion expressed is one of whose nature the person feeling it is no longer conscious. As unexpressed, he feels it in a helpless and oppressed way; as expressed, the oppression has vanished. His mind is somehow lightened and eased. | |
| From: R.G. Collingwood (The Principles of Art [1938], p.110), quoted by Gary Kemp - Croce and Collingwood 1 | |
| A reaction: It sounds like the regular smoking of cigarettes. This is Collingwood answer the doubts I felt about Idea 20419. I would have thought the desire of Picasso was to create another painting, but not to express yet another new oppressive feeling. |
| 20421 | Art exists ideally, purely as experiences in the mind of the perceiver [Collingwood, by Kemp] |
| Full Idea: For Collingwood (and Croce) the work of art is an ideal object; …they are things that exist only in the mind, that is, only when one perceives. …The physical work exists to make this experience available. | |
| From: report of R.G. Collingwood (The Principles of Art [1938]) by Gary Kemp - Croce and Collingwood 2 | |
| A reaction: This means that the paintings in a gallery cease to be works of art when the gallery is shut, which sounds odd. I suppose 'work of art' is ambiguous, between the experience (right) and the facilitator of the experience (wrong). |
| 20406 | Art clarifies the artist's mind and feelings, thus leading to self-knowledge [Collingwood, by Davies,S] |
| Full Idea: Collingwood suggests art should be thought of not as product or artifact but as an act or process of expression through which the artist clarifies her initially vague emotions and states of mind. As such, it is a source of self-knowledge. | |
| From: report of R.G. Collingwood (The Principles of Art [1938], Ch.6) by Stephen Davies - The Philosophy of Art (2nd ed) 8.4 | |
| A reaction: I might believe this of writing novels, but not much else. |
| 9261 | The 'Ethics' is disappointing, because it fails to try to justify our duties [Prichard] |
| Full Idea: Reading the 'Ethics' is so disappointing, because Aristotle does not try to convince us that we really ought to do what our non-reflective consciousness has hitherto believed we ought to do. | |
| From: H.A. Prichard (Does moral phil rest on a mistake? [1912]) | |
| A reaction: Aristotle didn't speak the language of 'duty' (see Idea 2172), but he could work it into his account if Prichard asked nicely. I take the truly virtuous person to be, above all, a wonderful citizen. Duties are contractual; good deeds flow from virtue. |
| 9262 | The mistake is to think we can prove what can only be seen directly in moral thinking [Prichard] |
| Full Idea: Moral Philosophy rests on the mistake of supposing the possibility of proving what can only be apprehended directly by an act of moral thinking. | |
| From: H.A. Prichard (Does moral phil rest on a mistake? [1912]) | |
| A reaction: This is a beginning of the rebellion against the Enlightenment Project in ethics, which is why Prichard has become popular. At bottom he is offering intuition ('direct moral thinking'), which is a frustratingly thin concept. |
| 9260 | Virtues won't generate an obligation, so it isn't a basis for morality [Prichard] |
| Full Idea: It is untrue to urge that, since courage is a virtue, we ought to act courageously. We feel an obligation to act, but not from a certain desire. The action is done from obligation, so isn't an act of courage. ..In fact, virtue is no basis for morality. | |
| From: H.A. Prichard (Does moral phil rest on a mistake? [1912]) | |
| A reaction: One of the few interesting and direct attacks on virtue theory, before its modern revival. Prichard urges a perception of what is valuable (or good) as the basis for obligation and right action. He is right that values come first, in virtue and elsewhere. |
| 9259 | We feel obligations to overcome our own failings, and these are not relations to other people [Prichard] |
| Full Idea: The relation involved in an obligation need not be a relation to another at all. Thus we should admit that there is an obligation to overcome our natural timidity or greediness, and this involves no relations to others. | |
| From: H.A. Prichard (Does moral phil rest on a mistake? [1912]) | |
| A reaction: An interesting un-Aristotelian and individualistic view of virtue. Why would we want to rid ourselves of timidity or greediness? Either it is self-interested, or we wish to be better citizens. See Richard Taylor on duty. |
| 9258 | If pain were instrinsically wrong, it would be immoral to inflict it on ourselves [Prichard] |
| Full Idea: If the badness of pain were the reason why we ought not to inflict pain on another, it would equally be a reason why we ought not to inflict pain on ourselves; yet, though we would call such behaviour foolish, we wouldn't think it wrong. | |
| From: H.A. Prichard (Does moral phil rest on a mistake? [1912], n4) | |
| A reaction: A very nice point. Note that it will equally well apply to 'benefit' or 'preferences', or any other ideal which utilitarians set out to maximise. It may not be bad to hurt yourself, but it might still be bad to harm yourself. |