20 ideas
| 21970 | Philosophy attains its goal if one person feels perfect accord between their system and experience [Fichte] |
| Full Idea: If even a single person is completely convinced of his philosophy; ...if his free judgement in philosophising, and what life obtrudes upon him, are perfectly in accord; then in this person philosophy has completed its circuit and attained its goal. | |
| From: Johann Fichte (works [1798], I:512), quoted by A.W. Moore - The Evolution of Modern Metaphysics 06.4 | |
| A reaction: Interesting to hear a famous idealist offering accordance with real life as a criterion for philosophical success. But that is real life, but not as you and I may know it.... His criterion is very subjective. A bad philosopher might attain it? |
| 6912 | For Fichte there is no God outside the ego, and 'our religion is reason' [Fichte, by Feuerbach] |
| Full Idea: For Fichte there is no God outside the ego, and 'our religion is reason'. | |
| From: report of Johann Fichte (works [1798]) by Ludwig Feuerbach - Principles of Philosophy of the Future §17 | |
| A reaction: Fichte was not an atheist, but this seems to be a supreme aphorism for summarising our image of the Englightenment. Personally I subscribe to the Enlightenment ideal (the best life is the rational life), despite doubts about 'pure' reason. |
| 21973 | Fichte believed in things-in-themselves [Fichte, by Moore,AW] |
| Full Idea: Fichte retained a broadly Kantian conception of how things are in themselves. | |
| From: report of Johann Fichte (works [1798]) by A.W. Moore - The Evolution of Modern Metaphysics 07.2 | |
| A reaction: The contrast is between those who believe in the thing-in-itself, while admitting that we can't know it, and those who deny such a thing. The debate returned 130 years later as verificationism in language. |
| 21914 | We can deduce experience from self-consciousness, without the thing-in-itself [Fichte] |
| Full Idea: We can abandon the thing-in-itself, and aim for 'a complete deduction of all experience from the possibility of self-consciousness'. | |
| From: Johann Fichte (works [1798], I p.425), quoted by Peter B. Lewis - Schopenhauer 3 | |
| A reaction: German Idealism now looks to me like a weird abberation in the history of philosophy, though no doubt it has (like every philosophical theory) some supporters out there somewhere. Schopenhauer called this 'raving nonsense'. |
| 21971 | Transcendental philosophy is the subject becoming the originator of unified reality [Kant] |
| Full Idea: Transcendental philosophy is the act of consciousness whereby the subject becomes the originator of itself and, thereby, of the whole object of technical-practical and moral-practical reason in one system - ordering all things in God | |
| From: Immanuel Kant (Posthumous notes [1799], 21:78, p.245), quoted by A.W. Moore - The Evolution of Modern Metaphysics 06 App | |
| A reaction: This is evidently Kant's last word on the matter (c.1799), and Moore says he was drifting close to Fichte's idealism, in which reality is actually (sort of) created by our own minds. Disappointing! God's role here is unclear. |
| 20951 | The absolute I divides into consciousness, and a world which is not-I [Fichte, by Bowie] |
| Full Idea: Fichte's very influential idea is that the subject becomes divided against itself. The absolute I splits into an I (consciousness) and a not-I (the objective world) that are relative to each other. | |
| From: report of Johann Fichte (works [1798]) by Andrew Bowie - Introduction to German Philosophy 3 'Fichtean' | |
| A reaction: This is German Idealism in action. Is there a before and after the split here? I can't make much sense of this idea. It is said that babies spend a while deciding which bits are them and which aren't. There is more to the world than 'not-I'. |
| 21964 | Reason arises from freedom, so philosophy starts from the self, and not from the laws of nature [Fichte] |
| Full Idea: Not by any law of nature do we attain to reason; we achieve it by absolute freedom. ...In philosophy, therefore, we must necessarily start from the self. The materialists' project of deriving the appearance of reason from natural laws is impossible. | |
| From: Johann Fichte (works [1798], I:298), quoted by A.W. Moore - The Evolution of Modern Metaphysics | |
| A reaction: I blame Descartes' Cogito for this misunderstanding. The underlying idea (in Kant, and probably earlier) is that pure reason needs pure free will. Modern thought usually sees reason as extremely impure. |
| 21968 | Abandon the thing-in-itself; things only exist in relation to our thinking [Fichte] |
| Full Idea: We must be rid of the thing-in-itself; for whatever we may think, we are that which thinks therein, and hence nothing could ever come to exist independently of us, for everything is necessarily related to our thinking. | |
| From: Johann Fichte (works [1798], I:501), quoted by A.W. Moore - The Evolution of Modern Metaphysics 06.3 | |
| A reaction: Some statements of idealism are understandable, or even quite plausible, but this one sounds ridiculous. The idea that if human beings die out then reality ceases to exist is absurd humanistic vanity. |
| 20429 | Most of us are too close to our own motives to understand them [Fry] |
| Full Idea: The motives we actually experience are too close to us to enable us to feel them clearly. They are in a sense unintelligible. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.30) | |
| A reaction: Fry is defending the role of art in clarifying and highlighting such things, but I am not convinced by his claim. We can grasp most of our motives with a little introspection, and those we can't grasp are probably too subtle for art as well. |
| 21965 | Spinoza could not actually believe his determinism, because living requires free will [Fichte] |
| Full Idea: Spinoza could only think his philosophy, not believe it, for it stood in immediate contradiction to his necessary conviction in daily life, whereby he was bound to regard himself as free and independent. | |
| From: Johann Fichte (works [1798], I:513), quoted by A.W. Moore - The Evolution of Modern Metaphysics 06.2 | |
