5 ideas
9470 | Modal logic is not an extensional language [Parsons,C] |
Full Idea: Modal logic is not an extensional language. | |
From: Charles Parsons (A Plea for Substitutional Quantification [1971], p.159 n8) | |
A reaction: [I record this for investigation. Possible worlds seem to contain objects] |
9469 | Substitutional existential quantifier may explain the existence of linguistic entities [Parsons,C] |
Full Idea: I argue (against Quine) that the existential quantifier substitutionally interpreted has a genuine claim to express a concept of existence, which may give the best account of linguistic abstract entities such as propositions, attributes, and classes. | |
From: Charles Parsons (A Plea for Substitutional Quantification [1971], p.156) | |
A reaction: Intuitively I have my doubts about this, since the whole thing sounds like a verbal and conventional game, rather than anything with a proper ontology. Ruth Marcus and Quine disagree over this one. |
9468 | On the substitutional interpretation, '(∃x) Fx' is true iff a closed term 't' makes Ft true [Parsons,C] |
Full Idea: For the substitutional interpretation of quantifiers, a sentence of the form '(∃x) Fx' is true iff there is some closed term 't' of the language such that 'Ft' is true. For the objectual interpretation some object x must exist such that Fx is true. | |
From: Charles Parsons (A Plea for Substitutional Quantification [1971], p.156) | |
A reaction: How could you decide if it was true for 't' if you didn't know what object 't' referred to? |
7296 | 'Grue' is not a colour [Milsted] |
Full Idea: 'Grue' is not a colour. | |
From: Tom Milsted (talk [2006]), quoted by PG - Db (ideas) | |
A reaction: This simple observation strikes me as rather crucial in assessing Goodman's paradox. Blue is a colour, but grue is some sort of behaviour. Blue is a secondary quality, but grue seems to be a primary quality. |
5271 | Prejudice apart, push-pin has equal value with music and poetry [Bentham] |
Full Idea: Prejudice apart, the game of push-pin is of equal value with the arts and science of music and poetry. | |
From: Jeremy Bentham (Constitutional Code I [1827], p.139), quoted by J.R. Dinwiddy - Bentham p.114 | |
A reaction: Mill quoted this with implied outrage, but Bentham was attacking public subsidies to the arts when he said it. It is a basic idea in the debate on pleasure - that pleasures are only distinguished by their intensity, not some other value. |