Combining Texts

All the ideas for 'Wiener Logik', 'Knowledge by Acquaintance and Description-1' and 'The Artworld'

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6 ideas

2. Reason / D. Definition / 2. Aims of Definition
A simplification which is complete constitutes a definition [Kant]
     Full Idea: By dissection I can make the concept distinct only by making the marks it contains clear. That is what analysis does. If this analysis is complete ...and in addition there are not so many marks, then it is precise and so constitutes a definition.
     From: Immanuel Kant (Wiener Logik [1795], p.455), quoted by J. Alberto Coffa - The Semantic Tradition from Kant to Carnap 1 'Conc'
     A reaction: I think Aristotle would approve of this. We need to grasp that a philosophical definition is quite different from a lexicographical definition. 'Completeness' may involve quite a lot.
5. Theory of Logic / A. Overview of Logic / 3. Value of Logic
Logic gives us the necessary rules which show us how we ought to think [Kant]
     Full Idea: In logic the question is not one of contingent but of necessary rules, not how to think, but how we ought to think.
     From: Immanuel Kant (Wiener Logik [1795], p.16), quoted by Michael Potter - The Rise of Analytic Philosophy 1879-1930 02 'Trans'
     A reaction: Presumably it aspires to the objectivity of a single correct account of how we all ought to think. I'm sympathetic to that, rather than modern cultural relativism about reason. Logic is rooted in nature, not in arbitrary convention.
8. Modes of Existence / D. Universals / 2. Need for Universals
We know a universal in 'yellow differs from blue' or 'yellow resembles blue less than green does' [Russell]
     Full Idea: We are aware of the universal 'yellow'; this universal is the subject in such judgements as 'yellow differs from blue' or 'yellow resembles blue less than green does'.
     From: Bertrand Russell (Knowledge by Acquaintance and Description-1 [1911], 154), quoted by Bernard Linsky - Russell's Metaphysical Logic 2.3
     A reaction: This still seems one of the strongest examples in support of universals. You could hardly be talking about yellow tropes in such instances (even if the world does contain yellow tropes).
12. Knowledge Sources / B. Perception / 4. Sense Data / d. Sense-data problems
My 'acquaintance' with sense-data is nothing like my knowing New York [Williams,M on Russell]
     Full Idea: My 'acquaintance' with sense-data is nothing like my knowing New York.
     From: comment on Bertrand Russell (Knowledge by Acquaintance and Description-1 [1911]) by Michael Williams - Without Immediate Justification §4
     A reaction: This pinpoints a nice difficulty for Russell. Williams may misrepresent Russell's account of acquaintance, but that is probably because Russell is unclear, or uncertain. The problem is when Russell claims that his acquaintance gives knowledge.
13. Knowledge Criteria / A. Justification Problems / 3. Internal or External / b. Pro-externalism
If we knew what we know, we would be astonished [Kant]
     Full Idea: If we only know what we know ...we would be astonished by the treasures contained in our knowledge.
     From: Immanuel Kant (Wiener Logik [1795], p.843), quoted by J. Alberto Coffa - The Semantic Tradition from Kant to Carnap 1 'Conc'
     A reaction: Nice remark. He doesn't require immediat recall of knowledge. You can't be required to know that you know something. That doesn't imply externalism, though. I believe in securely founded internal knowledge which is hard to recall.
21. Aesthetics / B. Nature of Art / 6. Art as Institution
An ordinary object can be a work of art, but only if some theory of art supports it [Danto]
     Full Idea: What in the end makes the difference between a Brillo box and a work of art consisting of a Brillo box is a certain theory of art. It is the theory that takes it up into the world of art, and keeps it from collapsing into the real object which it is.
     From: Arthur C. Danto (The Artworld [1964], p.581), quoted by Sondra Bacharach - Arthur C. Danto
     A reaction: It is hard to describe Duchamp's original claim that the urinal was an artwork as a 'theory'. It is a mere rebellious assertion.