19 ideas
| 7508 | Good reductionism connects fields of knowledge, but doesn't replace one with another [Pinker] |
| Full Idea: Good reductionism (also called 'hierarchical reductionism') consists not of replacing one field of knowledge with another, but of connecting or unifying them. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.4) | |
| A reaction: A nice simple clarification. In this sense I am definitely a reductionist about mind (indeed, about everything). There is nothing threatening to even 'spiritual' understanding by saying that it is connected to the brain. |
| 7510 | Connectionists say the mind is a general purpose learning device [Pinker] |
| Full Idea: Connectionists do not, of course, believe that the mind is a blank slate, but they do believe in the closest mechanistic equivalent, a general purpose learning device. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.5) | |
| A reaction: This shows the closeness of connectionism to Hume's associationism (Idea 2189), which was just a minimal step away from Locke's mind as 'white paper' (Idea 7507). Pinker is defending 'human nature', but connectionism has a point. |
| 7513 | Is memory stored in protein sequences, neurons, synapses, or synapse-strengths? [Pinker] |
| Full Idea: Are memories stored in protein sequences, in new neurons or synapses, or in changes in the strength of existing synapses? | |
| From: Steven Pinker (The Blank Slate [2002], Ch.5) | |
| A reaction: This seems to be a neat summary of current neuroscientific thinking about memory. If you are thinking that memory couldn't possibly be so physical, don't forget the mind-boggling number of events involved in each tiny memory. See Idea 6668. |
| 8840 | There are five possible responses to the problem of infinite regress in justification [Cleve] |
| Full Idea: Sceptics respond to the regress problem by denying knowledge; Foundationalists accept justifications without reasons; Positists say reasons terminate is mere posits; Coherentists say mutual support is justification; Infinitists accept the regress. | |
| From: James Van Cleve (Why coherence is not enough [2005], I) | |
| A reaction: A nice map of the territory. The doubts of Scepticism are not strong enough for anyone to embrace the view; Foundationalist destroy knowledge (?), as do Positists; Infinitism is a version of Coherentism - which is the winner. |
| 8841 | Modern foundationalists say basic beliefs are fallible, and coherence is relevant [Cleve] |
| Full Idea: Contemporary foundationalists are seldom of the strong Cartesian variety: they do not insist that basic beliefs be absolutely certain. They also tend to allow that coherence can enhance justification. | |
| From: James Van Cleve (Why coherence is not enough [2005], III) | |
| A reaction: It strikes me that they have got onto a slippery slope. How certain are the basic beliefs? How do you evaluate their certainty? Could incoherence in their implications undermine them? Skyscrapers need perfect foundations. |
| 7509 | Roundworms live successfully with 302 neurons, so human freedom comes from our trillions [Pinker] |
| Full Idea: The roundworm only has 959 cells, and 302 neurons in a fixed wiring diagram; it eats, mates, approaches and avoids certain smells, and that's about it. This makes it obvious that human 'free' behaviour comes from our complex biological makeup. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.5) | |
| A reaction: I find this a persuasive example. Three hundred trillion neurons cannot possibly produce behaviour which is more than broadly predictable, and then it is the environment and culture that make it predictable, not the biology. |
| 7511 | Neural networks can generalise their training, e.g. truths about tigers apply mostly to lions [Pinker] |
| Full Idea: The appeal of neural networks is that they automatically generalize their training to similar new items. If one has been trained to think tigers eat frosted flakes, it will generalise that lions do too, because it knows tigers as sets of features. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.5) | |
| A reaction: This certainly is appealing, because it offers a mechanistic account of abstraction and universals, which everyone agrees are central to proper thinking. |
| 7512 | There are five types of reasoning that seem beyond connectionist systems [Pinker, by PG] |
| Full Idea: Connectionist networks have difficulty with the kind/individual distinction (ducks/this duck), with compositionality (relations), with quantification (reference of 'all'), with recursion (embedded thoughts), and the categorical reasoning (exceptions). | |
| From: report of Steven Pinker (The Blank Slate [2002], Ch.5) by PG - Db (ideas) | |
| A reaction: [Read Pinker p.80!] These are essentially all the more sophisticated aspects of logical reasoning that Pinker can think of. Personally I would be reluctant to say a priori that connectionism couldn't cope with these things, just because they seem tough. |
| 8122 | True works of art transmit completely new feelings [Tolstoy] |
| Full Idea: Only that is a true work of art which transmits fresh feelings not previously experienced by man. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.9) | |
| A reaction: I think a great composer will probably not have any new feelings at all, but will discover new expressions which contain feelings by which even they are surprised (e.g. the Tristan chord). |
| 8121 | Art is when one man uses external signs to hand on his feelings to another man [Tolstoy] |
