9 ideas
| 1556 | By nature people are close to one another, but culture drives them apart [Hippias] |
| Full Idea: I regard you all as relatives - by nature, not by convention. By nature like is akin to like, but convention is a tyrant over humankind and often constrains people to act contrary to nature. | |
| From: Hippias (fragments/reports [c.430 BCE]), quoted by Plato - Protagoras 337c8 |
| 12163 | Literary meaning emerges in comparisons, and tradition shows which comparisons are relevant [Scruton] |
| Full Idea: We must discover the meanings that emerge when works of literature are experience in relation to each other. ...The importance of tradition is that it denotes - ideally, at least - the class of relevant comparisons. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.27) | |
| A reaction: This is a nice attempt to explain why we all agree that a thorough education in an art is an essential prerequisite for good taste. Some people (e.g. among the young) seem to have natural good taste. How does that happen? |
| 12162 | In literature, word replacement changes literary meaning [Scruton] |
| Full Idea: In literary contexts semantically equivalent words cannot replace each other without loss of literary meaning. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.25) | |
| A reaction: The notion of 'literary meaning' is not a standard one, and is questionable whether 'meaning' is the right word, given that a shift in word in a poem is as much to do with sound as with connotations. |
| 12159 | Without intentions we can't perceive sculpture, but that is not the whole story [Scruton] |
| Full Idea: A person for whom it made no difference whether a sculpture was carved by wind and rain or by human hand would be unable to interpret or perceive sculptures - even though the interpretation of sculpture is not the reading of an intention. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.15) | |
| A reaction: Scruton compares it to the role of intention in language, where there is objective meaning, even though intention is basic to speech. |
| 12160 | In aesthetic interest, even what is true is treated as though it were not [Scruton] |
| Full Idea: In aesthetic interest, even what is true is treated as though it were not. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.18) | |
| A reaction: A nice aphorism. I always feel uncomfortable reading novels about real people, although the historical Macbeth doesn't bother me much. Novels are too close to reality. Macbeth didn't speak blank verse. |
| 12161 | We can be objective about conventions, but love of art is needed to understand its traditions [Scruton] |
| Full Idea: An historian can elucidate convention while having no feeling for the art that exploits it; whereas an understanding of tradition is reserved for those with the critical insight which comes from the love of art, both past and present. | |
| From: Roger Scruton (Public Text and Common Reader [1982], p.24) | |
| A reaction: This aesthetic observation is obviously close to Scruton's well-known conservatism in politics. I am doubtful whether the notion of 'tradition' can stand up to close examination, though we all know roughly what he means. |
| 22974 | Presentists lack the materials for a realist view of change [Price,H] |
| Full Idea: The presentist view seems to have lost the materials for a realist view of passage, change or temporal transition. | |
| From: Huw Price (The Flow of Time [2011], 2) | |
| A reaction: It is a nice point. How can a presentist talk of change if the only component that exists is the present time slice? Price says change can only be a kind of fiction for the presentist. Change in existence and in properties are distinct concepts. |
| 22973 | The present moment, time's direction, and time's dynamic quality seem to be objective facts [Price,H] |
| Full Idea: The flow of time seems to be an objective feature of reality because of 1) the present moment can be objectively distinguished, 2) time has an objective direction, of earlier and later, and 3) there is something objectively dynamic about time. | |
| From: Huw Price (The Flow of Time [2011], 1.1) | |
| A reaction: Price sets out to undermine all three of these claims, in implicit defence of a psychological view. I disagree with him. |
| 22975 | We must explain either the existence of a time direction, or our psychological sense of it [Price,H] |
| Full Idea: If the world comes equipped with a time orientation, where does it come from? If it doesn't, what explains our psychological feeling of a direction for time? | |
| From: Huw Price (The Flow of Time [2011], 3.5) | |
| A reaction: The chances of 'explaining' either one look slim to me. That is, the fact would explain our experience, but the experience without the fact looks ridiculous, and I cannot conceive of any time-free entity which could explain the fact. |