25 ideas
| 22868 | The value and truth of knowledge are measured by success in activity [Dewey] |
| Full Idea: What measures knowledge's value, its correctness and truth, is the degree of its availability for conducting to a successful issue the activities of living beings. | |
| From: John Dewey (The Middle Works (15 vols, ed Boydston) [1910], 4:180), quoted by David Hildebrand - Dewey 2 'Critique' | |
| A reaction: Note that this is the measure of truth, not the nature of truth (which James seemed to believe). Dewey gives us a clear and perfect statement of the pragmatic view of knowledge. I don't agree with it. |
| 22865 | Habits constitute the self [Dewey] |
| Full Idea: All habits are demands for certain kinds of activity; and they constitute the self. | |
| From: John Dewey (The Middle Works (15 vols, ed Boydston) [1910], 14:22), quoted by David Hildebrand - Dewey 1 'Acts' | |
| A reaction: Not an idea I have encountered elsewhere. He emphasises that habits are not repeated actions, but are dispositions. I'm not clear whether these habits must be conscious. |
| 12157 | Kant gave form and status to aesthetics, and Hegel gave it content [Kant, by Scruton] |
| Full Idea: Kant gave form and status to aesthetics, and Hegel endowed it with content. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Roger Scruton - Recent Aesthetics in England and America p.3 |
| 20346 | The aesthetic attitude is a matter of disinterestedness [Kant, by Wollheim] |
| Full Idea: The aesthetic attitude is defined by Kant in terms of disinterestedness. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Richard Wollheim - Art and Its Objects 54 | |
| A reaction: This is presumably, mainly, to explain our enjoyment of the miseries of tragedy. We just give ourselves up to a merry jig by Haydn. |
| 18547 | Only rational beings can experience beauty [Kant, by Scruton] |
| Full Idea: Kant is surely right that the experience of beauty, like the judgements in which it issues, is the prerogative of rational beings. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Roger Scruton - Beauty: a very short introduction 1 | |
| A reaction: I'm not sure how Scruton can say that Kant is 'surely right'. It is an interesting speculation. Are we to dogmatically affirm that bees get no aesthetic thrill when they spot a promising flower? Something in their little brains attracts them. |
| 24172 | It is hard to see why we would have developed Kant's 'disinterested' aesthetic attitude [Cochrane on Kant] |
| Full Idea: The Kantian notion of disinterest isolated aesthetic value from the rest of our lives. It is hard to understand why we should have developed a tendency that is detached from our everyday practical purposes. | |
| From: comment on Immanuel Kant (Critique of Judgement I: Aesthetic [1790], §2) by Tom Cochrane - The Aesthetic Value of the World 1.4 | |
| A reaction: Cochrane always seeks an evolutionary framework for accounts of aesthetics, and I agree with him. That doesn't devalue them. The best things in life, like piano music, are obviously offshoots of things which evolved for other reasons. |
| 20408 | With respect to the senses, taste is an entirely personal matter [Kant] |
| Full Idea: With regard to the agreeable, the principle Everyone has his own taste (of the senses) is valid. | |
| From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 7 5:212), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 1 | |
| A reaction: This is a preliminary concession, and he goes on to defend more objective views of taste. |
| 20409 | When we judge beauty, it isn't just personal; we judge on behalf of everybody [Kant] |
| Full Idea: It is ridiculous if someone justifies his tast by saying 'this object is beautiful for me'. . .If he pronounces that something is beautiful, then he expects the very same satisfaction of others: he judges not merely for himself, but for everyone. | |
| From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 7 5:213), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 1 | |
| A reaction: For Kant this would also be the hallmark of rationality - that we expect, or hope for, a consensus when we express a rational judgement. But this expectation is far less in cases of beauty. We do not expect total agreement from very tasteful people. |
| 20411 | Saying everyone has their own taste destroys the very idea of taste [Kant] |
| Full Idea: To say thast 'Everyone has his special taste' would be to dismiss the very possibility of aesthetic taste, and to deny that there could be aesthetic judgement 'that could make a rightful claim to the assent of everyone'. | |
| From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 7 5:213), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 2.2 | |
| A reaction: I am a great believer in the objectivity of taste (within sensible reason). But the great evidence against it is the shifting standards of taste over the centuries. Nineteenth century collectors wasted fortunes on inferior works, it seems to us. |
| 24170 | Kant thinks beauty ignores its objects, because it is only 'form' engaging with mind [Cochrane on Kant] |
| Full Idea: Kant thinks that the ideal of beauty requires no concept of what the object is. Universality demands that appreciation be purely a matter of the way the form of the object fits one's cognitive machinery. | |
| From: comment on Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Tom Cochrane - The Aesthetic Value of the World 1.3 | |
| A reaction: This confirms further my increasingly negative view of Kant. Everything in him points to idealism (despite denials by his fans), and via Hegel we arrive at the idea that our values are all 'cultural constructs', rather than responses to reality. |
| 22711 | The beautiful is not conceptualised as moral, but it symbolises or resembles goodness [Kant, by Murdoch] |
| Full Idea: Kant insists that the beautiful must not be tainted with the good (that is, not conceptualised in any way which would bring it into the sphere of moral judgement) yet he says that the beautiful symbolises the good, it is an analogy of the good. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Iris Murdoch - The Sublime and the Good p.209 | |
| A reaction: Kant evidently wanted a very pure view of the aesthetic experience, drained of any overlapping feelings or beliefs. I'm not sure I understand how the beautiful can symbolise or be analogous to the good, while being devoid of it. |
| 4025 | Kant saw beauty as a sort of disinterested pleasure, which has become separate from the good [Kant, by Taylor,C] |
| Full Idea: Kant, in his third critique, defined beauty in terms of a certain kind of disinterested pleasure;….this is the basis for a declaration of independence of the beautiful relative to the good. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Charles Taylor - Sources of the Self §23.1 | |
| A reaction: This is a rebellion against the Greeks, especially Plato, and prepares the ground for the idea of 'art for art's sake'. Personally, I'm with Plato. |
| 20412 | Beauty is only judged in pure contemplation, and not with something else at stake [Kant] |
| Full Idea: If the question is whether something is beautiful, one does not want to know whether there is something that is or that could be at stake, for us or for someone else, in the existence of the thing, but rather how we judge it in mere contemplation. | |
| From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 2 5:204), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 2.3 | |
| A reaction: This evidently denies that function has anything to do with beauty, and seems to be a prelude to 'art for art's sake'. But a running cheetah cannot be separated from the sheer efficiencey and focus of the performance. |
| 22046 | The mathematical sublime is immeasurable greatness; the dynamical sublime is overpowering [Kant, by Pinkard] |
| Full Idea: Kant distinguished the 'mathematical' and 'dynamical' sublime. The former involves immeasurable greatness (or smallness) such that we cannot even present them to ourselves. The latter is of something large and overpowering, which we can morally resist. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Terry Pinkard - German Philosophy 1760-1860 13 | |
| A reaction: Presumably Cantor revealed the full extent of the mathematical sublime ('heaven', according to Hilbert). We await the comet that destroys the Earth to fully experience the other one. |
| 21458 | The sublime is a moral experience [Kant, by Gardner] |
| Full Idea: The sublime is understood by Kant as a moral experience. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790], 28-9) by Sebastian Gardner - Kant and the Critique of Pure Reason 09 'Judgment' | |
| A reaction: Gardner give the source in Kant. I can't accept that the initial experience of the sublime is moral in character. It could easily acquire a moral character after contemplation by someone who had such inclinations. |
| 5643 | Aesthetic values are not objectively valid, but we must treat them as if they are [Kant, by Scruton] |
| Full Idea: The 'Critique of Judgement' argues, then, not for the objective validity of aesthetic values, but for the fact that we must think of them as objectively valid. | |
| From: report of Immanuel Kant (Critique of Judgement I: Aesthetic [1790]) by Roger Scruton - Short History of Modern Philosophy §11.7 | |
| A reaction: The trouble with these transcendental arguments of Kant is that they render you powerless to discuss the question of whether values are actually objective. We are all trapped in presuppositions, instead of testing suppositions. |
| 20410 | The judgement of beauty is not cognitive, but relates, via imagination, to pleasurable feelings [Kant] |
| Full Idea: In order to understand whether or not something is beautiful, we do not relate the representation by means of understanding to the object for cognition, but relate it by means of the imagination ..to the subject and its feeling of pleasure or displeasure. | |
| From: Immanuel Kant (Critique of Judgement I: Aesthetic [1790], CUP 1 5:203), quoted by Elizabeth Schellekens - Immanuel Kant (aesthetics) 2.1 | |
| A reaction: This is to distinguish the particular type of judgement which counts as 'aesthetic' - the point being that it is not cognitive - it is not a matter of knowledge and facts, but a cool judgement made about a warm feeling of pleasure. I think. |
| 7260 | If there are intuited moral facts, why should we care about them? [Dancy,J] |
| Full Idea: Critics asked (of intuitionism) why, if moral facts are as the intuitionists say, we should care about them at all. | |
| From: Jonathan Dancy (Intuitionism [1991]) | |
| A reaction: It is a good question, as we don't care much about other a priori truths, such as the square root of 169. |
| 7261 | Internalists say that moral intuitions are motivating; externalist say a desire is also needed [Dancy,J] |
| Full Idea: There is an internalist view of intuitionism, saying that to accept that one's action is wrong is itself to be motivated not to do it. Externalists (like Ross) say that moral judgements need the help of an independent desire to motivate us. | |
| From: Jonathan Dancy (Intuitionism [1991]) | |
| A reaction: The internalists would be closer to Kant or Plato (for whom reason or pure ideas motivate), while externalist would favour Hume's belief/desire account of human actions. I like Kant and Plato, but Hume is more plausible. Dancy disagrees (Idea 7262). |
| 7262 | Obviously judging an action as wrong gives us a reason not to do it [Dancy,J] |
| Full Idea: It is ludicrous to say that we might accept an action is outrageously wrong and still think of this as not in itself giving us good reason to hold back. | |
| From: Jonathan Dancy (Intuitionism [1991]) | |
| A reaction: If we think of some dreadful man-made famine in a remote continent, our judgement may well give a reason to act, but apathy usually intervenes. We are discussing a purely theoretical motive on the one hand, and an actual motivator on the other. |
| 7265 | Moral facts are not perceived facts, but perceived reasons for judgements [Dancy,J] |
| Full Idea: I intend to suggest that moral facts are best thought of not as facts perceived but as reasons recognised in the exercise of practical moral judgement. | |
| From: Jonathan Dancy (Intuitionism [1991]) | |
| A reaction: I'm not convinced by this modified version. Why should the fact that someone is in pain be, in itself, a reason to prevent it? There are different cultural traditions for response to the pain of others. We are the squeamish tradition. |
| 22871 | The good people are those who improve; the bad are those who deteriorate [Dewey] |
| Full Idea: The bad man is the man who no matter how good he has been is beginning to deteriorate, to grow less good. The good man is the man who no matter how morally unworthy he has been is moving to become better. | |
| From: John Dewey (The Middle Works (15 vols, ed Boydston) [1910], 12:181), quoted by David Hildebrand - Dewey 3 'Reconstruct' | |
| A reaction: Although a slightly improving rat doesn't sound as good as a slightly deteriorating saint, I have some sympathy with this thought. The desire to improve seems to be right at the heart of what makes good character. |
| 22876 | Democracy is the development of human nature when it shares in the running of communal activities [Dewey] |
| Full Idea: Democracy is but a name for the fact that human nature is developed only when its elements take part in directing things which are common, things for the sake of which men and women form groups. | |
| From: John Dewey (The Middle Works (15 vols, ed Boydston) [1910], 12:199), quoted by David Hildebrand - Dewey 4 'Democracy' | |
| A reaction: It is hard to prove that human nature develops when it particpates in groups. If people are excluded from power, their loyalty tends to switch to sub-groups, such as friends in a pub, or a football team. Powerless nationalists baffle me. |
| 22875 | Democracy is not just a form of government; it is a mode of shared living [Dewey] |
| Full Idea: A democracy is more than a form of government; it is primarily a mode of associated living, of conjoint communicated experience | |
| From: John Dewey (The Middle Works (15 vols, ed Boydston) [1910], 9:93), quoted by David Hildebrand - Dewey 4 'Democracy' | |
| A reaction: This precisely pinpoints the heart of the culture wars in 2021. A huge swathe of western populations believe in Dewey's idea, but a core of wealthy right-wingers and their servants only see democracy as the mechanism for obtaining power. |
| 22874 | Individuality is only developed within groups [Dewey] |
| Full Idea: Only in social groups does a person have a chance to develop individuality. | |
| From: John Dewey (The Middle Works (15 vols, ed Boydston) [1910], 15:176), quoted by David Hildebrand - Dewey 4 'Individuals' | |
| A reaction: This is a criticism of both Rawls and Nozick. Rawls's initial choosers don't consult, or have much social background. Nozick's property owners ignore everything except contracts. |