14 ideas
| 22701 | Jokes can sometimes be funny because they are offensive [Jacobson,D] |
| Full Idea: Sometimes it is exactly what is offensive about a joke that makes it funny. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: Jacobson offers this in support of his immoralist view, that immoral literature can be aesthetically successful. It is uncomfortable to find yourself laughing at a joke of which you disapprove. |
| 22703 | We don't often respond to events in art as if they were real events [Jacobson,D] |
| Full Idea: We routinely do not respond to art as if we were as if we were real-life spectators of its events. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'rejection') | |
| A reaction: This strikes me as one of the basic facts about aesthetics, and especially of narrative art. People sometimes encounter terrible events on the street, only to find someone is making a film. |
| 22702 | Audiences can be too moral [Jacobson,D] |
| Full Idea: An audience can be overly moralistic. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: People can be too moral in real life as well. Goody Two Shoes. |
| 22696 | 'Autonomism' says the morality is irrelevant to the aesthetics [Jacobson,D] |
| Full Idea: 'Autonomism' is the theory that the intrinsic moral merits and defects of an artwork are irrelevant to its aesthetic value. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: This contrasts with 'moralism', which says the ethics is part of the aesthetics. Autonomism seems to be the modern academic label for art for art's sake. In nineteenth century novels the ethics are central; in modernist novels they seem to be irrelevant. |
| 22697 | Moral defects of art can be among its aesthetic virtues [Jacobson,D] |
| Full Idea: To put my claim most provocatively: the moral defects in a work of art can be among its aesthetic virtues. This claim has been called 'immoralism'. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], Intro) | |
| A reaction: To describe sympathetic descriptions of vile moral behaviour as 'defects' may be a misunderstanding. If a work sets out to promote wickedness, then its wickedness isn't a defect in the work. It could be a masterpiece of corruption. |
| 22700 | Immoral art encourages immoral emotions [Jacobson,D] |
| Full Idea: Humean moralism includes the view that immoral art prescribes unethical emotional responses. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'emotional') | |
| A reaction: [He cites Hume's 'On the Standard of Taste'] 'Prescribes' is tricky. Is a vivid description of wicked events, given without comment, a prescription? What if the commentary condemns, but the description entices? Trust the work itself, said Lawrence. |
| 22699 | Moderate moralism says moral qualities can sometimes also be aesthetic qualities [Jacobson,D] |
| Full Idea: Noël Carroll's moderate moralism maintains that some moral defects in artworks are aesthetic defects, and some moral virtues are aesthetic merits. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'How moderate') | |
| A reaction: I'm beginning to think that moralist critics are confusing morality and wisdom. We don't admire novels for hammering on about goodness. We admire their insight into characters and actions, of which the most interesting aspects happen to be moral. |
| 22698 | We can judge art ethically, or rate its ethical influence, or assess its quality via its ethics [Jacobson,D] |
| Full Idea: Ethical criticism includes 1) ethical judgements of art works, 2) assessment of an art work's role in moral education, or 3) bringing moral praise or censure to bear on the aesthetic evaluation. | |
| From: Daniel Jacobson (Ethical Criticism and the Vice of Moderation [2006], 'What is') | |
| A reaction: [a compressed summary of Jacobson. He cites Levinson 1998 and Carroll 2000 as examples of ethical criticism] |
| 8430 | Causal statements are used to explain, to predict, to control, to attribute responsibility, and in theories [Kim] |
| Full Idea: The function of causal statements is 1) to explain events, 2) for predictive usefulness, 3) to help control events, 4) with agents, to attribute moral responsibility, 5) in physical theory. We should judge causal theories by how they account for these. | |
| From: Jaegwon Kim (Causes and Counterfactuals [1973], p.207) | |
| A reaction: He suggests that Lewis's counterfactual theory won't do well on this test. I think the first one is what matters. Philosophy aims to understand, and that is achieved through explanation. Regularity and counterfactual theories explain very little. |
| 8396 | Many counterfactuals have nothing to do with causation [Kim, by Tooley] |
| Full Idea: Kim has pointed out that there are a number of counterfactuals that have nothing to do with causation. If John marries Mary, then if John had not existed he would not have married Mary, but that is not the cause of their union. | |
| From: report of Jaegwon Kim (Causes and Counterfactuals [1973], 5.2) by Michael Tooley - Causation and Supervenience | |
| A reaction: One might not think that this mattered, but it leaves the problem of distinguishing between the causal counterfactuals and the rest (and you mustn't mention causation when you are doing it!). |
| 8429 | Counterfactuals can express four other relations between events, apart from causation [Kim] |
| Full Idea: Counterfactuals can express 'analytical' dependency, or the fact that one event is part of another, or an action done by doing another, or (most interestingly) an event can determine another without causally determining it. | |
| From: Jaegwon Kim (Causes and Counterfactuals [1973], p.205) | |
| A reaction: [Kim gives example of each case] Counterfactuals can even express a relation that involves no dependency. Or they might just involve redescription, as in 'If Scott were still alive, then the author of "Waverley" would be too'. |
| 8428 | Causation is not the only dependency relation expressed by counterfactuals [Kim] |
| Full Idea: The sort of dependency expressed by counterfactual relations is considerably broader than strictly causal dependency, and causal dependency is only one among the heterogeneous group of dependency relationships counterfactuals can express. | |
| From: Jaegwon Kim (Causes and Counterfactuals [1973], p.205) | |
| A reaction: In 'If pigs could fly, one and one still wouldn't make three' there isn't even a dependency. Kim has opened up lines of criticism which make the counterfactual analysis of causation look very implausible to me. |
| 4781 | Many counterfactual truths do not imply causation ('if yesterday wasn't Monday, it isn't Tuesday') [Kim, by Psillos] |
| Full Idea: Kim gives a range of examples of counterfactual dependence without causation, as: 'if yesterday wasn't Monday, today wouldn't be Tuesday', and 'if my sister had not given birth, I would not be an uncle'. | |
| From: report of Jaegwon Kim (Causes and Counterfactuals [1973]) by Stathis Psillos - Causation and Explanation §3.3 | |
| A reaction: This is aimed at David Lewis. The objection seems like commonsense. "If you blink, the cat gets it". Causal claims involve counterfactuals, but they are not definitive of what causation is. |
| 9287 | Bruno said that ancient Egyptian magic was the true religion [Bruno, by Yates] |
| Full Idea: Giordano Bruno maintained that the magical Egyptian religion of the world was not only the most ancient but also the only true religion, which both Judaism and Christianity had obscured and corrupted. | |
| From: report of Giordano Bruno (works [1590]) by Frances A. Yates - Giordano Bruno and Hermetic Tradition Ch.1 | |
| A reaction: His beliefs were based on the Hermetic writings. No wonder he was burned at the stake. Atheists now lay flowers at his memorial in Rome. The sixteenth century was when the hunt for alternatives to established religion began. |