15 ideas
21793 | Genuine truth is the resolution of the highest contradiction [Hegel] |
Full Idea: The highest truth, truth as such, is the resolution of the highest opposition and contradiction. | |
From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 99), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Art' | |
A reaction: Uneasy about the word 'highest', and the general Hegelian dream of 'resolving' contradictions, rather than just eliminating at least one component of them. No one else uses the word 'truth' like this. I suppose this Truth has a capital 'T'. |
21795 | What I hold true must also be part of my feelings and character [Hegel] |
Full Idea: Whatever I hold as true, whatever ought to be valid for me, must also be in my feeling, must belong to my being and character. | |
From: Georg W.F.Hegel (Lectures on Aesthetics [1826], I: 97), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Philosophy' | |
A reaction: I can see that truths do tend to become part of our character, but not that they ought to do so. I suppose I try to live my life enmeshed in the many truths which I have personally selected from the maelstrom of possibilities that engulf us. |
7726 | Aristotelian logic dealt with inferences about concepts, and there were also proposition inferences [Weiner] |
Full Idea: Till the nineteenth century, it was a common view that Aristotelian logic could evaluate inferences whose validity was based on relations between concepts, while propositional logic could evaluate inferences based on relations between propositions. | |
From: Joan Weiner (Frege [1999], Ch.3) | |
A reaction: Venn diagrams relate closely to Aristotelian syllogisms, as each concept is represented by a circle, and shows relations between sets. Arrows seem needed to represent how to go from one proposition to another. Is one static, the other dynamic? |
18549 | Nineteenth century aesthetics focused on art rather than nature (thanks to Hegel) [Hegel, by Scruton] |
Full Idea: Only In the course of the nineteenth century, and in the wake of Hegel's posthumously published lectures on aesthetics, did the topic of art come to replace that of natural beauty as the core subject-matter of aesthetics. | |
From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826], 5) by Roger Scruton - Beauty: a very short introduction |
22043 | Hegel largely ignores aesthetic pleasure, taste and beauty, and focuses on the meaning of artworks [Hegel, by Pinkard] |
Full Idea: Unlike his predecessors (including Kant), Hegel does not focus on aesthetic pleasure, nor on good taste, nor even on the nature and criteria for beauty. Instead he focuses on the meaning of artworks and their role in forming mankind's self-consciousness. | |
From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
A reaction: Personally I dislike over-intellectualising art. The aim of a work of art is to give a certain experience, not to generate an ensuing sequence of theorising. I doubt whether Vermeer had any 'meaning' in mind in his obsessive work. |
22042 | Natural beauty is unimportant, because it doesn't show human freedom [Hegel, by Pinkard] |
Full Idea: Hegel thinks that natural beauty is of no real significance since it cannot display our freedom to us; nature per se is meaningless. | |
From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Terry Pinkard - German Philosophy 1760-1860 11 | |
A reaction: Presumably freedom is in the creation, and so creativity is what matters in aesthetics. But what are the criteria of good creativity? |
20413 | For Hegel the importance of art concerns the culture, not the individual [Hegel, by Eldridge] |
Full Idea: Hegel locates the significance of art in its role in cultural life in general, not in relation to the psychological needs of individuals. | |
From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Richard Eldridge - G.W.F. Hegel (aesthetics) 1 | |
A reaction: I'm beginning to see that art is a wonderful focus and test case for political attitudes. Roughly, liberalism focuses on individual responses, but more societal views (from right and left) see it in terms of role in the community. Which are you? |
20394 | The purpose of art is to reveal to Spirit its own nature [Hegel, by Davies,S] |
Full Idea: According to Hegel, the goal of art was to serve as a phase in a process by which Spirit would come to understand its own nature. | |
From: report of Georg W.F.Hegel (Lectures on Aesthetics [1826]) by Stephen Davies - The Philosophy of Art (2nd ed) 2.7 | |
A reaction: I try very hard to understand ideas like this. Really really hard. However, since I see little sign of 'Spirit' really understanding its own nature, I'm guessing that the project is not going well. |
