17 ideas
18543 | Do aesthetic reasons count as reasons, if they are rejectable without contradiction? [Scruton] |
Full Idea: The judgement of beauty makes a claim about its object, and can be supported by reasons. But the reasons do not compel the judgement and can be rejected without contradiction. So are they reasons or aren't they? | |
From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
A reaction: I suspect that what he is really referring to is evidence rather than reasons. |
18542 | Defining truth presupposes that there can be a true definition [Scruton] |
Full Idea: How can you define truth, without already assuming the distinction between a true definition and a false one? | |
From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
A reaction: Don't say we have to accept truth as yet another primitive! Philosophers are out of business if all the basic concepts are primitive. The axiomatic approach to truth is an alternative - by specifying how the primitive should be used. |
6456 | Sense-data are neutral uninterpreted experiences, separated from objects and judgements [Angeles] |
Full Idea: Sense-data are that which is given to us directly and immediately such as colour, shape, smell, without identification of them as specific material objects; they are usually thought to be devoid of judgment, interpretation, bias, preconception. | |
From: Peter A. Angeles (A Dictionary of Philosophy [1981], p.254) | |
A reaction: This definition makes them clearly mental (rather than being qualities of objects), and they sound like Hume's 'impressions'. They are not features of the external world, but the first steps we make towards experience. |
18546 | The pleasure taken in beauty also aims at understanding and valuing [Scruton] |
Full Idea: Like the pleasure in friendship, the pleasure in beauty is curious: it aims to understand its object, and to value what it finds. | |
From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
A reaction: At least he is trying to pin down the way in which aesthetic pleasure is phenomenologically different from other kinds of pleasure. |
18550 | Art gives us imaginary worlds which we can view impartially [Scruton] |
Full Idea: One aim of art is to present imaginary worlds, towards which we can adopt, as part of the integral aesthetic attitude, a posture of impartial concern. | |
From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
A reaction: It connects to the pleasure of watching people when they don't know they are being watched (such as watching the street from a restaurant window). Scruton's suggestion makes art resemble examples in philosophy. Cf the Frege-Geach problem in ethics. |
18544 | Maybe 'beauty' is too loaded, and we should talk of fittingness or harmony [Scruton] |
Full Idea: Maybe we can understand the 'beauty' of a building better if we describe it in another and less loaded way, as a form of fittingness or harmony. | |
From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
A reaction: Almost everyone accepts the word 'beauty' for some things, such as a beautiful face, or goal, or steak. I remember a female interviewer writing that, reluctantly, the only appropriate word she could find for Nureyev's face was 'beautiful'. |
18553 | Beauty shows us what we should want in order to achieve human fulfilment [Scruton] |
Full Idea: Beauty speaks to us of human fulfilment: not of things that we want, but of things that we ought to want, because human nature requires them. Such, at least, is my belief. | |
From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
A reaction: I'm not sure how this works with a beautiful natural landscape. And what should I see that I ought to desire after viewing a great Rembrandt self-portrait? That I don't want to end up looking as bleak as that? Hm. Lofty words. |
18556 | Beauty is rationally founded, inviting meaning, comparison and self-reflection [Scruton] |
Full Idea: Beauty is rationally founded; it challenges us to find meaning in its object, to make critical comparisons, and to examine our own lives and emotions in the light of what we find. | |
From: Roger Scruton (Beauty: a very short introduction [2011], 9) | |
A reaction: This is the Kantian tradition, and I'm not finding it very persuasive. It seems to place the value of beauty in what we do with it afterwards, and he seems to make beauty a necessary stepping stone to virtue. I see beauty as more sui generis. |
18548 | Natural beauty reassures us that the world is where we belong [Scruton] |
Full Idea: The experience of natural beauty is not a sense of 'how nice!' or 'how pleasant!' It contains a reassurance that this world is a right and fitting place to be - a home in which our human powers and prospects find confirmation. | |
From: Roger Scruton (Beauty: a very short introduction [2011], 2) | |
A reaction: To call it a 'reassurance' and 'confirmation' sounds like theism, anthropomorphism, or the pathetic fallacy. That said, this is certainly a heart-warming idea, and hence must contain a grain of truth. |
