17 ideas
| 17471 | Using mechanisms as explanatory schemes began in chemistry [Weisberg/Needham/Hendry] |
| Full Idea: The production of mechanisms as explanatory schemes finds its original home in chemistry. | |
| From: Weisberg/Needham/Hendry (Philosophy of Chemistry [2011], 5.1) | |
| A reaction: This is as opposed to mechanisms in biology or neuroscience, which come later. |
| 17472 | Thick mechanisms map whole reactions, and thin mechanism chart the steps [Weisberg/Needham/Hendry] |
| Full Idea: In chemistry the 'thick' notion of a mechanism traces out positions of electrons and atomic cores, and correlates them with energies, showing the whole reaction. 'Thin' mechanisms focus on a discrete set of intermediate steps. | |
| From: Weisberg/Needham/Hendry (Philosophy of Chemistry [2011], 5.1) |
| 22709 | We should first decide what are the great works of art, with aesthetic theory following from that [Murdoch] |
| Full Idea: Our aesthetic must stand to be judged by great works of art which we know to be such independently. …So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic be the philosophical justification of this judgement. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.205) | |
| A reaction: She offers this view in specific contradiction of Tolstoy, which says we should first have a theory, and then judge accordingly. I take Murdoch to be entirely right, but it means that our aesthetic theory will shift over time. |
| 22715 | Great art proves the absurdity of art for art's sake [Murdoch] |
| Full Idea: The work of the great artists shows up 'art-for-art's-sake' as a flimsy frivolous doctrine. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: She keeps referring to tragedy (as the greatest art), but it is hard to see how we learn love and morality from a great pot or a great abstract painting. Wilde makes the doctrine frivolous, but I think it contains a degree of truth. Music. |
| 22714 | Because art is love, it improves us morally [Murdoch] |
| Full Idea: It is of course a fact that if art is love then art improves us morally, but this is, as it were, accidental. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.218) | |
| A reaction: Is an enhancement of one's love necessarily a moral improvement? Love is a fine feeling, but how does it motivate? Has no wickedness ever been perpetrated in the name of love? 'All's fair in love and war'. |
| 22712 | Art and morals are essentially the same, and are both identical with love [Murdoch] |
| Full Idea: Art and morals are (with certain provisos) one. Their essence is the same. The essence of both of them is love. Love is the perception of individuals. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: The idea that art, morals and love are all just a single thing seems unhelpful. What about satire? What about duty without love? What about pure abstract painting? What about Stravinsky's highly formal view of his music? |
| 22713 | Love is realising something other than oneself is real [Murdoch] |
| Full Idea: Love is the extremely difficult realisation that something other than oneself is real. | |
| From: Iris Murdoch (The Sublime and the Good [1959], p.215) | |
| A reaction: I suspect that this is a necessary condition for love, but not the thing itself. The realisation she describes may not be love. You would attain her realisation if you shared a prison cell with a terrifying psychopath. |
| 5271 | Prejudice apart, push-pin has equal value with music and poetry [Bentham] |
| Full Idea: Prejudice apart, the game of push-pin is of equal value with the arts and science of music and poetry. | |
| From: Jeremy Bentham (Constitutional Code I [1827], p.139), quoted by J.R. Dinwiddy - Bentham p.114 | |
| A reaction: Mill quoted this with implied outrage, but Bentham was attacking public subsidies to the arts when he said it. It is a basic idea in the debate on pleasure - that pleasures are only distinguished by their intensity, not some other value. |
| 17465 | Lavoisier's elements included four types of earth [Weisberg/Needham/Hendry] |
| Full Idea: Four types of earth found a place on Lavoisier's list of elements. | |
| From: Weisberg/Needham/Hendry (Philosophy of Chemistry [2011], 1.2) | |
| A reaction: A nice intermediate point between the ancient Greek and the modern view of earth. |
| 17468 | Over 100,000,000 compounds have been discovered or synthesised [Weisberg/Needham/Hendry] |
| Full Idea: There are well over 100,000,000 chemical compounds that have been discovered or synthesised, all of which have been formally characterised. | |
| From: Weisberg/Needham/Hendry (Philosophy of Chemistry [2011], 4.3) |
| 17470 | Water molecules dissociate, and form large polymers, explaining its properties [Weisberg/Needham/Hendry] |
| Full Idea: Water's structure cannot simply be described as a collection of individual molecules. There is a continual dissociation of H2O molecules into hydrogen and hydroxide ions; they former larger polymeric species, explaining conductivity, melting and boiling. | |
| From: Weisberg/Needham/Hendry (Philosophy of Chemistry [2011], 4.5) | |
| A reaction: [compressed] If philosophers try to state the 'essence of water', they had better not be too glib about it. |
| 17473 | It is unlikely that chemistry will ever be reduced to physics [Weisberg/Needham/Hendry] |
| Full Idea: Most philosophers believe chemistry has not been reduced to physics nor is it likely to be. | |
| From: Weisberg/Needham/Hendry (Philosophy of Chemistry [2011], 6) | |
| A reaction: [Le Poidevin 2007 argues the opposite] That chemical features are actually metaphysically 'emergent' is a rare view, defended by Hendry. The general view is that the concepts are too different, and approximations render it hopeless. |
| 17474 | Quantum theory won't tell us which structure a set of atoms will form [Weisberg/Needham/Hendry] |
| Full Idea: Quantum mechanics cannot tell us why a given collection of atoms will adopt one molecular structure (and set of chemical properties) or the other. | |
| From: Weisberg/Needham/Hendry (Philosophy of Chemistry [2011], 6.1) | |
| A reaction: Presumably it the 'chance' process of how the atoms are thrown together. |
| 17475 | For temperature to be mean kinetic energy, a state of equilibrium is also required [Weisberg/Needham/Hendry] |
| Full Idea: Having a particular average kinetic energy is only a necessary condition for having a given temperature, not a sufficient one, because only gases at equilibrium have a well-defined temperature. | |
| From: Weisberg/Needham/Hendry (Philosophy of Chemistry [2011], 6.2) | |
| A reaction: If you try to pin it all down more precisely, the definition turns out to be circular. |
| 17469 | 'H2O' just gives the element proportions, not the microstructure [Weisberg/Needham/Hendry] |
| Full Idea: 'H2O' is not a description of any microstructure. It is a compositional formula, describing the combining proportions of hydrogen and oxygen to make water. | |
| From: Weisberg/Needham/Hendry (Philosophy of Chemistry [2011], 4.5) |
| 17467 | Isotopes (such as those of hydrogen) can vary in their rates of chemical reaction [Weisberg/Needham/Hendry] |
| Full Idea: There are chemically salient differences among the isotopes, best illustrated by the three isotopes of hydrogen: protium, deuterium and tritium, which show different rates of reaction, making heavy water poisonous where ordinary water is not. | |
| From: Weisberg/Needham/Hendry (Philosophy of Chemistry [2011], 1.4) | |
| A reaction: [They cite Paul Needham 2008] The point is that the isotopes are the natural kinds, rather than the traditional elements. The view is unorthodox, but clearly makes a good point. |
| 17466 | Mendeleev systematised the elements, and also gave an account of their nature [Weisberg/Needham/Hendry] |
| Full Idea: In addition to providing the systematization of the elements used in modern chemistry, Mendeleev also gave an account of the nature of the elements which informs contemporary philosophical understanding. | |
| From: Weisberg/Needham/Hendry (Philosophy of Chemistry [2011], 1.3) |