21794 | The main purpose of art is to express the unity of human life [Hegel] |
Full Idea: Art's primary function, for Hegel, is to give expression to the unity and wholeness of life - especially human life - that the contingencies of everyday existence frequently conceal. | |
From: Georg W.F.Hegel (Lectures on Aesthetics [1826]), quoted by Stephen Houlgate - An Introduction to Hegel 09 'Beauty' | |
A reaction: I don't find the view that human life is 'unified' and 'whole' vary illuminating, and I have no objection to art which reflects the fragmentary and unstable aspects of life. I suspect Hegel would just prefer it if life were a unity. |
20415 | Art forms a bridge between the sensuous world and the world of pure thought [Hegel] |
Full Idea: Spirit generates out of itself works of fine art as the first reconciling middle term between pure thought and what is merely external, sensuous and transient - between finite natural reality and the infinite freedom of conceptual thinking. | |
From: Georg W.F.Hegel (Lectures on Aesthetics [1826], p.8), quoted by Richard Eldridge - G.W.F. Hegel (aesthetics) | |
A reaction: This apparently says that there is necessarily an intellectual and conceptual component in art. This means little to me. Does he include portraits? Dutch domestic scenes? Would photography qualify? |
8430 | Causal statements are used to explain, to predict, to control, to attribute responsibility, and in theories [Kim] |
Full Idea: The function of causal statements is 1) to explain events, 2) for predictive usefulness, 3) to help control events, 4) with agents, to attribute moral responsibility, 5) in physical theory. We should judge causal theories by how they account for these. | |
From: Jaegwon Kim (Causes and Counterfactuals [1973], p.207) | |
A reaction: He suggests that Lewis's counterfactual theory won't do well on this test. I think the first one is what matters. Philosophy aims to understand, and that is achieved through explanation. Regularity and counterfactual theories explain very little. |
8396 | Many counterfactuals have nothing to do with causation [Kim, by Tooley] |
Full Idea: Kim has pointed out that there are a number of counterfactuals that have nothing to do with causation. If John marries Mary, then if John had not existed he would not have married Mary, but that is not the cause of their union. | |
From: report of Jaegwon Kim (Causes and Counterfactuals [1973], 5.2) by Michael Tooley - Causation and Supervenience | |
A reaction: One might not think that this mattered, but it leaves the problem of distinguishing between the causal counterfactuals and the rest (and you mustn't mention causation when you are doing it!). |
8429 | Counterfactuals can express four other relations between events, apart from causation [Kim] |
Full Idea: Counterfactuals can express 'analytical' dependency, or the fact that one event is part of another, or an action done by doing another, or (most interestingly) an event can determine another without causally determining it. | |
From: Jaegwon Kim (Causes and Counterfactuals [1973], p.205) | |
A reaction: [Kim gives example of each case] Counterfactuals can even express a relation that involves no dependency. Or they might just involve redescription, as in 'If Scott were still alive, then the author of "Waverley" would be too'. |
8428 | Causation is not the only dependency relation expressed by counterfactuals [Kim] |
Full Idea: The sort of dependency expressed by counterfactual relations is considerably broader than strictly causal dependency, and causal dependency is only one among the heterogeneous group of dependency relationships counterfactuals can express. | |
From: Jaegwon Kim (Causes and Counterfactuals [1973], p.205) | |
A reaction: In 'If pigs could fly, one and one still wouldn't make three' there isn't even a dependency. Kim has opened up lines of criticism which make the counterfactual analysis of causation look very implausible to me. |
4781 | Many counterfactual truths do not imply causation ('if yesterday wasn't Monday, it isn't Tuesday') [Kim, by Psillos] |
Full Idea: Kim gives a range of examples of counterfactual dependence without causation, as: 'if yesterday wasn't Monday, today wouldn't be Tuesday', and 'if my sister had not given birth, I would not be an uncle'. | |
From: report of Jaegwon Kim (Causes and Counterfactuals [1973]) by Stathis Psillos - Causation and Explanation §3.3 | |
A reaction: This is aimed at David Lewis. The objection seems like commonsense. "If you blink, the cat gets it". Causal claims involve counterfactuals, but they are not definitive of what causation is. |