18551 | Croce says art makes inarticulate intuitions conscious; rival views say the audience is the main concern [Scruton] |
Full Idea: The Croce model is of an inarticulate inner state (an 'intuition') becoming articulate and conscious through artistic expression. The rival model is fitting thing together so as to create links which resonate in the audience's feelings. | |
From: Roger Scruton (Beauty: a very short introduction [2011], 5) | |
A reaction: The first model tells you nothing about how the artist imagines the audience reacting. The second model tells you nothing about what matters personally to the artist. A good theory must do both! |
18541 | Beauty (unlike truth and goodness) is questionable as an ultimate value [Scruton] |
Full Idea: The status of beauty as an ultimate value is questionable, in the way that the status of truth and goodness are not. | |
From: Roger Scruton (Beauty: a very short introduction [2011], 1) | |
A reaction: We suspect that a love of beauty may be a bit parochial, where it is hard to conceive of living creatures anywhere in the cosmos who don't value the other two. |
18554 | Prostitution is wrong because it hardens the soul, since soul and body are one [Scruton] |
Full Idea: The condemnation of prostitution was not just puritan bigotry; it was a recognition of a profound truth, that you and your body are not two things but one, and by selling the body you harden your soul. | |
From: Roger Scruton (Beauty: a very short introduction [2011], 7) | |
A reaction: No one, I imagine, who condones or even enthuses about prostitution would hope that their own daughter followed the profession, so there is something wrong with it. But must an enthusiastic and cheerful prostitute necessarily have a hard soul? |
8430 | Causal statements are used to explain, to predict, to control, to attribute responsibility, and in theories [Kim] |
Full Idea: The function of causal statements is 1) to explain events, 2) for predictive usefulness, 3) to help control events, 4) with agents, to attribute moral responsibility, 5) in physical theory. We should judge causal theories by how they account for these. | |
From: Jaegwon Kim (Causes and Counterfactuals [1973], p.207) | |
A reaction: He suggests that Lewis's counterfactual theory won't do well on this test. I think the first one is what matters. Philosophy aims to understand, and that is achieved through explanation. Regularity and counterfactual theories explain very little. |
8396 | Many counterfactuals have nothing to do with causation [Kim, by Tooley] |
Full Idea: Kim has pointed out that there are a number of counterfactuals that have nothing to do with causation. If John marries Mary, then if John had not existed he would not have married Mary, but that is not the cause of their union. | |
From: report of Jaegwon Kim (Causes and Counterfactuals [1973], 5.2) by Michael Tooley - Causation and Supervenience | |
A reaction: One might not think that this mattered, but it leaves the problem of distinguishing between the causal counterfactuals and the rest (and you mustn't mention causation when you are doing it!). |
8429 | Counterfactuals can express four other relations between events, apart from causation [Kim] |
Full Idea: Counterfactuals can express 'analytical' dependency, or the fact that one event is part of another, or an action done by doing another, or (most interestingly) an event can determine another without causally determining it. | |
From: Jaegwon Kim (Causes and Counterfactuals [1973], p.205) | |
A reaction: [Kim gives example of each case] Counterfactuals can even express a relation that involves no dependency. Or they might just involve redescription, as in 'If Scott were still alive, then the author of "Waverley" would be too'. |
8428 | Causation is not the only dependency relation expressed by counterfactuals [Kim] |
Full Idea: The sort of dependency expressed by counterfactual relations is considerably broader than strictly causal dependency, and causal dependency is only one among the heterogeneous group of dependency relationships counterfactuals can express. | |
From: Jaegwon Kim (Causes and Counterfactuals [1973], p.205) | |
A reaction: In 'If pigs could fly, one and one still wouldn't make three' there isn't even a dependency. Kim has opened up lines of criticism which make the counterfactual analysis of causation look very implausible to me. |
4781 | Many counterfactual truths do not imply causation ('if yesterday wasn't Monday, it isn't Tuesday') [Kim, by Psillos] |
Full Idea: Kim gives a range of examples of counterfactual dependence without causation, as: 'if yesterday wasn't Monday, today wouldn't be Tuesday', and 'if my sister had not given birth, I would not be an uncle'. | |
From: report of Jaegwon Kim (Causes and Counterfactuals [1973]) by Stathis Psillos - Causation and Explanation §3.3 | |
A reaction: This is aimed at David Lewis. The objection seems like commonsense. "If you blink, the cat gets it". Causal claims involve counterfactuals, but they are not definitive of what causation is. |