11 ideas
| 22070 | Irony is consciousness of abundant chaos [Schlegel,F] |
| Full Idea: Irony is the clear conscousness of eternal agility, of an infinitely abundant chaos. | |
| From: Friedrich Schlegel (works [1798], Vol 2 p.263), quoted by Ernst Behler - Early German Romanticism p.81 | |
| A reaction: [1800, in Athenaum] The interest here is irony as a reaction to chaos, which has made systematic thought impossible. Do romantics necessarily see reality as beyond our grasp, even if not chaotic? This must be situational, not verbal irony. |
| 22069 | Plato has no system. Philosophy is the progression of a mind and development of thoughts [Schlegel,F] |
| Full Idea: Plato had no system, but only a philosophy. The philosophy of a human being is the history, the becoming, the progression of his mind, the gradual formation and development of his thoughts. | |
| From: Friedrich Schlegel (works [1798], Vol.11 p.118), quoted by Ernst Behler - Early German Romanticism | |
| A reaction: [1804] Looks like the first sign of rebellion against the idea of having a 'system' in philosophy, making it a key idea of romanticism. Systems are classical? This looks like an early opposition of a historical dimension to static systems. Big idea. |
| 14238 | A class is an aggregate of objects; if you destroy them, you destroy the class; there is no empty class [Frege] |
| Full Idea: A class consists of objects; it is an aggregate, a collective unity, of them; if so, it must vanish when these objects vanish. If we burn down all the trees of a wood, we thereby burn down the wood. Thus there can be no empty class. | |
| From: Gottlob Frege (Elucidation of some points in E.Schröder [1895], p.212), quoted by Oliver,A/Smiley,T - What are Sets and What are they For? | |
| A reaction: This rests on Cantor's view of a set as a collection, rather than on Dedekind, which allows null and singleton sets. |
| 10467 | Individuals consist of 'compresent' tropes [Bacon,John] |
| Full Idea: 'Qualitons' or 'relatons' (quality and relation tropes) are held to belong to the same individual if they are all 'compresent' with one another. | |
| From: John Bacon (Tropes [2008], §4) | |
| A reaction: There is a perennial problem with bundles - how to distinguish accidental compresence (like people in a lift) from united compresence (like people who make a family). |
| 10464 | A trope is a bit of a property or relation (not an exemplification or a quality) [Bacon,John] |
| Full Idea: A trope is an instance or bit (not an exemplification) of a property or a relation. Bill Clinton's eloquence is not his participating in the universal eloquence, or the peculiar quality of his eloquence, but his bit, and his alone, of eloquence. | |
| From: John Bacon (Tropes [2008], Intro) | |
| A reaction: If we have identified something as a 'bit' of something, we can ask whether that bit is atomic, or divisible into something else, and we can ask what are the qualities and properties and powers of this bit, we seems to defeat the object. |
| 10465 | Trope theory is ontologically parsimonious, with possibly only one-category [Bacon,John] |
| Full Idea: A major attraction of tropism has been its promise of parsimony; some adherents (such as Campbell) go so far as to proclaim a one-category ontology. | |
| From: John Bacon (Tropes [2008], §2) | |
| A reaction: This seems to go against the folk idiom which suggests that it is things which have properties, rather than properties ruling to roost. Maybe if one identified tropes with processes, the theory could be brought more into line with modern physics? |
| 10466 | Maybe possible worlds are just sets of possible tropes [Bacon,John] |
| Full Idea: Meinongian tropism has the advantage that possible worlds might be thought of as sets of 'qualitons' and 'relatons' (quality and relational tropes). | |
| From: John Bacon (Tropes [2008], §3) | |
| A reaction: You are still left with 'possible' to explain, and I'm not sure that anything is explain here. If the actual world is sets of tropes, then possible worlds would also have to be, I suppose. |
| 22068 | Poetry is transcendental when it connects the ideal to the real [Schlegel,F] |
| Full Idea: There is a kind of poetry whose essence lies in the relation between the ideal and the real, and which therefore, by analogy with philosophical jargon, should be called transcendental poetry. | |
| From: Friedrich Schlegel (works [1798], Vol 2 p.204), quoted by Ernst Behler - Early German Romanticism p.78 | |
| A reaction: I think the basic idea is that the imaginative creation of poetry has the power to bridge the gap between the transcendental (presupposed) ideal in Fichte, and nature (which Fichte seems to have excluded from his system). |
| 22030 | For poets free choice is supreme [Schlegel,F] |
| Full Idea: Romantic poetry recognises as its first commandment that the free choice [Wilkür] of the poet can tolerate no law above itself. | |
| From: Friedrich Schlegel (works [1798], Frag 116 p.32), quoted by Terry Pinkard - German Philosophy 1760-1860 06 | |
| A reaction: This leads to Shelley's 'poets are the unacknowledged legislators of the race'. We should also take it as a response to Kant's categorical imperative, which leads to the Gauguin Problem (wickedness justified by the art it leads to). |
| 22071 | True love is ironic, in the contrast between finite limitations and the infinity of love [Schlegel,F] |
| Full Idea: True irony is the irony of love. It arises from the feeling of finitude and one's own limitation, and the apparent contradiction of these feelings with the concept of infinity inherent in all true love. | |
| From: Friedrich Schlegel (works [1798], Vol.10 p.357), quoted by Ernst Behler - Early German Romanticism | |
| A reaction: [c.1827] This is more about idealist philosophy and its yearning for the Absolute than it is about the actual nature of love. Love is the door to the Absolute. The irony is our inability to pass through it. |
| 22029 | Irony is the response to conflicts of involvement and attachment [Schlegel,F, by Pinkard] |
| Full Idea: Irony is thus the appropriate stance to feeling that is both inescapably committed and inescapably detached at the same time. | |
| From: report of Friedrich Schlegel (works [1798]) by Terry Pinkard - German Philosophy 1760-1860 06 | |
| A reaction: This is the epitome of romanticism, which carries over into the dilemmas of existentialism. Striking the right balance between caring and not caring seems to me to be the main focus of modern British people. |