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All the ideas for 'Why coherence is not enough', 'Aesthetics' and 'Replies on 'Limits of Abstraction''

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20 ideas

1. Philosophy / F. Analytic Philosophy / 7. Limitations of Analysis
Concern for rigour can get in the way of understanding phenomena [Fine,K]
     Full Idea: It is often the case that the concern for rigor gets in the way of a true understanding of the phenomena to be explained.
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 2)
     A reaction: This is a counter to Timothy Williamson's love affair with rigour in philosophy. It strikes me as the big current question for analytical philosophy - of whether the intense pursuit of 'rigour' will actually deliver the wisdom we all seek.
4. Formal Logic / F. Set Theory ST / 5. Conceptions of Set / e. Iterative sets
There is no stage at which we can take all the sets to have been generated [Fine,K]
     Full Idea: There is no stage at which we can take all the sets to have been generated, since the set of all those sets which have been generated at a given stage will itself give us something new.
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 1)
4. Formal Logic / G. Formal Mereology / 3. Axioms of Mereology
We might combine the axioms of set theory with the axioms of mereology [Fine,K]
     Full Idea: We might combine the standard axioms of set theory with the standard axioms of mereology.
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 1)
5. Theory of Logic / G. Quantification / 5. Second-Order Quantification
If you ask what F the second-order quantifier quantifies over, you treat it as first-order [Fine,K]
     Full Idea: We are tempted to ask of second-order quantifiers 'what are you quantifying over?', or 'when you say "for some F" then what is the F?', but these questions already presuppose that the quantifiers are first-order.
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005])
5. Theory of Logic / I. Semantics of Logic / 1. Semantics of Logic
Assigning an entity to each predicate in semantics is largely a technical convenience [Fine,K]
     Full Idea: In doing semantics we normally assign some appropriate entity to each predicate, but this is largely for technical convenience.
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 2)
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / b. Types of number
Dedekind cuts lead to the bizarre idea that there are many different number 1's [Fine,K]
     Full Idea: Because of Dedekind's definition of reals by cuts, there is a bizarre modern doctrine that there are many 1's - the natural number 1, the rational number 1, the real number 1, and even the complex number 1.
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 2)
     A reaction: See Idea 10572.
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / i. Reals from cuts
Why should a Dedekind cut correspond to a number? [Fine,K]
     Full Idea: By what right can Dedekind suppose that there is a number corresponding to any pair of irrationals that constitute an irrational cut?
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 2)
6. Mathematics / A. Nature of Mathematics / 3. Nature of Numbers / l. Zero
Unless we know whether 0 is identical with the null set, we create confusions [Fine,K]
     Full Idea: What is the union of the singleton {0}, of zero, and the singleton {φ}, of the null set? Is it the one-element set {0}, or the two-element set {0, φ}? Unless the question of identity between 0 and φ is resolved, we cannot say.
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 2)
6. Mathematics / B. Foundations for Mathematics / 6. Mathematics as Set Theory / b. Mathematics is not set theory
Set-theoretic imperialists think sets can represent every mathematical object [Fine,K]
     Full Idea: Set-theoretic imperialists think that it must be possible to represent every mathematical object as a set.
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 1)
6. Mathematics / C. Sources of Mathematics / 6. Logicism / a. Early logicism
Logicists say mathematics can be derived from definitions, and can be known that way [Fine,K]
     Full Idea: Logicists traditionally claim that the theorems of mathematics can be derived by logical means from the relevant definitions of the terms, and that these theorems are epistemically innocent (knowable without Kantian intuition or empirical confirmation).
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 2)
7. Existence / C. Structure of Existence / 7. Abstract/Concrete / b. Levels of abstraction
A generative conception of abstracts proposes stages, based on concepts of previous objects [Fine,K]
     Full Idea: It is natural to have a generative conception of abstracts (like the iterative conception of sets). The abstracts are formed at stages, with the abstracts formed at any given stage being the abstracts of those concepts of objects formed at prior stages.
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 1)
     A reaction: See 10567 for Fine's later modification. This may not guarantee 'levels', but it implies some sort of conceptual priority between abstract entities.
13. Knowledge Criteria / A. Justification Problems / 2. Justification Challenges / a. Agrippa's trilemma
There are five possible responses to the problem of infinite regress in justification [Cleve]
     Full Idea: Sceptics respond to the regress problem by denying knowledge; Foundationalists accept justifications without reasons; Positists say reasons terminate is mere posits; Coherentists say mutual support is justification; Infinitists accept the regress.
     From: James Van Cleve (Why coherence is not enough [2005], I)
     A reaction: A nice map of the territory. The doubts of Scepticism are not strong enough for anyone to embrace the view; Foundationalist destroy knowledge (?), as do Positists; Infinitism is a version of Coherentism - which is the winner.
13. Knowledge Criteria / B. Internal Justification / 4. Foundationalism / a. Foundationalism
Modern foundationalists say basic beliefs are fallible, and coherence is relevant [Cleve]
     Full Idea: Contemporary foundationalists are seldom of the strong Cartesian variety: they do not insist that basic beliefs be absolutely certain. They also tend to allow that coherence can enhance justification.
     From: James Van Cleve (Why coherence is not enough [2005], III)
     A reaction: It strikes me that they have got onto a slippery slope. How certain are the basic beliefs? How do you evaluate their certainty? Could incoherence in their implications undermine them? Skyscrapers need perfect foundations.
18. Thought / E. Abstraction / 7. Abstracta by Equivalence
Abstraction-theoretic imperialists think Fregean abstracts can represent every mathematical object [Fine,K]
     Full Idea: Abstraction-theoretic imperialists think that it must be possible to represent every mathematical object as a Fregean abstract.
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 1)
We can combine ZF sets with abstracts as urelements [Fine,K]
     Full Idea: I propose a unified theory which is a version of ZF or ZFC with urelements, where the urelements are taken to be the abstracts.
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 1)
We can create objects from conditions, rather than from concepts [Fine,K]
     Full Idea: Instead of viewing the abstracts (or sums) as being generated from objects, via the concepts from which they are defined, we can take them to be generated from conditions. The number of the universe ∞ is the number of self-identical objects.
     From: Kit Fine (Replies on 'Limits of Abstraction' [2005], 1)
     A reaction: The point is that no particular object is now required to make the abstraction.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
     Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity.
     From: Sebastian Gardner (Aesthetics [1995], Intro)
     A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
     Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object.
     From: Sebastian Gardner (Aesthetics [1995], 2.2)
     A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
     Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response.
     From: Sebastian Gardner (Aesthetics [1995], 1.2.3)
     A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you.
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]
     Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance.
     From: Sebastian Gardner (Aesthetics [1995], 1.1)
     A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples.