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All the ideas for 'Mathematical Methods in Philosophy', 'works' and 'Introductions to 'Aesthetics and the Phil of Art''

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14 ideas

5. Theory of Logic / A. Overview of Logic / 9. Philosophical Logic
Three stages of philosophical logic: syntactic (1905-55), possible worlds (1963-85), widening (1990-) [Horsten/Pettigrew]
     Full Idea: Three periods can be distinguished in philosophical logic: the syntactic stage, from Russell's definite descriptions to the 1950s, the dominance of possible world semantics from the 50s to 80s, and a current widening of the subject.
     From: Horsten,L/Pettigrew,R (Mathematical Methods in Philosophy [2014], 1)
     A reaction: [compressed] I've read elsewhere that the arrival of Tarski's account of truth in 1933, taking things beyond the syntactic, was also a landmark.
5. Theory of Logic / E. Structures of Logic / 1. Logical Form
Logical formalization makes concepts precise, and also shows their interrelation [Horsten/Pettigrew]
     Full Idea: Logical formalization forces the investigator to make the central philosophical concepts precise. It can also show how some philosophical concepts and objects can be defined in terms of others.
     From: Horsten,L/Pettigrew,R (Mathematical Methods in Philosophy [2014], 2)
     A reaction: This is the main rationale of the highly formal and mathematical approach to such things. The downside is when you impose 'precision' on language that was never intended to be precise.
5. Theory of Logic / J. Model Theory in Logic / 1. Logical Models
Models are sets with functions and relations, and truth built up from the components [Horsten/Pettigrew]
     Full Idea: A (logical) model is a set with functions and relations defined on it that specify the denotation of the non-logical vocabulary. A series of recursive clauses explicate how truth values of complex sentences are compositionally determined from the parts.
     From: Horsten,L/Pettigrew,R (Mathematical Methods in Philosophy [2014], 3)
     A reaction: See the ideas on 'Functions in logic' and 'Relations in logic' (in the alphabetical list) to expand this important idea.
6. Mathematics / A. Nature of Mathematics / 1. Mathematics
All of mathematics is properties of the whole numbers [Kronecker]
     Full Idea: All the results of significant mathematical research must ultimately be expressible in the simple forms of properties of whole numbers.
     From: Leopold Kronecker (works [1885], Vol 3/274), quoted by Philip Kitcher - The Nature of Mathematical Knowledge 09.5
     A reaction: I've always liked Kronecker's line, but I'm beginning to realise that his use of the word 'number' is simply out-of-date. Natural numbers have a special status, but not sufficient to support this claim.
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / c. Priority of numbers
God made the integers, all the rest is the work of man [Kronecker]
     Full Idea: God made the integers, all the rest is the work of man.
     From: Leopold Kronecker (works [1885]), quoted by A.George / D.J.Velleman - Philosophies of Mathematics Intro
     A reaction: This famous remark was first quoted in Kronecker's obituary. A response to Dedekind, it seems. See Idea 10090. Did he really mean that negative numbers were the work of God? We took a long time to spot them.
7. Existence / A. Nature of Existence / 1. Nature of Existence
If 'exist' doesn't express a property, we can hardly ask for its essence [Horsten/Pettigrew]
     Full Idea: If there is indeed no property of existence that is expressed by the word 'exist', then it makes no sense to ask for its essence.
     From: Horsten,L/Pettigrew,R (Mathematical Methods in Philosophy [2014], 2)
     A reaction: As far as I can tell, this was exactly Aristotle's conclusion, so he skirted round the question of 'being qua being', and focused on the nature of objects instead. Grand continental talk of 'Being' doesn't sound very interesting.
10. Modality / E. Possible worlds / 1. Possible Worlds / a. Possible worlds
A Tarskian model can be seen as a possible state of affairs [Horsten/Pettigrew]
     Full Idea: A Tarskian model can in a sense be seen as a model of a possible state of affairs.
     From: Horsten,L/Pettigrew,R (Mathematical Methods in Philosophy [2014], 3)
     A reaction: I include this remark to show how possible worlds semantics built on the arrival of model theory.
The 'spheres model' was added to possible worlds, to cope with counterfactuals [Horsten/Pettigrew]
     Full Idea: The notion of a possible worlds model was extended (resulting in the concept of a 'spheres model') in order to obtain a satisfactory logical treatment of counterfactual conditional sentences.
     From: Horsten,L/Pettigrew,R (Mathematical Methods in Philosophy [2014], 4)
     A reaction: Thus we add 'centred' worlds, and an 'actual' world, to the loose original model. It is important to remember when we discuss 'close' worlds that we are then committed to these presuppositions.
10. Modality / E. Possible worlds / 1. Possible Worlds / b. Impossible worlds
Epistemic logic introduced impossible worlds [Horsten/Pettigrew]
     Full Idea: The idea of 'impossible worlds' was introduced into epistemic logic.
     From: Horsten,L/Pettigrew,R (Mathematical Methods in Philosophy [2014], 4)
     A reaction: Nathan Salmon seems interested in their role in metaphysics (presumably in relation to Meinongian impossible objects, like circular squares, which must necessarily be circular).
10. Modality / E. Possible worlds / 1. Possible Worlds / e. Against possible worlds
Possible worlds models contain sets of possible worlds; this is a large metaphysical commitment [Horsten/Pettigrew]
     Full Idea: Each possible worlds model contains a set of possible worlds. For this reason, possible worlds semantics is often charged with smuggling in heavy metaphysical commitments.
     From: Horsten,L/Pettigrew,R (Mathematical Methods in Philosophy [2014], 3)
     A reaction: To a beginner it looks very odd that you should try to explain possibility by constructing a model of it in terms of 'possible' worlds.
Using possible worlds for knowledge and morality may be a step too far [Horsten/Pettigrew]
     Full Idea: When the possible worlds semantics were further extended to model notions of knowledge and of moral obligation, the application was beginning to look distinctly forced and artificial.
     From: Horsten,L/Pettigrew,R (Mathematical Methods in Philosophy [2014], 5)
     A reaction: They accept lots of successes in modelling necessity and time.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson]
     Full Idea: In modern discussions, rather than look for intrinsic properties of objects, including aesthetic or formal properties, attention has turned to extrinsic or relational properties, notably of a social, historical, or 'institutional' nature.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: Lots of modern branches of philosophy have made this move, which seems to me like a defeat. We want to know why things have the relations they do. Just mapping the relations is superficial Humeanism.
21. Aesthetics / B. Nature of Art / 1. Defining Art
Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson]
     Full Idea: In the early twentieth century there were numerous attempts at defining the essence art. Significant form, intuition, the expression of emotion, organic unity, and other notions, were offered to this end.
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 1)
     A reaction: As far as I can see the whole of aesthetics was demolished in one blow by Marcel Duchamp's urinal. Artists announce: we will tell you what art is; you should just sit and listen. Compare the invention of an anarchic sport.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson]
     Full Idea: The dualistic view of the arts holds that works of art come in two fundamentally different kinds: those that are abstract entities, i.e. types, and those that are physical objects (tokens).
     From: Lamargue,P/Olson,SH (Introductions to 'Aesthetics and the Phil of Art' [2004], Pt 2)
     A reaction: Paintings are the main reason for retaining physical objects. Strawson 1974 argues that paintings are only physical because we cannot yet perfectly reproduce them. I agree. Works of art are types, not tokens.