| Full Idea: Art is a human activity in which one man consciously by means of external signs, hands on to others feelings he has lived through, and other are infected by those feelings, and also experience them. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.5) | |
| A reaction: Such definitions always work better for some art forms than for others. This may fit 'Anna Karenin' quite well, but probably not Bach's 'Art of Fugue'. Writing obscenities on someone's front door would fit this definition. |
| 8124 | The highest feelings of mankind can only be transmitted by art [Tolstoy] |
| Full Idea: The highest feelings to which mankind has attained can only be transmitted from man to man by art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: We are much more nervous these days of talking about 'highest' feelings. Tolstoy obviously considers religion to be an ingredient of the highest feelings, but that prevents us from judging them purely as feelings. Music is the place to rank feelings. |
| 8123 | The purpose of art is to help mankind to evolve better, more socially beneficial feelings [Tolstoy] |
| Full Idea: The evolution of feeling proceeds by means of art - feelings less kind and less necessary for the well-being of mankind being replaced by others kinder and more needful for that end. That is the purpose of art. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.16) | |
| A reaction: Underneath his superficially expressivist view of art, Tolstoy is really an old-fashioned moralist about it, like Dr Johnson. This is the moralism of the great age of the nineteenth century novel (which was, er, the greatest age of the novel!). |
| 22710 | People estimate art according to their moral values [Tolstoy] |
| Full Idea: The estimation of the value of art …depends on men's perception of the meaning of life; depends on what they hold to be the good and evil of life. | |
| From: Leo Tolstoy (What is Art? [1898]), quoted by Iris Murdoch - The Sublime and the Good p.206 | |
| A reaction: [No ref given] This is put to the test by the insightful depiction of wickedness. We condemn the wickedness and admire the insight. Every reading of a novel is a moral journey, though I'm not sure how the true psychopath reads a novel. |
| 8125 | The upper classes put beauty first, and thus freed themselves from morality [Tolstoy] |
| Full Idea: The people of the upper class, more and more frequently encountering the contradictions between beauty and goodness, put the ideal of beauty first, thus freeing themselves from the demands of morality. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.17) | |
| A reaction: The rich are a great deal freer to pursue the demands of beauty than are the poor. They also have a tradition of 'immorality' (such as duels and adultery) which was in place long before they discovered art. |
| 8064 | We separate the concept of beauty from goodness, unlike the ancients [Tolstoy] |
| Full Idea: The ancients had not that conception of beauty separated from goodness which forms the basis and aim of aesthetics in our time. | |
| From: Leo Tolstoy (What is Art? [1898], Ch.3) | |
| A reaction: This is written at around the time of the Aesthetic Movement, but Tolstoy's own novels are intensely moral. This separation makes abstract painting possible. |
| 7505 | Many think that accepting human nature is to accept innumerable evils [Pinker] |
| Full Idea: To acknowledge human nature, many think, is to endorse racism, sexism, war, greed, genocide, nihilism, reactionary politics, and neglect of children and the disadvantaged. | |
| From: Steven Pinker (The Blank Slate [2002], Pref) | |
| A reaction: The point is that modern liberal thinking says everything is nurture (which can be changed), not nature (which can't). Virtue theory, of which I am a fan, requires a concept of human nature, as the thing which can attain excellence in its function. |
| 7516 | In 1828, the stuff of life was shown to be ordinary chemistry, not a magic gel [Pinker] |
| Full Idea: In 1828 Friedrich Wöhler showed [by synthesising urea in the laboratory] that the stuff of life is not a magical, pulsating gel, but ordinary compounds following the laws of chemistry. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.3) | |
| A reaction: Wöhler synthesised urea in the laboratory. |
| 7514 | Intelligent Design says that every unexplained phenomenon must be design, by default [Pinker] |
| Full Idea: The originator of 'intelligent design' (the biochemist Michael Behe) takes every phenomenon whose evolutionary history has not yet been figured out, and chalks it up to design by default. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.7) | |
| A reaction: This seems to summarise the strategy very nicely. The theory essentially exploits the 'wow!' factor. The bigger the wow! the more likely it is that it was created by God. But research has been eroding our wows steadily for four hundred years. |
| 7515 | All the evidence says evolution is cruel and wasteful, not intelligent [Pinker] |
| Full Idea: The overwhelming evidence is that the process of evolution, far from being intelligent and purposeful, is wasteful and cruel. | |
| From: Steven Pinker (The Blank Slate [2002], Ch.7) | |
| A reaction: This is why opponents should reject evolution totally, rather than compromise with it. Stick to a 6000-year-old world, fossils sent to test our faith, and species created in a flash (with no pain or waste). |