38 ideas
| 16010 | While faith is a passion (as Kierkegaard says), wisdom is passionless [Wittgenstein] |
| Full Idea: Wisdom is passionless. But faith by contrast is what Kierkegaard calls a passion. | |
| From: Ludwig Wittgenstein (Culture and Value [1945], 53e) | |
| A reaction: [Idea from SY] Personally I don't agree that wisdom is passionless. At the very least, Aristotle allows the wise person to be appropriately angry. [PG] |
| 21887 | Derrida focuses on other philosophers, rather than on science [Derrida] |
| Full Idea: We should focus on other philosophers, and not on science. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21888 | Philosophy is just a linguistic display [Derrida] |
| Full Idea: Philosophy is entirely linguistic, and is a display. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21896 | Philosophy aims to build foundations for thought [Derrida, by May] |
| Full Idea: Derrida points out that the project of philosophy consists largely in attempting to build foundations for thought. | |
| From: report of Jacques Derrida (works [1990]) by Todd May - Gilles Deleuze 1.04 | |
| A reaction: You would first need to be convinced that there could be such a thing as foundations for thinking. Derrida thinks the project is hopeless. I think of it more as building an ideal framework for thought. |
| 21893 | Philosophy is necessarily metaphorical, and its writing is aesthetic [Derrida] |
| Full Idea: All of philosophy is necessarily metaphorical, and hence aesthetic. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21892 | Interpretations can be interpreted, so there is no original 'meaning' available [Derrida] |
| Full Idea: Because interpretations of texts can be interpreted, they can therefore have no 'original meaning'. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 20925 | Hermeneutics blunts truth, by conforming it to the interpreter [Derrida, by Zimmermann,J] |
| Full Idea: Derrida worried that hermeneutics blunts the disruptive power of truth by forcing it conform to the interpreter's mental horizon. | |
| From: report of Jacques Derrida (works [1990]) by Jens Zimmermann - Hermeneutics: a very short introduction 3 'The heart' | |
| A reaction: Good heavens - I agree with Derrida. Very French, though, to see the value of truth in its disruptiveness. I tend to find the truth reassuring, but then I'm English. |
| 20934 | Hermeneutics is hostile, trying to overcome the other person's difference [Derrida, by Zimmermann,J] |
| Full Idea: Derrida described the hermeneutic impulse to understand another as a form of violence that seeks to overcome the other's particularity and unique difference. | |
| From: report of Jacques Derrida (works [1990]) by Jens Zimmermann - Hermeneutics: a very short introduction App 'Derrida' | |
| A reaction: I'm not sure about 'violence', but Derrida was on to somethng here. The 'hermeneutic circle' sounds like a creepy process of absorption, where the original writer disappears in a whirlpool of interpretation. |
| 21895 | Structuralism destroys awareness of dynamic meaning [Derrida] |
| Full Idea: Structuralism destroys awareness of dynamic meaning. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21934 | The idea of being as persistent presence, and meaning as conscious intelligibility, are self-destructive [Derrida, by Glendinning] |
| Full Idea: The tradition of conceiving being in terms of persisting presence, and meaning in terms of pure intelligibility or logos potentially present to the mind, finds itself dismantled by resources internal to its own construction. | |
| From: report of Jacques Derrida (works [1990]) by Simon Glendinning - Derrida: A Very Short Introduction 6 | |
| A reaction: [compressed] Glendinning says this is the basic meaning of de-construction. My personal reading of this is that Aristotle is right, and grand talk of Being is hopeless, so we should just aim to understand objects. I also believe in propositions. |
| 21883 | Sincerity can't be verified, so fiction infuses speech, and hence reality also [Derrida] |
| Full Idea: Sincerity can never be verified, so fiction infuses all speech, which means that reality is also fictional. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21882 | Sentences are contradictory, as they have opposite meanings in some contexts [Derrida] |
| Full Idea: Sentences are implicitly contradictory, because they can be used differently in different contexts (most obviously in 'I am ill'). | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21881 | We aim to explore the limits of expression (as in Mallarmé's poetry) [Derrida] |
| Full Idea: The aim is to explore the limits of expression (which is what makes the poetry of Mallarmé so important). | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
| Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
| A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
| 21795 | What I hold true must also be part of my feelings and character [Hegel] |
| Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
| A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
| 4756 | Derrida says that all truth-talk is merely metaphor [Derrida, by Engel] |
| Full Idea: Derrida's view is that every discourse is metaphorical, and there is no difference between truth-talk and metaphor. | |
| From: report of Jacques Derrida (works [1990]) by Pascal Engel - Truth §2.5 | |
| A reaction: Right. Note that this is a Frenchman's summary. How would one define metaphor, without mentioning that it is parasitic on truth? Certainly some language tries to be metaphor, and other language tries not to be. |
| 21877 | True thoughts are inaccessible, in the subconscious, prior to speech or writing [Derrida] |
| Full Idea: 'True' thoughts are inaccessible, buried in the subconscious, long before they get to speech or writing. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction | |
| A reaction: [My reading of some Derrida produced no quotations. I've read two commentaries, which were obscure. The Derrida ideas in this db are my simplistic tertiary summaries. Experts can chuckle over my failure] |
| 21889 | 'I' is the perfect name, because it denotes without description [Derrida] |
| Full Idea: 'I' is the perfect name, because it denotes without description. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21878 | Names have a subjective aspect, especially the role of our own name [Derrida] |
| Full Idea: We can give a subjective account of names, by considering our own name. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21879 | Even Kripke can't explain names; the word is the thing, and the thing is the word [Derrida] |
| Full Idea: Even Kripke can't explain names, because the word is the thing, and also the thing is the word. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21890 | Heidegger showed that passing time is the key to consciousness [Derrida] |
| Full Idea: Heidegger showed us the importance of transient time for consciousness. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21880 | 'Tacit theory' controls our thinking (which is why Freud is important) [Derrida] |
| Full Idea: All thought is controlled by tacit theory (which is why Freud is so important). | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction | |
| A reaction: This idea is said to be the essential thought of Derrida's Deconstruction. The aim is liberation of thought, by identifying and bypassing these tacit metaphysical schemas. |
| 21886 | Meanings depend on differences and contrasts [Derrida] |
| Full Idea: Meaning depends on 'differences' (contrasts). | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21930 | For Aristotle all proper nouns must have a single sense, which is the purpose of language [Derrida] |
| Full Idea: A noun [for Aristotle] is proper when it has but a single sense. Better, it is only in this case that it is properly a noun. Univocity is the essence, or better, the telos of language. | |
| From: Jacques Derrida (works [1990]), quoted by Simon Glendinning - Derrida: A Very Short Introduction 5 | |
| A reaction: [no ref given] His target seem to be Aristotelian definition, and also formal logic, which usually needs unambiguous meanings. {I'm puzzled that he thinks 'telos' is simply better than 'essence', since it is quite different]. |
| 21884 | Capacity for repetitions is the hallmark of language [Derrida] |
| Full Idea: The capacity for repetitions is the hallmark of language. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21935 | The sign is only conceivable as a movement between elusive presences [Derrida] |
| Full Idea: The sign is conceivable only on the basis of the presence that it defers, and moving toward the deferred presence that it aims to reappropriate. | |
| From: Jacques Derrida (works [1990]), quoted by Simon Glendinning - Derrida: A Very Short Introduction 6 | |
| A reaction: [Glendinning gives no source for this] I take the fundamental idea to be that meanings are dynamic, when they are traditionally understood as static (and specifiable in dictionaries). |
| 21933 | Writing functions even if the sender or the receiver are absent [Derrida, by Glendinning] |
| Full Idea: Writing can and must be able to do without the presence of the sender. ...Also writing can and must he able to do without the presence of the receiver. | |
| From: report of Jacques Derrida (works [1990]) by Simon Glendinning - Derrida: A Very Short Introduction 6 | |
| A reaction: In simple terms, one of them could die during the transmission. This is the grounds for the assertion of the primacy of writing. It opposes orthodox views which define language in terms of sender and receiver. |
| 21894 | Madness and instability ('the demonic hyperbole') lurks in all language [Derrida] |
| Full Idea: Madness and instability ('the demonic hyperbole') lurks behind all language. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 21931 | 'Dissemination' is opposed to polysemia, since that is irreducible, because of multiple understandings [Derrida, by Glendinning] |
| Full Idea: The intention to oppose polysemia with dissemination does not aim to affirm that everything we say is ambiguous, but that polysemia is irreducible in the sense that each and every 'meaning' is itself subject to more than one understanding. | |
| From: report of Jacques Derrida (works [1990]) by Simon Glendinning - Derrida: A Very Short Introduction 5 | |
| A reaction: The key point, I think, is that ambiguity and polysemia are not failures of language (which is the way most logicians see it), but part of the essential and irreducible nature of language. Nietzsche started this line of thought. |
| 21885 | Words exist in 'spacing', so meanings are never synchronic except in writing [Derrida] |
| Full Idea: Words only exist is 'spacings' (of time and space), so there are no synchronic meanings (except perhaps in writing). | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |
| 18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
| Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
| 22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
| Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
| 22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
| Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
| A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
| 20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
| Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
| A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
| 20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
| Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
| From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
| A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
| 21794 | The main purpose of art is to express the unity of human life [Hegel] |
| Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
| A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
| 20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
| Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
| From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
| A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
| 21891 | The good is implicitly violent (against evil), so there is no pure good [Derrida] |
| Full Idea: Even the good is implicitly violent (against evil), so there can be no 'pure' good. | |
| From: Jacques Derrida (works [1990]), quoted by Barry Stocker - Derrida on Deconstruction |