13 ideas
| 5438 | Hermeneutics of tradition is sympathetic, hermeneutics of suspicion is hostile [Ricoeur, by Mautner] |
| Full Idea: Ricoeur distinguishes a hermeneutics of tradition (e.g. Gadamar), which interprets sympathetically looking for hidden messages, and a hermeneutics of suspicion (e.g. Nietzsche, Freud) which sees hidden drives and interests. | |
| From: report of Paul Ricoeur (works [1970]) by Thomas Mautner - Penguin Dictionary of Philosophy p.249 | |
| A reaction: Obviously the answer is somewhere between the two. Nietzsche's suspicion can be wonderful, but Freud's can seem silly (e.g. on Leonardo). On the whole I am on the 'tradition' side, because great thinkers can rise above their culture (on a good day). |
| 4261 | The Lottery Paradox says each ticket is likely to lose, so there probably won't be a winner [Bonjour, by PG] |
| Full Idea: The Lottery Paradox says that for 100 tickets and one winner, each ticket has a .99 likelihood of defeat, so they are all likely to lose, so there is unlikely to be a winner. | |
| From: report of Laurence Bonjour (Externalist Theories of Empirical Knowledge [1980], §5) by PG - Db (ideas) | |
| A reaction: The problem seems to be viewing each ticket in isolation. If I buy two tickets, I increase my chances of winning. |
| 4255 | Externalist theories of knowledge are one species of foundationalism [Bonjour] |
| Full Idea: Externalist theories of knowledge are one species of foundationalism. | |
| From: Laurence Bonjour (Externalist Theories of Empirical Knowledge [1980], Intro) | |
| A reaction: I don't see why there shouldn't be a phenomenalist, anti-realist version of externalism, which just has 'starting points' instead of a serious commitment to foundations. |
| 4257 | The big problem for foundationalism is to explain how basic beliefs are possible [Bonjour] |
| Full Idea: The fundamental question that must be answered by any acceptable version of foundationalism is: how are basic beliefs possible? | |
| From: Laurence Bonjour (Externalist Theories of Empirical Knowledge [1980], §I) | |
| A reaction: This question seems to be asking for a justification for basic beliefs, which smacks of 'Who made God?' Look, basic beliefs are just basic, right? |
| 4256 | The main argument for foundationalism is that all other theories involve a regress leading to scepticism [Bonjour] |
| Full Idea: The central argument for foundationalism is simply that all other possible outcomes of the regress of justifications lead inexorably to scepticism. | |
| From: Laurence Bonjour (Externalist Theories of Empirical Knowledge [1980], §I) | |
| A reaction: If you prefer coherence to foundations, you need the security of reason to assess the coherence (which seems to be an internal foundation!). |
| 4258 | Extreme externalism says no more justification is required than the truth of the belief [Bonjour] |
| Full Idea: The most extreme version of externalism would be one that held that the external condition required for justification is simply the truth of the belief in question. | |
| From: Laurence Bonjour (Externalist Theories of Empirical Knowledge [1980], §II) | |
| A reaction: The question is, why should we demand any more than this? The problem case is, traditionally, the lucky guess, but naturalist may say that these just don't occur with any regularity. We only get beliefs right because they are true. |
| 4259 | External reliability is not enough, if the internal state of the believer is known to be irrational [Bonjour] |
| Full Idea: External or objective reliability is not enough to offset subjective irrationality (such as unexplained clairvoyance). | |
| From: Laurence Bonjour (Externalist Theories of Empirical Knowledge [1980], §IV) | |
| A reaction: A good argument. Where do animals fit into this? If your clairvoyance kept working, in the end you might concede that you 'knew', even though you were baffled about how you managed it. |
| 4260 | Even if there is no obvious irrationality, it may be irrational to base knowledge entirely on external criteria [Bonjour] |
| Full Idea: It may be that where there are no positive grounds for a charge of irrationality, the acceptance of a belief with only external justification is still subjectively irrational in a sense that rules out its being epistemologically justified. | |
| From: Laurence Bonjour (Externalist Theories of Empirical Knowledge [1980], §IV) | |
| A reaction: A key objection. Surely rational behaviour requires a judgement to be made before a belief is accepted? If you are consistently clairvoyant, you must ask why. |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.205) | |
| A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time. |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music. |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'. |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music? |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| Full Idea: Love is the extremely difficult realisation that something other than oneself is real. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath. |