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All the ideas for 'Realistic Rationalism', 'Aesthetics' and 'Power/Knowledge'

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14 ideas

1. Philosophy / D. Nature of Philosophy / 3. Philosophy Defined
Traditionally philosophy is an a priori enquiry into general truths about reality [Katz]
     Full Idea: The traditional conception of philosophy is that it is an a priori enquiry into the most general facts about reality.
     From: Jerrold J. Katz (Realistic Rationalism [2000], Int.xi)
     A reaction: I think this still defines philosophy, though it also highlights the weakness of the subject, which is over-confidence about asserting necessary truths. How could the most god-like areas of human thought be about anything else?
Most of philosophy begins where science leaves off [Katz]
     Full Idea: Philosophy, or at least one large part of it, is subsequent to science; it begins where science leaves off.
     From: Jerrold J. Katz (Realistic Rationalism [2000], Int.xxi)
     A reaction: In some sense this has to be true. Without metaphysics there couldn't be any science. Rationalists should not forget, though, the huge impact which Darwin's science has (or should have) on fairly abstract philosophy (e.g. epistemology).
6. Mathematics / C. Sources of Mathematics / 1. Mathematical Platonism / b. Against mathematical platonism
'Real' maths objects have no causal role, no determinate reference, and no abstract/concrete distinction [Katz]
     Full Idea: Three objections to realism in philosophy of mathematics: mathematical objects have no space/time location, and so no causal role; that such objects are determinate, but reference to numbers aren't; and that there is no abstract/concrete distinction.
     From: Jerrold J. Katz (Realistic Rationalism [2000], Int.xxix)
12. Knowledge Sources / A. A Priori Knowledge / 5. A Priori Synthetic
We don't have a clear enough sense of meaning to pronounce some sentences meaningless or just analytic [Katz]
     Full Idea: Linguistic meaning is not rich enough to show either that all metaphysical sentences are meaningless or that all alleged synthetic a priori propositions are just analytic a priori propositions.
     From: Jerrold J. Katz (Realistic Rationalism [2000], Int.xx)
12. Knowledge Sources / D. Empiricism / 5. Empiricism Critique
Experience cannot teach us why maths and logic are necessary [Katz]
     Full Idea: The Leibniz-Kant criticism of empiricism is that experience cannot teach us why mathematical and logical facts couldn't be otherwise than they are.
     From: Jerrold J. Katz (Realistic Rationalism [2000], Int.xxxi)
19. Language / A. Nature of Meaning / 1. Meaning
Structuralists see meaning behaviouristically, and Chomsky says nothing about it [Katz]
     Full Idea: In linguistics there are two schools of thought: Bloomfieldian structuralism (favoured by Quine) conceives of sentences acoustically and meanings behaviouristically; and Chomskian generative grammar (which is silent about semantics).
     From: Jerrold J. Katz (Realistic Rationalism [2000], Int.xxiv)
     A reaction: They both appear to be wrong, so there is (or was) something rotten in the state of linguistics. Are the only options for meaning either behaviourist or eliminativist?
19. Language / B. Reference / 4. Descriptive Reference / a. Sense and reference
It is generally accepted that sense is defined as the determiner of reference [Katz]
     Full Idea: There is virtually universal acceptance of Frege's definition of sense as the determiner of reference.
     From: Jerrold J. Katz (Realistic Rationalism [2000], Int.xxvi)
     A reaction: Not any more, since Kripke and Putnam. It is one thing to say sense determines reference, and quite another to say that this is the definition of sense.
19. Language / C. Assigning Meanings / 5. Fregean Semantics
Sense determines meaning and synonymy, not referential properties like denotation and truth [Katz]
     Full Idea: Pace Frege, sense determines sense properties and relations, like meaningfulness and synonymy, rather than determining referential properties, like denotation and truth.
     From: Jerrold J. Katz (Realistic Rationalism [2000], Int.xxvi)
     A reaction: This leaves room for Fregean 'sense', after Kripke has demolished the idea that sense determines reference.
19. Language / D. Propositions / 2. Abstract Propositions / a. Propositions as sense
Sentences are abstract types (like musical scores), not individual tokens [Katz]
     Full Idea: Sentences are types, not utterance tokens or mental/neural tokens, and hence sentences are abstract objects (like musical scores).
     From: Jerrold J. Katz (Realistic Rationalism [2000], Int.xxvi)
     A reaction: If sentences are abstract types, then two verbally indistinguishable sentences are the same sentence. But if I say 'I am happy', that isn't the same as you saying it.
21. Aesthetics / A. Aesthetic Experience / 1. Aesthetics
Aesthetics presupposes a distinctive sort of experience, and a unified essence for art [Gardner]
     Full Idea: Aesthetics traditionally has two presuppositions: the first is that there is a distinctive form of experience which is common to the appreciation of art and natural beauty; the second is that art has an essence or some sort of underlying unity.
     From: Sebastian Gardner (Aesthetics [1995], Intro)
     A reaction: Both must come up for discussion. I think the biggest problem for the first one is the place of sexual attraction, or even fancying a prawn sandwich. The second has been weakened by Marcel Duchamp's urinal, and modern fringe arts.
21. Aesthetics / B. Nature of Art / 7. Ontology of Art
Art works originate in the artist's mind, and appreciation is re-creating this mental object [Gardner]
     Full Idea: A strong tradition in aesthetics (the 'idealist' view) regards works of art as existing originally in the artist's mind, and the appreciation of art as a matter of re-creating the artist's mental object.
     From: Sebastian Gardner (Aesthetics [1995], 2.2)
     A reaction: He mentions Collingwood and Croce. Against this is the view (Idea 7268) that what goes on in the artist's mind is just irrelevant. Freud is important here, suggesting that the artist doesn't quite know what he or she is doing.
21. Aesthetics / C. Artistic Issues / 5. Objectivism in Art
Aesthetic objectivists must explain pleasure being essential, but not in the object [Gardner]
     Full Idea: The aesthetic objectivist faces the difficulty of accounting for the fact that pleasure is not in the object, and is necessary for, and not just a contingent accompaniment to, aesthetic response.
     From: Sebastian Gardner (Aesthetics [1995], 1.2.3)
     A reaction: The objectivist has to claim, not utterly implausibly, that if you don't get pleasure from certain works, then you 'ought' to. You can ignore a good work, but to deny that it gives pleasure is a failing in you.
22. Metaethics / B. Value / 1. Nature of Value / d. Subjective value
Aesthetic judgements necessarily require first-hand experience, unlike moral judgements [Gardner]
     Full Idea: I am not within my rights to declare an object beautiful until I have seen it myself, ..unlike moral judgement, which (arguably) does not presuppose either a felt response or personal acquaintance.
     From: Sebastian Gardner (Aesthetics [1995], 1.1)
     A reaction: Particularists might argue that moral judgements also require exposure to the actual situation, if they are to be authentic and authoritative. We can also discuss principles of aesthetics in the absence of examples.
24. Political Theory / C. Ruling a State / 1. Social Power
Foucault can't accept that power is sometimes decent and benign [Foucault, by Scruton]
     Full Idea: It became impossible for Foucault to accept that power is sometimes decent and benign.
     From: report of Michel Foucault (Power/Knowledge [1980]) by Roger Scruton - Upon Nothing: Swansea lecture p.12
     A reaction: Actually Idea 7425 suggests that Foucault has no dream of eliminating power, but he does seem to be utterly in favour of maximum autonomy, and to regard paternalism as inherently evil. What sort of parent would Foucault have been?