13 ideas
| 18935 | Semantic theory should specify when an act of naming is successful [Sawyer] |
| Full Idea: A semantic theory of names should deliver a specification of the conditions under which a name names an individual, and hence a specification of the conditions under which a name is empty. | |
| From: Sarah Sawyer (Empty Names [2012], 1) | |
| A reaction: Naming can be private, like naming my car 'Bertrand', but never tell anyone. I like Plato's remark that names are 'tools'. Do we specify conditions for successful spanner-usage? The first step must be individuation, preparatory to naming. |
| 18945 | Millians say a name just means its object [Sawyer] |
| Full Idea: The Millian view of direct reference says that the meaning of a name is the object named. | |
| From: Sarah Sawyer (Empty Names [2012], 4) | |
| A reaction: Any theory that says meaning somehow is features of the physical world strikes me as totally misguided. Napoleon is a man, so he can't be part of a sentence. He delegates that job to words (such as 'Napoleon'). |
| 18934 | Sentences with empty names can be understood, be co-referential, and even be true [Sawyer] |
| Full Idea: Some empty names sentences can be understood, so appear to be meaningful ('Pegasus was sired by Poseidon'), ...some appear to be co-referential ('Santa Claus'/'Father Christmas'), and some appear to be straightforwardly true ('Pegasus doesn't exist'). | |
| From: Sarah Sawyer (Empty Names [2012], 1) | |
| A reaction: Hang on to this, when the logicians arrive and start telling you that your talk of empty names is vacuous, because there is no object in the 'domain' to which a predicate can be attached. Meaning, reference and truth are the issues around empty names. |
| 18938 | Frege's compositional account of truth-vaues makes 'Pegasus doesn't exist' neither true nor false [Sawyer] |
| Full Idea: In Frege's account sentences such as 'Pegasus does not exist' will be neither true nor false, since the truth-value of a sentence is its referent, and the referent of a complex expression is determined by the referent of its parts. | |
| From: Sarah Sawyer (Empty Names [2012], 2) | |
| A reaction: We can keep the idea of 'sense', which is very useful for dealing with empty names, but tweak his account of truth-values to evade this problem. I'm thinking that meaning is compositional, but truth-value isn't. |
| 18947 | Definites descriptions don't solve the empty names problem, because the properties may not exist [Sawyer] |
| Full Idea: If it were possible for a definite description to be empty - not in the sense of there being no object that satisfies it, but of there being no set of properties it refers to - the problem of empty names would not have been solved. | |
| From: Sarah Sawyer (Empty Names [2012], 5) | |
| A reaction: Swoyer is thinking of properties like 'is a unicorn', which are clearly just as vulnerable to being empty as 'the unicorn' was. It seems unlikely that 'horse', 'white' and 'horn' would be empty. |
| 3338 | Numbers have been defined in terms of 'successors' to the concept of 'zero' [Peano, by Blackburn] |
| Full Idea: Dedekind and Peano define the number series as the series of successors to the number zero, according to five postulates. | |
| From: report of Giuseppe Peano (works [1890]) by Simon Blackburn - Oxford Dictionary of Philosophy p.279 |
| 5897 | 0 is a non-successor number, all successors are numbers, successors can't duplicate, if P(n) and P(n+1) then P(all-n) [Peano, by Flew] |
| Full Idea: 1) 0 is a number; 2) The successor of any number is a number; 3) No two numbers have the same successor; 4) 0 is not the successor of any number; 5) If P is true of 0, and if P is true of any number n and of its successor, P is true of every number. | |
| From: report of Giuseppe Peano (works [1890]) by Antony Flew - Pan Dictionary of Philosophy 'Peano' | |
| A reaction: Devised by Dedekind and proposed by Peano, these postulates were intended to avoid references to intuition in specifying the natural numbers. I wonder if they could define 'successor' without reference to 'number'. |
| 24016 | Consciousness always transcends itself [Sartre] |
| Full Idea: It is of the essence of consciousness to transcend itself | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: As usual, I am a bit baffled by these sorts of pronouncement. Sounds like an oxymoron to me. Maybe it is a development of Schopenhauer's thought. |
| 24013 | An emotion and its object form a unity, so emotion is a mode of apprehension [Sartre] |
| Full Idea: Emotion returns to its object every moment, and feeds upon it. …The emotional subject and the object of the emotion are united in an indissoluble synthesis. Emotion is a specific manner of apprehending the world. …[39] It is a transformation of the world. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: The last sentence is the essence (or existence?) of Sartre's core theory of the emotions. They are, it seems, a mode of perception, like a colour filter added to a camera. I don't think I agree. I see them as a response to perceptions, not part of them. |
| 24017 | Emotion is one of our modes of understanding our Being-in-the-World [Sartre] |
| Full Idea: Emotion is not an accident, it is a mode of our conscious existence, one of the ways in which consciousness understands (in Heidegger's sense of verstehen) its Being-in-the-World. …It has a meaning. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: Calling emotions a 'mode' suggests that this way of understanding is intermittent, which seems wrong. Even performing arithmetical calculations is coloured by emotions, so they go deeper than a 'mode'. |
| 24014 | Emotions are a sort of bodily incantation which brings a magic to the world [Sartre] |
| Full Idea: Joy is the magical behaviour which tries, by incantation, to realise the possession of the desired object as an instantaneous totality. [47] Emotions are all reducible to the constitution of a magic world by using our bodies as instruments of incantation. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: I can't pretend to understand this, but I am reminded of the fact that the so-called primary qualities of perception are innately boring, and it is only the secondary qualities (like colour and smell) which make the world interesting. |
| 24015 | Emotions makes us believe in and live in a new world [Sartre] |
| Full Idea: Emotion is a phenomenon of belief. Consciousness does not limit itself to the projection of affective meanings upon the world around it; it lives the new world it has thereby constituted. | |
| From: Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939], §III) | |
| A reaction: There seems to be an implied anti-realism in this, since the emotions prevent us from relating more objectively to the world. The 'magic' seems to be compulsory. |
| 20491 | States have a monopoly of legitimate violence [Sartre, by Wolff,J] |
| Full Idea: Max Weber observed that states possess a monopoly of legitimate violence. | |
| From: report of Jean-Paul Sartre (Sketch for a Theory of the Emotions [1939]) by Jonathan Wolff - An Introduction to Political Philosophy (Rev) 2 'State' | |
| A reaction: This sounds rather hair-raising, and often is, but it sounds quite good if we describe it as a denial of legitimate violence to individual citizens. Hobbes would like it, since individual violence breaches some sort of natural contract. Guns in USA. |