6 ideas
| 20183 | So-called 'though experiments' are just philosophers observing features of the world [Cappelen] |
| Full Idea: What are called 'thought experiments' in philosophy are in effect just philosophers drawing our attention to interesting features of the world. | |
| From: Herman Cappelen (Philosophy without Intuitions [2012], 11.3) | |
| A reaction: Thought experiments are said to rely (perhaps excessively) on 'intuition', but Cappelen says intuition is irrelevant, because we are merely making judgements. It think they ARE experiments, if one feature varies while the rest is held steady. |
| 20182 | The word 'intuitive' often plays not role at all in arguments, and can be removed [Cappelen] |
| Full Idea: Careful study of uses of 'intuitive' will reveal that it often plays no significant argumentative role, and that removal will improve overall argumentative transparency. | |
| From: Herman Cappelen (Philosophy without Intuitions [2012], 04.1) | |
| A reaction: This is a key part of Cappelen's argument that 'intuition' is a rather empty concept, and that philosophers do not really rely on it. In effect, he is consigning it to mere rhetoric. He gives lots of examples in support. |
| 1556 | By nature people are close to one another, but culture drives them apart [Hippias] |
| Full Idea: I regard you all as relatives - by nature, not by convention. By nature like is akin to like, but convention is a tyrant over humankind and often constrains people to act contrary to nature. | |
| From: Hippias (fragments/reports [c.430 BCE]), quoted by Plato - Protagoras 337c8 |
| 12167 | Reference without predication is the characteristic of expression [Scruton] |
| Full Idea: Characteristic of expression is the presence of 'reference' without predication. | |
| From: Roger Scruton (Representation in Music [1976], p.71) | |
| A reaction: This echoes (in linguistic terms) Kant's thought that art is 'purposive without purpose'. The remark is comfortable in an essay on music, but it gets more tricky when the topic is literature, or even representational painting. |
| 12166 | If music refers to love, it contains no predication, so it is expression, not language [Scruton] |
| Full Idea: If a passage carries a reference to love, we are not told what it says about love. And to speak of language with 'reference' but no predication is simply to misuse the word. We leave the realm of representation and enter that of expression. | |
| From: Roger Scruton (Representation in Music [1976], p.63-4) | |
| A reaction: This is a beautifully simple objection to the idea (associated with Nelson Goodman) that art is a language. Though what an 'expression' of something amounts to I am not quite sure. |
| 12168 | Music is not representational, since thoughts about a subject are never essential to it [Scruton] |
| Full Idea: Music is not representational, since thoughts about a subject are never essential to the understanding of music. | |
| From: Roger Scruton (Representation in Music [1976], p.74) | |
| A reaction: I would not have thought that many people thought music was representational, but Scruton particularly mentions passages in opera that seem to pick up aspects of the story. Do even bell sounds not represent bells? |