| A reaction: This seems to be invoking Kant's idea that we must presuppose free will, rather than an assertion that we actually have it. |
| 20424 | Imaginative life requires no action, so new kinds of perception and values emerge in art [Fry] |
| Full Idea: In the imaginative life no action is necessary, so the whole consciousness may be focused upon the perceptive and the emotional aspects of the experience. Hence we get a different set of values, and a different kind of perception | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.24) | |
| A reaction: Good. A huge range of human activities are like scientific experiments, where you draw on our evolved faculties, but put them in controlled conditions, where the less convenient and stressful parts are absent. War and sport. Real and theatrical tragedy. |
| 20427 | Everyone reveals an aesthetic attitude, looking at something which only exists to be seen [Fry] |
| Full Idea: It is only when an object exists for no other purpose than to be seen that we really look at it, …and then even the most normal person adopts to some extent the artistic attitude of pure vision abstracted from necessity. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A painter of still life looks at things which exist for other purposes, with just the attitude which Fry attributes to the viewers of the paintings. We can encourage a child to look at a flower with just this attitude. |
| 20433 | 'Beauty' can either mean sensuous charm, or the aesthetic approval of art (which may be ugly) [Fry] |
| Full Idea: There is an apparent contradiction between two distinct uses of the word 'beauty', one for that which has sensuous charm, and one for the aesthetic approval of works of imaginative art where the objects presented to us are often of extreme ugliness. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: The gouging of eyes in 'King Lear' was always the big problem case for aesthetics, just as nowadays it is Marcel Duchamp's wretched 'Fountain'. |
| 20430 | In life we neglect 'cosmic emotion', but it matters, and art brings it to the fore [Fry] |
| Full Idea: Those feelings unhappily named cosmic emotion find almost no place in life, but, since they seem to belong to certain very deep springs of our nature, do become of great importance in the arts. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.31) | |
| A reaction: Focus on the sublime was big in the romantic era, but Fry still sees its importance, and I don't think it ever goes away. Art styles which scorn the sublime are failing to perform their social duty, say I. |
| 20431 | Art needs a mixture of order and variety in its sensations [Fry] |
| Full Idea: The first quality that we demand in our [artistic] sensations will be order, without which our sensations will be troubled and perplexed, and the other will be variety, without which they will not be fully stimulated. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.32) | |
| A reaction: He makes good claims, but gives unconvincing reasons for them. Some of us rather like 'troubled and perplexed' sensations. And a very narrow range of sensations could still be highly stimulated. Is Fry a good aesthetician but a modest philosopher? |
| 20423 | If graphic arts only aim at imitation, their works are only trivial ingenious toys [Fry] |
| Full Idea: If imitation is the sole purpose of the graphic arts, it is surprising that the works of such arts are ever looked upon as more than curiosities, or ingenious toys, and are ever taken seriously by grown-up people. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.23) | |
| A reaction: But then you might say that same about fine wines. A mere nice taste is hardly worthy of grown ups, and yet lots of grown ups feeling quite passionately about it. What about Fabergé eggs? |
| 20428 | Popular opinion favours realism, yet most people never look closely at anything! [Fry] |
| Full Idea: Ordinary people have almost no idea of what things really look like, so that the one standard that popular criticism applies to painting (whether it is like nature or not) is the one which most people are prevented frm applying properly. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.29) | |
| A reaction: A nice remark, though there is a streak of Bloomsbury artistic snobbery running through Fry. Ordinary people recognise photographic realism, so they can study things closely either in the reality or the picture, should they so choose. |
| 20432 | When viewing art, rather than flowers, we are aware of purpose, and sympathy with its creator [Fry] |
| Full Idea: In our reaction to a work of art (rather than a flower) there is the consciousness of purpose, of a peculiar relation of sympathy with the man who made this thing in order to arouse precisely the sensations we experience. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.33) | |
| A reaction: I think this is entirely right. I like the mention of 'sympathy' as well as 'purpose'. |
| 20425 | In the cinema the emotions are weaker, but much clearer than in ordinary life [Fry] |
| Full Idea: One notices in the visions of the cinematograph that whatever emotions are aroused by them, though they are likely to be weaker than those of ordinary life, are presented more clearly to the conscious. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.25) | |
| A reaction: Fry had probably only seen very simple melodramas, but the general idea that artistic emotions are weaker than real life, but much clearer, is quite plausible. |
| 20426 | For pure moralists art must promote right action, and not just be harmless [Fry] |
| Full Idea: To the pure moralist, accepting nothing but ethical values, to be justified, the life of the imagination must be shown not only not to hinder but actually to forward right action, otherwise it is not only useless but, by absorbing energies, harmful. | |
| From: Roger Fry (An Essay in Aesthetics [1909], p.26) | |
| A reaction: I think this is the sort of attitude you find in Samuel Johnson. Puritans even reject light music, which seems pleasantly harmless to the rest of us. 'Absorbing energies' doesn't sound much of an objection, and may not be the actual objection. |