15 ideas
| 6294 | In the beginning was the Word, and the Word was with God, and the word was God [John] |
| Full Idea: In the beginning was the Word, and the Word was with God, and the word was God. | |
| From: St John (04: Gospel of St John [c.95], 01.01) | |
| A reaction: 'Word' translates the Greek word 'logos', which has come a long way since Heraclitus. The interesting contrast is with the later Platonist view that the essence of God is the Good. So is the source of everything to be found in reason, or in value? |
| 8821 | Jesus said he bore witness to the truth. Pilate asked, What is truth? [John] |
| Full Idea: Jesus: I came into the world, that I should bear witness unto the truth. Everyone that is of the truth heareth my voice. Pilate saith unto him, What is truth? | |
| From: St John (04: Gospel of St John [c.95], 18:37-8) | |
| A reaction: There is very little explicit discussion of truth in philosophy before this exchange (apart from Ideas 251 and 586), and there isn't any real debate prior to Russell and the pragmatists. What was Pilate's tone? Did he spit at the end of his question? |
| 10397 | Abelard's mereology involves privileged and natural divisions, and principal parts [Abelard, by King,P] |
| Full Idea: Abelard's theory of substantial integral wholes is not a pure mereology in the modern sense, since he holds that there are privileged divisions; ..the division of a whole must be into its principal parts. Some wholes have a natural division. | |
| From: report of Peter Abelard (works [1135]) by Peter King - Peter Abelard 2 | |
| A reaction: This is a mereology that cuts nature at the joints, rather than Lewis's 'unrestricted composition', so I find Abelard rather appealing. |
| 10395 | Abelard was an irrealist about virtually everything apart from concrete individuals [Abelard, by King,P] |
| Full Idea: Abelard was an irrealist about universals, but also about propositions, events, times other than the present, natural kinds, relations, wholes, absolute space, hylomorphic composites, and the like. The concrete individual is enough to populate the world. | |
| From: report of Peter Abelard (works [1135]) by Peter King - Peter Abelard 2 | |
| A reaction: If a Nominalist claims that 'only particulars exist', this makes him an extreme nominalist, and remarkably materialistic for his time (though he accepted the soul, as well as God). |
| 10396 | If 'animal' is wholly present in Socrates and an ass, then 'animal' is rational and irrational [Abelard, by King,P] |
| Full Idea: Abelard argued that if the universal 'animal' were completely present in both Socrates and an ass, making each wholly an animal, then the same thing, animal, will be simultaneously rational and irrational, with contraries present in the whole thing. | |
| From: report of Peter Abelard (works [1135]) by Peter King - Peter Abelard 2 | |
| A reaction: If we have universals for rationality and irrationality, they can distinguish the two. But we must also say that rationality is not an aspect of animal, which seems to mean that mind isn't either. What is the essence of an animal? Not reason? |
| 15384 | Only words can be 'predicated of many'; the universality is just in its mode of signifying [Abelard, by Panaccio] |
| Full Idea: Abelard concluded that only words can be 'predicated of many'. A universal is nothing but a general linguistic predicate, and its universality depends not on its mode of being, but on its mode of signifying. | |
| From: report of Peter Abelard (works [1135]) by Claude Panaccio - Medieval Problem of Universals 'Peter' | |
| A reaction: Abelard seems to be the originator of what is now called Predicate Nominalism, with Nelson Goodman as his modern representative. If it is just words, is there no fact of two things having the 'same' property? |
| 8481 | The de dicto-de re modality distinction dates back to Abelard [Abelard, by Orenstein] |
| Full Idea: The de dicto-de re modality distinction dates back to Abelard. | |
| From: report of Peter Abelard (works [1135]) by Alex Orenstein - W.V. Quine Ch.7 | |
| A reaction: Most modern philosophers couldn't (apparently) care less where a concept originated, but one of the principles of this database is that such things do matter. I'm not sure why, but if we want the whole picture, we need the historical picture. |
| 15385 | Abelard's problem is the purely singular aspects of things won't account for abstraction [Panaccio on Abelard] |
| Full Idea: Abelard's problem is that it is not clear how singular forms could do the job they are supposed to do - to account for abstraction, namely - if they were purely singular aspects. | |
| From: comment on Peter Abelard (works [1135]) by Claude Panaccio - Medieval Problem of Universals 'Peter' | |
| A reaction: A very nice question! If we say that abstracta are just acquired by ignoring all but that feature in some objects, how do we identify 'that' feature in order to select it? The instances must share something in common to be abstracted. |
| 15383 | Nothing external can truly be predicated of an object [Abelard, by Panaccio] |
| Full Idea: Abelard argued from the commonly accepted definition of a universal as 'what can be predicated of man', that no external thing can ever be predicated of anything. | |
| From: report of Peter Abelard (works [1135]) by Claude Panaccio - Medieval Problem of Universals 'Peter' | |
| A reaction: It sounds to me as if Abelard is confusing predicates with properties! Maybe no external can be a property of anything, but I take predicates to just be part of what you can say about anything, and that had better included external facts. |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.205) | |
| A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time. |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music. |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'. |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music? |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| Full Idea: Love is the extremely difficult realisation that something other than oneself is real. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath. |
| 10398 | Natural kinds are not special; they are just well-defined resemblance collections [Abelard, by King,P] |
| Full Idea: In Abelard's view a natural kind is a well-defined collection of things that have the same features, so that natural kinds have no special status, being no more than discrete integral wholes whose principle of membership is similarity. | |
| From: report of Peter Abelard (works [1135]) by Peter King - Peter Abelard 2 | |
| A reaction: I take a natural kind to be a completely stable and invariant class of things. Presumably this invariance has an underlying explanation, but Abelard seems to take the Humean line that we cannot penetrate beyond the experienced surface. |